DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
142 stories by "Zoë Anderson, Zoë Anderson"

Why superstar ballet dancer Rudolf Nureyev was 'as big as Mick Jagger' by Zoë Anderson, Zoë Anderson

Two upcoming films celebrate the Soviet sensation who became an icon in the West at the very height of the Cold War

SOURCE: The Independent at 4:54am on September 22, 2018[SHARE]

Natalia Osipova: Pure Dance, Sadler's Wells, review: A slight selection of short works by Zoë Anderson, Zoë Anderson

Big stars, good intentions, underpowered results. In Pure Dance, ballerina Natalia Osipova has put together an evening of short works, mostly new commissions. It's a chance to see this marve…

SOURCE: The Independent at 8:54am on September 14, 2018[SHARE]

Play, Queen Elizabeth Hall, Southbank Centre, London: Beyoncé's dancer is a deft and flexible performer by Zoë Anderson, Zoë Anderson

Sidi Larbi Cherkaoui and Shantala Shivalingappa's show is playful, affectionate and curious.

SOURCE: The Independent at 8:06am on September 5, 2018[SHARE]

Velvet Petal, Purcell Room, Southbank Centre, London, dance review: 'Sensuous and powerfully theatrical' by Zoë Anderson, Zoë Anderson

Scottish Dance Theatre's Velvet Petal is packed with vivid images of seduction, transformation and discovery

SOURCE: The Independent at 8:18am on September 3, 2018[SHARE]

Backbone, Royal Festival Hall, London, review: A circus without sequins by Zoë Anderson, Zoë Anderson

Nobody is here to strike sexy poses or to act out stereotypes

SOURCE: The Independent at 9:42am on August 15, 2018[SHARE]

Carmen La Cubana, Sadler's Wells, review - A fast-paced, high-energy staging by Zoë Anderson, Zoë Anderson

Created by British director Christopher Renshaw, this new musical reframes the narrative of Bizet's opera, in an orchestration by Hamilton's Alex Lacamoire

SOURCE: The Independent at 5:12pm on August 3, 2018[SHARE]

East Wall, Tower of London, London, review: Hofesh Shechter's large-scale dance show storms the Tower by Zoë Anderson, Zoë Anderson

A dozen companies, including a military band, a gospel choir, multiple youth dance groups, are brought together for this high energy show

SOURCE: The Independent at 6:06am on July 20, 2018[SHARE]

The Head & the Load, Tate Modern, London, review: William Kentridge's piece about Africans in WWI is electrifying by Zoë Anderson, Zoë Anderson

Sculpture, song, and shadow play are used to tell the story of 1.5 million Africans who worked as porters and carriers during the war

SOURCE: The Independent at 8:12am on July 12, 2018[SHARE]

Goldberg Variations, Barbican, London, review: A thoughtful and teasing take on Bach from both dancers and musicians by Zoë Anderson, Zoë Anderson

A collaboration between the string players of Scottish Ensemble and Swedish choreographer Örjan Andersson, where both sides feel like equal dancing partners

SOURCE: The Independent at 2:42pm on July 6, 2018[SHARE]

Nederlands Dans Theater 1, Sadler's Wells, London, review: Crystal Pite's The Statement is a dazzling account of complicity, naivety and gui by Zoë Anderson, Zoë Anderson

A horrifying and often hilarious look at backroom politics impresses, but the rest of the programme can't match it

SOURCE: The Independent at 8:42am on June 27, 2018[SHARE]

Mercenary, Battersea Arts Centre, London, review: Dance meets football in this gruelling look at Qatar 2022 by Zoë Anderson, Zoë Anderson

Footballer-turned-artist Ahil Ratnamohan examines the 2022 Qatar World Cup from the point of view of its migrant workforce

SOURCE: The Independent at 7:48am on June 25, 2018[SHARE]

All Forsythe, Sadler's Wells, London, review: Semperoper's dancers are fresh and vivid by Zoë Anderson, Zoë Anderson

This Dresden-based company are specialists in William Forsythe's bold, athletic work, danced here as if it were as natural as breathing

SOURCE: The Independent at 7:04am on June 22, 2018[SHARE]

