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1,793 stories by "Elisabeth Vincentelli"

'Heart' Review: First a Starter Marriage, Then Real Love by Elisabeth Vincentelli

In her new autobiographical solo play, the actress Jade Anouka recounts the joys and fears of falling for a woman after her marriage to a man ends.

SOURCE: The New York Times Subscription at 2:54pm on July 18, 2022

A Global Hit, 'Notre Dame de Paris' Finally Lands in New York by Elisabeth Vincentelli

The splashy show, an example par excellence of what makes modern French musicals distinctive, begins a run at Lincoln Center.

SOURCE: The New York Times Subscription at 1:18pm on July 12, 2022

'White on White' Review: American Grotesque by Elisabeth Vincentelli

Robert Quillen Camp's play, about an antiracist discussion group, starts out naturalistically, but then pivots, with bloody abandon, to the absurd.

SOURCE: The New York Times Subscription at 3:42pm on July 11, 2022

Review: 'The Rise and Fall of … Jean Claude Van Damme' Revives an Action Hero by Elisabeth Vincentelli

A gleefully juvenile show about the Belgian star, from the writer Timothy Haskell, barrels through his life and oeuvre using toy action figures.

SOURCE: The New York Times Subscription at 4:06pm on July 5, 2022

'Titanique' Review: A Musical Find Its Sea Legs by Elisabeth Vincentelli

The camp reimagining of the maritime blockbuster revs up into increasing absurdity and Celine Dion songs.

SOURCE: The New York Times Subscription at 2:54pm on June 28, 2022

'Bodies They Ritual' Review: Plush Robes and Cults by Elisabeth Vincentelli

Angela Hanks's new comedy is set in Santa Fe, N.M., where five women of color have traveled for some fancy R&R laced with New Age spirituality.

SOURCE: The New York Times Subscription at 2:48pm on June 26, 2022

At 52, Mabou Mines Is Still Testing Boundaries by Elisabeth Vincentelli

A three-day retrospective will shine a spotlight on the group's most daring projects.

SOURCE: The New York Times Subscription at 4:24pm on June 22, 2022

'The Big Mix': Little Island's 3-Week Party by Elisabeth Vincentelli

Honoring Pride, Juneteenth and the Fourth of July, the festival features Idina Menzel and Tonya Pinkins alongside poets, fire artists and marching bands.

SOURCE: The New York Times Subscription at 10:33am on June 17, 2022

To Preserve La MaMa's Legacy, a Shift in Leadership Styles by Elisabeth Vincentelli

Championing collaboration and digital projects, Mia Yoo is forging her own path at the experimental theater incubator.

SOURCE: The New York Times Subscription at 3:18pm on June 16, 2022

'Mr. Parker' Review: Starting Over by Elisabeth Vincentelli

The protagonist of this new play by Michael McKeever steps gingerly out of grief's stasis and into the unknown.

SOURCE: The New York Times Subscription at 5:48pm on June 8, 2022

Chekhov Two Ways, With a Robot and Baryshnikov Along for the Ride by Elisabeth Vincentelli

With its production of "The Orchard," juxtaposing the human and the virtual, the Arlekin Players continue taking creative leaps.

SOURCE: The New York Times Subscription at 5:33am on June 3, 2022

Review: In 'California,' a Road Trip and a Detour Into Darkness by Elisabeth Vincentelli

The playwright Trish Harnetiaux's new show, set entirely in a car, follows a family of travelers. It bravely, if not entirely satisfyingly, explores alternate realities.

SOURCE: The New York Times Subscription at 9:18pm on May 24, 2022

Review: 'Golden Shield' Is an Exercise In Miscommunication by Elisabeth Vincentelli

Anchuli Felicia King's play about an internet firewall belongs to multiple genres all at once.

SOURCE: The New York Times Subscription at 9:18pm on May 17, 2022

'Which Way to the Stage' Review: Theater Buddies, With Claws Out by Elisabeth Vincentelli

In her new comedy, Ana Nogueira spins zippy fun out of a fairly conventional story about a friendship strained by resentment.

SOURCE: The New York Times Subscription at 8:33pm on May 10, 2022

Holland Taylor Plays Ann Richards One Last Time by Elisabeth Vincentelli

Taylor, 79, first performed her solo play "Ann," about the former governor of Texas, in 2010. Now, she's saying goodbye to the white suit.

SOURCE: The New York Times Subscription at 3:42pm on April 28, 2022

Jaquel Spivey Is Riding His First Professional Gig to Broadway by Elisabeth Vincentelli

Jaquel Spivey graduated from college last May. Now he's making his Broadway debut as the star of Michael R. Jackson's Pulitzer Prize-winning musical, "A Strange Loop."

SOURCE: The New York Times Subscription at 10:33am on April 20, 2022

Alfie Allen Gets in the Zone with Gospel Music and Pineapples by Elisabeth Vincentelli

Known for portraying the luckless Theon Greyjoy on "Game of Thrones," the British actor shares the items that are helping him prep for his Broadway debut.

SOURCE: The New York Times Subscription at 2:54pm on April 19, 2022

Review: In 'Harmony,' a Band's Success Collides With History by Elisabeth Vincentelli

Barry Manilow and Bruce Sussman's musical chronicles the story of the Comedian Harmonists, a sextet of Jews and gentiles in Weimar-era Germany.

SOURCE: The New York Times Subscription at 9:36pm on April 13, 2022

Review: 'The Little Prince,' a Lumbering Circus by Elisabeth Vincentelli

A stage version of Antoine de Saint-Exupéry's classic of children's literature lands on Broadway but remains stubbornly earthbound.

SOURCE: The New York Times Subscription at 9:06pm on April 11, 2022

Review: 'Little Girl Blue' Revisits Nina Simone in Her Prime by Elisabeth Vincentelli

Laiona Michelle's tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer's life and career.

SOURCE: The New York Times Subscription at 3:36pm on March 23, 2022

'The Life' Review: Turning More Than a Few New Tricks by Elisabeth Vincentelli

Billy Porter brings a heavy-handed touch as the director and adapter of this 1997 musical about prostitutes and pimps in Manhattan's bad old days.

SOURCE: The New York Times Subscription at 4:24pm on March 17, 2022

Review: In 'Prayer for the French Republic,' Echoes of the Past by Elisabeth Vincentelli

Joshua Harmon's ambitious new play toggles between a contemporary Jewish family facing growing antisemitism and their relatives during World War II.

SOURCE: The New York Times Subscription at 9:24pm on February 1, 2022

At the Exponential Festival, Case Studies in Category Busting by Elisabeth Vincentelli

Two years into the pandemic, this festival, which has gone virtual for now, abjures traditional theatricality and performance.

SOURCE: The New York Times Subscription at 2:48pm on January 27, 2022

One Opera Opening Would Make Any Composer Happy. He Has Two. by Elisabeth Vincentelli

Ricky Ian Gordon's "Intimate Apparel" and "The Garden of the Finzi-Continis" are premiering in New York almost simultaneously.

SOURCE: The New York Times Subscription at 5:06am on January 21, 2022

Conrad Ricamora on His Bumpy Road to 'Little Shop of Horrors' by Elisabeth Vincentelli

The actor reflects on continuing the Off Broadway revival's hot streak, and fighting against the stereotypes facing Asian American actors.

SOURCE: The New York Times Subscription at 10:33am on January 19, 2022
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