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958 stories by "Jesse Green"

Review: In 'sandblasted,' Seizing the Day. Also the Nose. by Jesse Green

When their body parts start falling off, two women go on a spiritual journey with an Oprah-esque guru in Charly Evon Simpson's new play.

SOURCE: The New York Times Subscription at 5:33pm on February 27, 2022

'Review: Learning 'English,' When Your Accent Is a 'War Crime' by Jesse Green

In a rich new play by Sanaz Toossi, four Iranians and their language teacher find second selves in a second tongue.

SOURCE: The New York Times Subscription at 10:06pm on February 22, 2022

'Plaza Suite' and Other Broadway Revivals Glimpse Our Theatrical Past by Jesse Green

New productions of American plays that debuted between 1942 and 2002 offer glimpses into the world in which they first emerged " and into ours.

SOURCE: The New York Times Subscription at 9:36am on February 22, 2022

Review: In 'Black No More,' Race Is Skin Deep, but Racism Isn't by Jesse Green

A new musical imagines the invention of a decolorizing process. Will it save Black Americans from hatred or destroy them?

SOURCE: The New York Times Subscription at 7:42pm on February 15, 2022

Review: Even With Hugh Jackman, 'The Music Man' Goes Flat by Jesse Green

Sutton Foster also stars in this neat, perky, overly cautious Broadway revival of a musical that needs to be more of a con.

SOURCE: The New York Times Subscription at 10:18pm on February 10, 2022

Review: 'The Tap Dance Kid,' Still Out of Step With the Times by Jesse Green

The Encores! series returns with a 1983 musical that, despite its pleasures, wasn't quite right then and isn't quite right now.

SOURCE: The New York Times Subscription at 3:42pm on February 3, 2022

'MJ' Review: Michael Jackson Musical Won't Look in the Mirror by Jesse Green

A new jukebox musical tells the story of Michael Jackson. Except for the big story.

SOURCE: The New York Times Subscription at 10:03pm on February 1, 2022

Review: In 'Intimate Apparel,' Letting the Seamstress Sing by Jesse Green

Lynn Nottage's play about a Black woman in 1905 becomes an opera, with music by Ricky Ian Gordon, that forefronts voices ignored by history.

SOURCE: The New York Times Subscription at 10:06pm on January 31, 2022

Review: In 'Skeleton Crew,' Making Quick Work of Hard Labor by Jesse Green

Dominique Morisseau's 2016 play, now on Broadway, is a swift, well-crafted look at factory workers trapped in an economic "dumpster fire."

SOURCE: The New York Times Subscription at 9:33pm on January 26, 2022

Review: A Shorter 'Long Day's Journey,' Now With N95s by Jesse Green

The Eugene O'Neill classic, set in 1912, is just as powerful in Robert O'Hara's revival, set in our own age of disease and lockdown.

SOURCE: The New York Times Subscription at 9:33pm on January 25, 2022

In a Double Bill, the Avant-Garde Meets a Very Good Girl by Jesse Green

Excellent performances, including one by a well-behaved dog, warm up two experimental plays upstate.

SOURCE: The New York Times Subscription at 1:36pm on January 17, 2022

'Intelligent Life' Review: Cecily Strong's 'Awerobics' Workout by Jesse Green

Taking Lily Tomlin's roles in a revival of Jane Wagner's metaphysical comedy, the "Saturday Night Live" star is put through her paces.

SOURCE: The New York Times Subscription at 8:33pm on January 11, 2022

On Broadway Stages, the Beautiful Rooms Are Empty by Jesse Green

In recent musicals, hyperdesign is outstripping writing and direction for clarity, expressiveness and excitement.

SOURCE: The New York Times Subscription at 11:36am on December 30, 2021

Review: In 'Flying Over Sunset,' Getting High With the Stars by Jesse Green

A new musical imagines the all-singing, all-dancing LSD trips of Aldous Huxley, Clare Boothe Luce and Cary Grant.

SOURCE: The New York Times Subscription at 10:12pm on December 13, 2021

Review: In a Gender-Flipped Revival, 'Company' Loves Misery by Jesse Green

Bobby is now Bobbie in this confusing, sour remake of the 1970 musical by Stephen Sondheim and George Furth.

SOURCE: The New York Times Subscription at 9:06pm on December 9, 2021

'Kimberly Akimbo' Review: What's an Anagram for 'Wonderful'? by Jesse Green

Victoria Clark stars in a playful yet powerful musical about a girl who is aging too fast among adults who behave like children.

SOURCE: The New York Times Subscription at 10:12pm on December 8, 2021

Stephen Sondheim: The Essential Musical Dramatist Who Taught Us to Hear by Jesse Green

With a childlike sense of discovery, Stephen Sondheim found the language to convey the beauty in harsh complexity.

SOURCE: The New York Times Subscription at 9:36pm on November 26, 2021

'Clyde's' Review: Sometimes a Hero Is More Than Just a Sandwich by Jesse Green

In Lynn Nottage's bright new comedy, cooks at a greasy spoon dream of remaking the menu " and their lives.

SOURCE: The New York Times Subscription at 10:36pm on November 23, 2021

Review: 'Trouble in Mind,' 66 Years Late and Still On Time by Jesse Green

Alice Childress's 1955 play about power and race in the theater is a satire and a tragedy that deserves to be a classic.

SOURCE: The New York Times Subscription at 9:32pm on November 18, 2021

'Diana, the Musical' Review: Exploiting the People's Princess by Jesse Green

The tabloid press and the monarchy used the Princess of Wales for their own purposes, and now a new Broadway show does the same.

SOURCE: The New York Times Subscription at 7:54pm on November 17, 2021

Review: In 'Nollywood Dreams,' a Star and an Industry Are Born by Jesse Green

Jocelyn Bioh's new comedy about making movies in Nigeria throws some side-eye on Hollywood as well.

SOURCE: The New York Times Subscription at 8:18pm on November 11, 2021

Review: 'Trevor' Is a Musical That Dare Not Speak Its Theme by Jesse Green

In this bizarrely cheery adaptation of the Academy Award-winning film, suicide among young gay people proves difficult to sing about.

SOURCE: The New York Times Subscription at 10:03pm on November 10, 2021

Review: Edie Falco Shines as an Everywoman in 'Morning Sun' by Jesse Green

A new play by Simon Stephens has hearty performances but a nearly undetectable pulse.

SOURCE: The New York Times Subscription at 9:18pm on November 3, 2021

Review: Embodying Justice in 'Twilight: Los Angeles, 1992' by Jesse Green

Anna Deavere Smith's one-woman play about the aftermath of the Rodney King case gets a cast of five in an updated Off Broadway revival.

SOURCE: The New York Times Subscription at 10:06pm on November 1, 2021

Review: 'Caroline, or Change' Makes History's Heartbreak Sing by Jesse Green

An electrifying revival of the 2003 musical, featuring a titanic performance by Sharon D Clarke, follows the money to the source of American inequality.

SOURCE: The New York Times Subscription at 9:12pm on October 27, 2021
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