341 stories by "NEIL GENZLINGER"
"Under the Greenwood Tree," at the Flea Theater, is a musical adaptation of Shaespeare's "As You Like It."
"The Vaudevillians" mixes drag, music and time travel at the Laurie Beechman Theater.
In "Shida," Jeannette Bayardelle acts and sings in depicting a young woman's passage to the edge of adulthood.
The comedian Terry Fator brought his genial, unusual ventriloquist act to the New Jersey Performing Arts Center in Newark.
The family in "The Capables," at the Gym at Judson, lets a "Hoarders"-like TV show into its overstuffed house, hoping it will lead to a cleaned-out home.
Matthew-Lee Erlbach portrays a dozen characters, from a migrant worker to a white supremacist, in his one-man show, "Handbook for an American Revolutionary."
A theater company called the Apothetae showcases edgier narratives about disability rather than stories of triumph over adversity.
"Unlock'd," a new musical at the Duke on 42nd Street, imagines a place when extravagant tresses assure male adoration.
This documentary about the making of the recent production of "Annie" follows its young actresses as they audition and rehearse.
The overbearing mother is played by a man in drag in the new production of Sidney Howard's "Silver Cord," a hit in 1926 when Freudian theory was all the rage, and later a movie. &…
Works in the third cycle of Ensemble Studio Theater's one-act play marathon range from the hilarious to the uncomfortable.
The Tony Awards host, Neil Patrick Harris, dazzled the house at Radio City Music Hall with an opening number and finished with an insta-song.
The stage version of Jules Verne's "Around the World in 80 Days" surrounds the traveler Phileas Fogg with lots of frenetic activity.
A new version of "Disney's 'The Little Mermaid,'Â " isn't reluctant to invoke the movie, or have its characters fly above the stage.
The Ensemble Studio Theater's festival of one-acts continues with the second of three series.
In "The Last Cyclist," a play that was written inside a Nazi concentration camp, all bicyclists " or anyone whose ancestors had anything to do with bicycles " face deportation or death. …
The tics with which Jean Stapleton invested Edith Bunker had the comic timing and commitment of a theatrical performance. She died on Friday at 90.
An old man takes a look at his life, and so do members of the audience experiencing "One Day in the Life of Henri Shnuffle," presented by the Sprat Theater Company.
The small Fiasco Theater ensemble is bringing its stripped-down approach to the Stephen Sondheim-James Lapine musical "Into the Woods."
Mark Nadler's "I'm a Stranger Here Myself: Musik From the Weimar and Beyond," at the York Theater Company, broadens his cabaret show about Germany before the Nazi crackdown. …
"The Last Will," directed by and starring Austin Pendleton, is Robert Brustein's speculation on the death, and bequests, of William Shakespeare.
In "Finks," Joe Gilford's new play, young people must choose whether to protect their careers or their friends in the time of McCarthyism.
"Honky," a brash comedy by Greg Kalleres presented at Urban Stages, looks at race relations through the perspective of basketball shoe company executives.
"The Drawer Boy" by Michael Healey looks in on the lives of two aging friends who share a farmhouse in the Canadian countryside, and a stranger who comes to live with them.
The Mint Theater Company performs "Katie Roche," the third play by Teresa Deevy it has revived in recent years.
