Cleo Laine, Acclaimed British Jazz Singer, Is Dead at 97
Known for a smoky voice that she could deploy over four octaves, she recorded albums across six decades and also had success as an actress.
Known for a smoky voice that she could deploy over four octaves, she recorded albums across six decades and also had success as an actress.
He was especially acclaimed for his performances at the Bayreuth Festival in Germany. As his voice developed, he once said, so did his view of how and why to deploy it.
He clanged coconuts in the Monty Python stage musical in 2005; seven years later, he won a Tony for "Nice Work if You Can Get It."
She worked on "Sweeney Todd" and "Candide" and also on the early seasons of "Saturday Night Live," contributing to the look of the Blues Brothers and the Killer Bees.
She mixed insight and absurdity in a vast body of work that also included "Painting Churches" and "Pride's Crossing," both of which were Pulitzer finalists.
She had success on Broadway in "110 in the Shade" and other shows, but a later generation knew her from a sitcom.
He wrote the book and lyrics to a little show that opened in 1960 in Greenwich Village and became "the longest-running musical in the universe."
He is credited with stabilizing that venerable British troupe while energizing it with ambitious projects including "Matilda the Musical."
After putting her career on hold to raise children, she won the part of the madam in "The Best Little Whorehouse in Texas" " and then a statuette hailing her performance.
His play "Do Lord Remember Me," constructed from interviews with formerly enslaved people in the 1930s, was first staged in 1978 and has been revived multiple times since.
The theatrical games and performance techniques Mr. Johnstone developed became a familiar part of the acting arsenal.
He befriended Rudolf Nureyev in 1961 while the Kirov Ballet was in Paris and witnessed his headline-making defection at the height of the Cold War.
As founding artistic director, he made Trinity Rep in Rhode Island a leader in theatrical innovation. He then made his mark in Dallas as well.
He won Tony Awards for "Wicked" and other shows while also overseeing the sets for the late-night franchise's fast-paced sketch comedy.
He took over the Ridiculous Theatrical Company after the death of his partner, Charles Ludlam, in 1987. His specialty was playing women, but his range was wide.
He brought his adaptation of "The Grapes of Wrath" to Broadway and won Tony Awards. He also directed the long-running hit "Ragtime."
She had success with a play about abortion in 2001, and in 2015 wrote the libretto for the opera "Charlie Parker's Yardbird."
She taught for decades at the Fieldston School and founded a free summer dance program open to all students in New York.
For decades he wrote about theater in The Village Voice, but he also was a dramaturge and a Tony-nominated translator.
He came from a wealthy family, but he championed the ideas of the counterculture. Journalists called him "the hippie millionaire."
His one-man Off Broadway show, "Everything's Fine," directed by John Lithgow, had opened just weeks ago.
He started playing in Broadway orchestras in 1957, and eventually he began recruiting those orchestras as well.
She and her sister Carly Simon were a folk duo in the 1960s. Years later, she wrote the Tony-nominated music for "The Secret Garden."
Downtown, he was known for sprawling works and vivid performances, but later in his career he drew praise as an actor in mainstream productions, too.
Playing the wooden flute and performing hoop dances, he sought to introduce audiences throughout the nation to Native American traditions.
For two decades, his Chelsea Theater Center was on the cutting edge with productions that could be challenging, baffling or, sometimes, Broadway bound.
He was the second Black playwright to win the award and later adapted the play into an Oscar-nominated film, "A Soldier's Story."
In 1960 she originated the lone female role in an Off Broadway show that became part of theater history thanks to a record-setting run.
Her company, Ballet Hispánico, performed for audiences across the United States and beyond. It also trained countless dancers.
A veteran actor, he was also a founder of Theater for the New City and Theater Three Collaborative, Manhattan groups known for experimental productions.
His well-honed comic timing, and the mimicry skills he had developed in nightclubs, served him well on one of the sillier sitcoms of the 1960s.
He collaborated on operas with Jack Beeson and Ned Rorem and published numerous poetry books. Late in life, he was victimized by theft.
He merged Eastern and Western influences in his modern dance works, and his dance center was a cultural anchor in New York's Chinatown.
In projects for the director David Lynch, she brought an eerie, otherworldly style to "Falling" and other songs.
She was an institution at the American Dance Festival, and also made early television dance and exercise programs.
She was a leading advocate of and expert on dance notation, helping to do for choreographed works what a score does for music.
Over a long career, her pictures, whether of famed dance troupes or experimental works, reflected what one admirer called "her love affair with dance."
His Yale Rep and American Repertory Theater productions included early work by Cherry Jones, Mark Linn-Baker and more, and he directed starry Off Broadway shows.
His reviews for The Chicago Tribune, and his encouragement of the drama crowd, helped make Chicago one of the country's leading theater cities.
Ms. Chen, who founded the Nai-Ni Chen Dance Company in 1988, died while swimming in Hawaii, where she was vacationing.
His plays tended to parody American institutions. His food writing tended to be full of humor.
She was known for her comic work in cabarets, for her performance in the musical "Nine" on Broadway and for her role in a "Star Trek" spinoff.
He was seen on "Quincy, M.E." and "The Sopranos." He also memorably played John Travolta's father in "Saturday Night Fever."
For decades her performances at the Stratford Festival drew acclaim. She gave her last performance just days before her death.
His songs from "Stop the World," "Willy Wonka," "Goldfinger" and other shows and movies became hits for a range of performers.
He directed works by Sam Shepard, Amiri Baraka and others at La MaMa and similar theaters known for experimentation.
He was a central figure in the experimental theater movement for decades. His best-known work, a trilogy of one-acts, opened in 1966 and ran for more than 630 performances.
A popular comic in the Catskills' heyday as a resort area, he brought borscht belt humor to audiences all over the country, including on Broadway.
His productions, vivid and fanciful, played all over the world, including at Lincoln Center.
Ms. McCauley often put race at the center of plays and other works that sought to alter perspectives and foster dialogue.