372 stories by "suzy evans"
O’Hare chatted with Back Stage before the Lucille Lortel Awards about memorizing lines and writing his own material.
Borle chatted with Back Stage about balancing his work on "Smash" and in "Peter and the Starcatcher."
Tony nominee Steve Kazee chatted with Back Stage about moving “Once” to Broadway from Off-Broadway, and what he’s learned as an actor.
Back Stage chatted with Chris at the Lucille Lortel Awards on Sunday night about the differences between working in New York and England.
Back Stage talked with the actor about moving a show to Broadway and going to the Tonys with her brother, “Newsies’” Andrew Keenan-Bolger.
Back Stage caught up with Cantone before the show and chatted about hosting awards shows, Off-Broadway, and how to make it as an actor.
How do you get Spider-Man to fly? Ask choreographer Chase Brock. Back Stage spoke with Brock about choreographing the show.
Back Stage talked with the actors about playing different characters in the same show and tense moments onstage.
Back Stage talked with the actors about playing different characters in the same show and tense moments onstage.
Topher Grace and Olivia Thirlby struggle to find connection in Paul Weitz’s “Lonely, I’m Not,” directed by Trip Cullman, at Second Stage Theatre.
“Once” and “Sons of the Prophet” took home the awards for Outstanding Musical and Outstanding Play at the 27th Annual Lucille Lortel Awards.
Agent Don Birge, who represents Carol Kane and Betty Buckley, finds kindness to be a crucial asset to his career at Stewart Talent Agency.
Director Robert Falls and Brian Dennehy discuss working on Eugene O'Neill plays and what they've learned over the years.
Ground Up Productions’ “Pratfalls,” by Holly Webber, directed by Jenn Thompson, definitely takes some stumbles but has strong writing and performances.
Jim Parsons and Kristin Chenoweth announced the 66th annual Tony Award nominations on Tuesday.
Timothy Scott Harris’ lukewarm drama, “Protected,” at WorkShop Theater Company, never moves past a promising premise and fails to raise the stakes.
Director Matthew Warchus turns the touching 1990 film “Ghost” into a showbiz musical extravaganza with a loud pop score from Dave Stewart and Glen Ballard.
Broderick and O'Hara create a new classic in "Nice Work If You Can Get It," directed by Kathleen Marshall.
Brett C. Leonard’s “Ninth and Joanie,” directed by Mark Wing-Davey at Labyrinth Theater Company, struggles to establish compelling action.
The songs have long been standards, but O’Hara is excited about offering a fresh take on the material.
Playwright-director David Harrower’s “A Slow Air,” part of Scotland Week at 59E59 Theaters, is a charming though slight family tale.
José Rivera’s “Massacre,” at Rattlestick Playwrights Theater, can’t escape its shallow premise or director Brian Mertes’ reliance on stereotypical scares.
Blair Underwood makes his Broadway debut as Stanley in the revival of Tennessee Williams' "A Streetcar Named Desire."
Eric Simonson and Thomas Kail unsuccessfully translate basketball to the stage with “Magic/Bird,” based on the rivalry between Magic Johnson and Larry Bird.
Meg Sturiano capably directs a large cast in “Your Boyfriend May Be Imaginary,” at Under St. Marks, but Larry Kunofsky’s words can’t escape cliché.