Polarity & Proximity, Sadler's Wells, London, review: Birmingham Royal Ballet dazzle their way through new and recent work by Zoë Anderson, Zoë Anderson

Three pieces by George Williamson, Alexander Whitley and Twyla Tharp are danced with boldness and individuality

SOURCE: The Independent at 9:42am on June 18, 2018[SHARE]

Romeo and Juliet, Sadler's Wells, London, review: Plenty of gusto by Zoë Anderson, Zoë Anderson

The lovers could use more spark, but this is a warm account of Kenneth MacMillan's passionate production

SOURCE: The Independent at 7:54am on June 13, 2018[SHARE]

Portraits in Otherness, Sadler's Wells, London, review: Four superb dancers prove to have strong choreographic voices by Zoë Anderson, Zoë Anderson

The Akram Khan Company looks to the next generation, finding plenty of talent

SOURCE: The Independent at 10:48am on June 8, 2018[SHARE]

The Sleeping Beauty, London Coliseum, review: Has a gleaming performance from Alina Cojocaru at its heart by Zoë Anderson, Zoë Anderson

There's a warmth and confidence in English National Ballet's production that makes the fairy tale's magic sing

SOURCE: The Independent at 7:42am on June 7, 2018[SHARE]

A Night with Boy Blue, Barbican, London, review: The powerhouse brand at its warmest and and most inclusive by Zoë Anderson, Zoë Anderson

129 dancers of all ages and body types fill the stage for this big, confident hip hop showcase

SOURCE: The Independent at 9:48am on June 4, 2018[SHARE]

XENOS, Sadler's Wells, London, review: Akram Khan's farewell performance emphasises his stamina by Zoë Anderson, Zoë Anderson

The last full-length show he'll dance evokes the shell-shock of an Indian soldier in the trenches of the First World War

SOURCE: The Independent at 4:12pm on May 31, 2018[SHARE]

Life is a Dream, Sadler's Wells, London, review: Rambert's first evening-length work for decades is understated by Zoë Anderson, Zoë Anderson

Kim Brandstrup's new adaptation of Pedro Calderón de la Barca 17th century play is a dance narrative in a hall of mirrors

SOURCE: The Independent at 3:04pm on May 24, 2018[SHARE]

Swan Lake, Royal Opera House, London, review: A high stakes new production pays off by Zoë Anderson, Zoë Anderson

A new Swan Lake is a once-in-a-generation thing " and Liam Scarlett's starry and spectacular staging proves suitably grand

SOURCE: The Independent at 7:04am on May 18, 2018[SHARE]

Elizabeth, Barbican, London, review: A magnificent central performance but a trivial view of its subject by Zoë Anderson, Zoë Anderson

Zenaida Yanowsky is superb as the Tudor queen in Will Tuckett's dance drama, but the work struggles to look beyond her relationship with men

SOURCE: The Independent at 8:06am on May 17, 2018[SHARE]

Jane Eyre, Sadler's Wells, London, review: Catches the fierceness of one of literature's angriest heroines by Zoë Anderson, Zoë Anderson

Nevermind Rochester and romance: Northern Ballet's staging sees Jane step into the spotlight as her own woman

SOURCE: The Independent at 8:04am on May 16, 2018[SHARE]

Crave, Barbican, London, review: Dance version of Sarah Kane's play is coolly abstract by Zoë Anderson, Zoë Anderson

The overlap of dance and theatre is uneven Julie Cunningham & Company's staging of the playwright's bleak text

SOURCE: The Independent at 9:04am on May 14, 2018[SHARE]

Cloud Gate Dance Theatre of Taiwan, Sadler's Wells, London, review: Lin Hwai-Min's farewell has a new urgency by Zoë Anderson, Zoë Anderson

Combining contemporary dance, qi gong, martial arts and calligraphy, this Taiwanese dance company explore the colonial history of their island

SOURCE: The Independent at 4:36am on May 11, 2018[SHARE]

Show, Hofesh Shecter Company, Lyric Hammersmith, London, review: Murderous clowns and insistent beats by Zoë Anderson, Zoë Anderson

Eight dancers move in unison before killing each other in stylised gesture, carried along by Hofesh Shecter's driving score

SOURCE: The Independent at 7:04am on May 9, 2018[SHARE]
Page 1 of 6   Next 25 »