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1,428 stories by "Ben Brantley"

Review: 'The Terrifying' Has Paranoia and the Feeling Something's Wrong by Ben Brantley

A monster devours your sense of security in this scream-filled Julia Jarcho evisceration of classic horror movies at Abrons Arts Center.

SOURCE: The New York Times Subscription at 10:36pm on March 19, 2017

Review: 'Joan of Arc' and the Monotony of Sainthood by Ben Brantley

In David Byrne's inert new musical, France's favorite saint storms England with power chords.

SOURCE: The New York Times Subscription at 10:31pm on March 15, 2017

Review: Songs Say What a Family Can't in 'Sundown, Yellow Moon' by Ben Brantley

Voices are seldom raised in Rachel Bonds's beautifully acted play, and big, confrontational truths mostly remain unspoken.

SOURCE: The New York Times Subscription at 10:12pm on March 14, 2017

Review: Big Dreams, Bright Ideas in 'The Light Years' by Ben Brantley

The Debate Society's leisurely and copiously detailed production contemplates two Chicago World's Fairs, and everything in between.

SOURCE: The New York Times Subscription at 10:32pm on March 13, 2017

Review: In 'The Moors,' Where Heathcliff Fears to Tread by Ben Brantley

This whimsical exploration of the world created by the writing of Charlotte, Emily and Anne Brontë gets an alternately intriguing and irritating production.

SOURCE: The New York Times Subscription at 10:32pm on March 13, 2017

Review: 'Come From Away,' a Canadian Embrace on a Grim Day by Ben Brantley

This musical pushes emotional buttons as it portrays a town's efforts to accommodate travelers whose planes were diverted to a Canadian town after the 9/11 attacks.

SOURCE: The New York Times Subscription at 10:18pm on March 12, 2017

Review: Dismantling 'The Glass Menagerie' by Ben Brantley

The director Sam Gold and his cast, led by an intrepid Sally Field, have deconstructed the Tennessee Williams classic. But don't expect the pieces to be reassembled.

SOURCE: The New York Times Subscription at 10:36pm on March 9, 2017

Review: In 'Significant Other,' the Gay Best Friend Is the Odd Man Out by Ben Brantley

Joshua Harmon's comedy, at the Booth Theater, tells of a gay man's turmoil as he watches wedding bells break up his gang of gal pals.

SOURCE: The New York Times Subscription at 10:24pm on March 2, 2017

Review: A 'Sweeney Todd' That Gets Into Your Face by Ben Brantley

This musical about a demonic barber could be more penetrating, but still respects the original story's depiction of madness.

SOURCE: The New York Times Subscription at 11:03pm on March 1, 2017

Ethan Lipton: Have Rocket, Will Travel by Ben Brantley

Mr. Lipton teams up with Leigh Silverman to bring "The Outer Space" to Joe's Pub at the Public Theater.

SOURCE: The New York Times Subscription at 12:54pm on March 1, 2017

5 Must-See Shows if You're in New York This Month by Ben Brantley

March brings a set of rivalrous blue-collar workers, a resentful stoker on an ocean liner and, oh yes, one very angry barber.

SOURCE: The New York Times Subscription at 8:18am on March 1, 2017

Review: In 'Linda,' the Lures and Snares of Leaning In by Ben Brantley

Contemporary womanhood has its challenges, and this play explores many of them, like sexual harassment, eating disorders, Ophelia complexes and more.

SOURCE: The New York Times Subscription at 10:18pm on February 28, 2017

Review: In 'The Skin of Our Teeth,' the End of the World as We Know It by Ben Brantley

The Theater for a New Audience's revival of Thornton Wilder's apocalyptic comedy feels surprisingly appropriate for a world threatened by climate issues and packed with refugees.

SOURCE: The New York Times Subscription at 10:18pm on February 28, 2017

Review: 'Wakey, Wakey' Stars Life and Death by Ben Brantley

There are echoes of Samuel Beckett in this short, resonant tragicomedy, written by Will Eno and featuring Michael Emerson.

SOURCE: The New York Times Subscription at 10:42pm on February 27, 2017

Review: 'Sunday in the Park With George,' a Living Painting to Make You See by Ben Brantley

Jake Gyllenhaal and Annaleigh Ashford star in the marvelous revival of Stephen Sondheim and James Lapine's musical, at the newly restored Hudson Theater.

SOURCE: The New York Times Subscription at 10:18pm on February 23, 2017

Review: In 'Kid Victory,' Rescued but Not Free by Ben Brantley

This dark musical by Greg Pierce and John Kander examines the ordeals of a teenager trying to recover from a drugged captivity.

SOURCE: The New York Times Subscription at 10:48pm on February 22, 2017

Review: In 'Everybody,' Mortality Loves Company by Ben Brantley

Branden Jacobs-Jenkins's take on a stark 15th-century morality play includes characters like Stuff, Death and Love.

SOURCE: The New York Times Subscription at 10:32pm on February 21, 2017

Review: 'On the Exhale' Addresses Grief and the Attraction of an Assault Rifle by Ben Brantley

Martín Zimmerman's play, starring Marin Ireland, approaches the subject of American gun violence from a startlingly original perspective.

SOURCE: The New York Times Subscription at 10:18pm on February 19, 2017

Review: In 'Escaped Alone' Fears Small (Cats) and Large (Apocalypse) by Ben Brantley

Fear festers, burrows and blooms in Caryl Churchill's short and wondrous play that plumbs the depths of 21st-century terrors.

SOURCE: The New York Times Subscription at 10:42pm on February 16, 2017

Review: 'Evening at the Talk House' Is Just the Dystopia Next Door by Ben Brantley

Wallace Shawn excavates moral cowardice in an authoritarian age, with Matthew Broderick as our guide.

SOURCE: The New York Times Subscription at 10:42pm on February 16, 2017

Review: 'Man From Nebraska' Delivers a Midlife Crisis of Faith by Ben Brantley

In this Tracy Letts play, an Everyman suddenly realizes he doesn't believe in God and goes about re-examining all aspects of his life.

SOURCE: The New York Times Subscription at 10:18pm on February 15, 2017

Review: In 'Good Samaritans,' They Sing and Dance, but This Isn't 'La La Land' by Ben Brantley

This Richard Maxwell production at the Abrons Arts Center could be described as a sugar-free version of the new Hollywood musical.

SOURCE: The New York Times Subscription at 10:18pm on February 15, 2017

In 'Everybody,' a New Angle on Race by Ben Brantley

Branden Jacobs-Jenkins's new play is part of the Signature Theater Company's Residency Five program.

SOURCE: The New York Times Subscription at 10:32am on February 15, 2017

Review: In 'Life According to Saki,' Whistling a Perversely Happy Tune by Ben Brantley

The author Katherine Rundell has repurposed some of Saki's anarchic short stories for a 21st-century theater audience.

SOURCE: The New York Times Subscription at 10:36pm on February 13, 2017

Review: It's Norman Mailer vs. Feminists in 'The Town Hall Affair' by Ben Brantley

Maura Tierney, Kate Valk, Scott Shepherd and the Wooster Group recreate a firestorm of a panel discussion in the timely and time-bending piece.

SOURCE: The New York Times Subscription at 7:32pm on February 10, 2017
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