Under a Turtle Shell, a Stunning New Home for Shakespeare
After 38 years in a tent, Hudson Valley Shakespeare opens one of the most spectacular outdoor performance spaces in the country.
After 38 years in a tent, Hudson Valley Shakespeare opens one of the most spectacular outdoor performance spaces in the country.
Arthur Miller’s classic won the same award in 1984, 1999 and 2012.
Based on the novel by E.L. Doctorow, “Ragtime” follows three communities colliding in turn-of-the-20th-century New York.
The Tony-nominated stars of “Fallen Angels” demonstrate how to act drunk onstage and have a hilarious hangover.
Decades after “The Emporium” failed to open on Broadway in 1954, one man went on a quest to find it.
Here are some of the brilliant moments our writers can’t shake from this year’s batch of Tony-nominated productions.
A genre of plays has emerged in which the characters and events are real — even when the dialogue isn’t.
Lea Michele, Adrien Brody and other boldface names were left out, while June Squibb, André De Shields and Layton Williams as an iceberg were among the surprises.
As portrayed in shows like "Smash," "Slings & Arrows" and "American Classic," life onstage is a grab-bag of archetypes both hilariously wrong and a little bit right.
The taboo-busting, gasp-inducing Broadway musical comedy has been a hit with audiences and critics. But could it be produced today?
Is there anyone John Lithgow can't " or won't " play?
TikTok is the new home for musical theater fans who want to put themselves in the action. Viral re-enactments of four big numbers show why.
Broadway, Hollywood and television have been kind to Marc Shaiman. But there's a reason the subtitle of his new memoir is "Showbiz Stories From a Sore Winner."
Nobody advanced or cherished the English language more than Stoppard, Tim Curry noted. Colleagues and fans agreed.
A Black Hedda Gabler on film and a white Korean robot onstage are sending mixed signals about the status of cultural diversity and representation.
The new Lorenz Hart biopic "Blue Moon" gets a lot right about the creation of musicals that a spate of 1940s films got wildly wrong.
Dolly Parton in Vegas, a shrine to David Bowie, a new standup special from Kumail Nanjiani and other picks from our critics and writers.
At this year's Stratford Festival, kings, orphans and even a coffee shop have a message for their neighbors to the south.
Pamela Anderson, Amber Heard and Tennessee Williams on ice are part of Jeremy O. Harris's big tent at the famous summer festival.
The slinky jailbirds and Broadway hopefuls in these two classic shows have been fighting it out since 1975.
Drawing on her own experience as an arts journalist, Charlotte Runcie comically skewers bad men, bad faith and (unforgivably) bad theater.
Thornton Wilder's play became a blockbuster musical, but a production under an upstate tent makes the case for its stand-alone virtues.
Our critic picked 10 moments that tapped into a range of emotions, often all at once.
Despite a gorgeous score and some fine performances, the musical adaptation of the Madeleine L'Engle classic gets trapped in a time loop.
In an Off Broadway play, young men on a high school debate team prepare to argue an uncomfortable case.
The Off Broadway play "Prince Faggot" aims to shock. But the real surprise is how good it is anyway.
The "Hacks" star returns to Broadway after 25 years in a triumph for her, if not for the old-fashioned, flowery play about spouse abuse.
In an Off Broadway play, the former Jim Halpert of Dunder Mifflin dives into a darker world of male grievance.
Our critic listened to the cast recordings of all the nominated musicals and picked one of his favorite tracks from each.
Amber Iman lives up to the title of a musical about the divine gift of song.
Liev Schreiber stars in an update of the bleak Strindberg classic about a husband and wife and the man who seeks to destroy them.
Our chief theater critic looks at this year's nominees and weighs in on the plays, musicals and artists he thinks will " and should " take home trophies on June 8.
A new play about a middle-age professor and his teenage student forces you to ask: Who's grooming whom?
When James Joyce's masterpiece faced banning, the American justice system came to the rescue. A new play wonders if it would today.
An awkward Encores! revival of the 1953 musical celebrates the bohemian life of Greenwich Village in the years when oddballs could still afford to live there.
Ensemble-driven plays like "Purpose" and "English" received a slew of nominations, while Denzel Washington, Jake Gyllenhaal and Idina Menzel were overlooked.
Our chief theater critic makes his picks.
A truly twisted yarn about a long-lived corpse makes a surprisingly feel-good Broadway musical.
Groff is sensational as the '60s "nightclub animal" in a Broadway bio-musical jukebox that doesn't live up to its star.
A Broadway remake of the operetta, starring David Hyde Pierce, moves the plot to the Big Easy, where good times roll, even if some jokes don't quite land.
"Glass. Kill. What If If Only. Imp," a new collection of one-acts by the great British playwright, is a cause for celebration, wonderment and grief.
Kimberly Belflower's play, on Broadway starring Sadie Sink, gives high school students a chance to prosecute a #MeToo case against "The Crucible."
En route to Broadway, the TV series about backstage shenanigans and Marilyn Monroe has been rejiggered, with the same great songs but a whole new plot.
Bernadette Peters and Lea Salonga lead the festivities in a new Broadway revue of the great musical dramatist's work.
The composer and lyricist of "A New Brain," "Falsettos" and other shows answered the pains of life with jaunty songs. He died this week at 73.
The It girl with the spit curl looks great for 100, but her Broadway musical, which feels like one big merch grab, is boop-boop-a-don't.
Nick Jonas and Adrienne Warren star in a muddy revival of Jason Robert Brown's still-scathing musical.
George Clooney makes Edward R. Murrow a saint of sane journalism for a world that still needs one in a stage adaptation of the 2005 movie.
Kieran Culkin, Bill Burr and Bob Odenkirk star in a bumpy revival of David Mamet's play about salesmen with nothing worth selling.
The "Succession" actress plays all 26 roles in this Oscar Wilde classic reimagined as a video spectacle. If only there were less screen time and more IRL contact.