4,293 stories from Broad Street Review
Lauren Gunderson's 'The Revolutionists' at Theatre Horizon blends 1793's rebels with modern women's struggles for equality. Mark Cofta reviews.
Opera Philadelphia's local premiere of 'Written on Skin' offers a fresh spin on a contemporary masterpiece. Cameron Kelsall reviews.
Delaware Theatre Company's regional premiere of Simon Stephens's 'Heisenberg' disrupts our rom-com expectations of meeting cute. Cameron Kelsall reviews.
Cure the winter blahs with live theater, where the old is new again and the new is even newer. Also check out the riches offered by local colleges.
Philly transplant Sonya Aronowitz says she can't stand to see how little original, local work is making it to the stage, but with a trio of performances for Philly Theatre Week, she's helpin…
On their way to Carnegie Hall, pianist Daniil Trifonov and baritone Matthias Goerne make beautiful, intense music at Princeton's McCarter Theatre Center. Cameron Kelsall reviews.
Media Theatre's production of Tom Kitt and Brian Yorkey's 'Next to Normal' explores mental illness with raw honesty, and true to the subject, doesn't offer easy answers. Mark Cofta reviews.
Quintessence Theatre Group's fresh, invigorating 'Waiting for Godot' foregrounds the humanity and heart of Samuel Beckett's tramps. Cameron Kelsall reviews.
EgoPo Classic Theater's premiere of John Guare's 'Lydie Breeze' trilogy gets off to an arresting and maddening start with 'Cold Harbor.' Cameron Kelsall reviews.
Theatre Exile's production of Jackie Sibblies Drury's 'Really' mulls photography and art, but its affectations blur character and narrative. Mark Cofta reviews.
Philadelphia Asian Performing Artists premieres with Mike Lew's 'Tiger Style!' " a comedy that doesn't earn its exclamation point. Mark Cofta reviews.
Bristol Riverside Theatre chronicles the war at home in Donald Margulies's 'Time Stands Still.' Cameron Kelsall reviews.
InterAct Theatre Company's premiere of MJ Kaufman's 'Sensitive Guys' lacks theatrical sensitivity. Mark Cofta reviews.
Theatre SKAM's 'Fashion Machine.' at FringeArts, finds its deconstructionist child charges ripping apart your outfit " literally and figuratively " and putting it back together again, fabulo…
Walnut Street Theatre's production of Stephen Karam's 'The Humans' gets clogged up in kitchen sink realism. Cameron Kelsall reviews.
'Dial M for Murder' receives a handsome revival by Wilmington, Delaware's Resident Ensemble Players, but sometimes less design is more. Mark Cofta reviews.
Josh Ravetch's 'Go Figure: The Randy Gardner Story,' at Delaware Theatre Company, celebrates figure skating with unskilled sincerity. Mark Cofta reviews.
McCarter Theatre Center's 'Stones in His Pockets' has charm, but often reinforces the stereotypes it tries to subvert. Cameron Kelsall reviews.
The Arden Theatre Company's revival of Henrik Ibsen's 'A Doll's House' says much by staging the classic without reverence or commentary. Mark Cofta reviews.
Michael Frayn's acclaimed 'Copenhagen' shows its age in Lantern Theater Company's 10th anniversary production. Cameron Kelsall reviews.
Stew and Heidi Rodewald's coming-of-age story 'Passing Strange' has evolved, cut its creators out of the script, and landed at the Wilma Theater. Mark Cofta and Cameron Kelsall discuss.
Paul Osborn's 1938 hit 'Morning's at Seven' receives an instructive revival by People's Light & Theatre Company. Mark Cofta reviews.
Roni Graham's one-woman show 'Laughter Is Therapy' pairs the performer's dynamic personality and therapeutic triaining with a gripping--and hilarious--life story. Jarreau Freeman reviews.
Bright Metal Productions premieres at Plays & Players with their devised drama 'The Sabbatical,' a sharp and incisive view into a church congregation's secret lives. Mark Cofta reviews.
A short documentary based on a theater adaption of Turiya S.A. Raheem's book, 'Growing up in the Other Atlantic City: Wash's and the Northside' honors the city's black legacy. Danielle Corci…
