Philadelphia Theatre Company presents Bess Wohl's 'Small Mouth Sounds'
Philadelphia Theatre Company imports Bess Wohl's 'Small Mouth Sounds,' which may say more about PTC than they intended. Mark Cofta reviews.
Philadelphia Theatre Company imports Bess Wohl's 'Small Mouth Sounds,' which may say more about PTC than they intended. Mark Cofta reviews.
Bryony Lavery's 'Frozen,' from Isis Productions, fails to explore the fetishization of forgiveness. Cameron Kelsall reviews.
Bialystock and Bloom's plan to hatch an egg on Broadway is back with Bristol Riverside Theater's 'The Producers.' Stephen Silver reviews.
Power Street Theatre Company premieres Erlina Ortiz's 'Las Mujeres,' a celebration of Latinas past that also addresses today and the future. Mark Cofta reviews.
Leonard Bernstein's 'A Quiet Place,' warts and all, gets a thoughtful treatment from Curtis Opera Theatre and Opera Philadelphia. Cameron Kelsall reviews.
Readers respond about 'The Diary of Anne Frank,' Trump and guns, improvisational theater, Billy Graham, Tilson Thomas's Philadelphia Orchestra program, the Parkland massacre, …
'Aipotu,' the second installment of John Guare's 'Lydie Breeze' trilogy, at EgoPo Classic Theater, deconstructs the utopian myth. Cameron Kelsall reviews.
The Pennsylvania Ballet presents 'Swan Lake,' the most iconic and best-loved ballet in the classical repertoire. Camille Bacon-Smith reviews.
Lydia R. Diamond's adaptation of 'The Bluest Eye' at Arden Theatre Company, fails to capture the wrenching power of Toni Morrison's landmark novel. Cameron Kelsall reviews.
BalletX's 'Spring Series' features work by Matthew Neenan plus world premieres by Darrell Grand Moultrie and Trey McIntyre. Melissa Strong reviews.
The real Anne was unequivocal about the particular Jewishness of her suffering and about her perpetual otherness. She wrote, "We can never become just Netherlanders, or just English, o…
For March, we're spotlighting some of the many improv shows you can catch regularly in Philly, where unscripted performances evoke everything from a hip dinner party to an action movie to Sh…
Broadway hit 'Something Rotten' visits the Academy of Music this week, sharing laughs about Shakespeare and musicals. Mark Cofta reviews.
A panel discussion at Philadelphia Theatre Company explored the notion that "Improv Is the Future of Theater." Judy Weightman considers.
'The Diary of Anne Frank' receives a superb and timely revival by People's Light & Theatre Company. Mark Cofta reviews.
The Bechdel Test Fest returns for a third year to feature female-identifying, transgender, and gender-nonconforming comedians in Philadelphia.
Azuka Theatre Company's latest world premiere, David Jacobi's 'Ready Steady Yeti Go,' has serious fun showing teens dealing with real-life problems.
Okwui Okpokwasili's visits Bryn Mawr College with a powerful reflection about African women, 'Poor People's TV Room.' Mark Cofta reviews.
Keith Huff's cop drama 'A Steady Rain' drenches us in suspense at the Walnut Street Theatre's Independence Studio on 3. Mark Cofta reviews.
Despite a stylish production from Curio Theatre Company, David Adjmi's 'Marie Antoinette' offers little insight on the complicated monarch. Cameron Kelsall reviews.
The U.S. premiere of Welshman Alan Harris's 'Love, Lies and Taxidermy' brings a welcome romantic comedy from Inis Nua Theatre Company. Mark Cofta reviews.
NYCHORAL presented a superb concert of music inspired by the grandeur of the sea, at Carnegie Hall with David Hayes conducting. Rick Perdian reviews.
Broadway Philadelphia brings the national tour of 'Waitress' to Philadelphia. It serves up a pile of sugar, but needs a pinch of salt. Cameron Kelsall reviews.
With Yes! And… Collaborative arts, children imagine a world of silence after the residents of one fearful city wall themselves in. After a century of isolation, the kids look for a way to …
Lauren Gunderson's 'The Revolutionists' at Theatre Horizon blends 1793's rebels with modern women's struggles for equality. Mark Cofta reviews.