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916 stories by "Laura Collins-Hughes"

Review: 'Dropping Gumballs on Luke Wilson,' Aiming for His Head by Laura Collins-hughes

Based on an anecdote from the set of an infamous commercial, the play focuses on the behind-the-scenes people who work to realize an artist's vision.

SOURCE: The New York Times Subscription at 11:36am on June 19, 2019

Review: In 'Public Servant,' a Changed Daughter Returns From College by Laura Collins-hughes

Bekah Brunstetter's civic-minded new play is about parenthood, paternalism and what it means to work for the people.

SOURCE: The New York Times Subscription at 7:33pm on June 11, 2019

Review: In 'Little Women,' a Girl Dreams of a Man's World by Laura Collins-hughes

The stage adaptation of Louisa May Alcott's novel places the ambitious, thwarted Jo March at its center.

SOURCE: The New York Times Subscription at 9:54pm on June 4, 2019

Review: 'Enter Laughing' Delights. (Except if You're Greta Garbo.) by Laura Collins-hughes

Set in the 1930s, this musical comedy about a young man striving for stardom lands most of its jokes in song.

SOURCE: The New York Times Subscription at 1:48pm on May 30, 2019

Does Anything Awful Happen to the Cat in the Play? by Laura Collins-hughes

On the dread, and the glory, of watching animals onstage.

SOURCE: The New York Times Subscription at 8:06am on May 29, 2019

Critic's pick: Review: Girls Just Wanna Play 'Mac Beth' by Laura Collins-hughes

Erica Schmidt's raucously exuberant adaptation finds common cause between rebellious teenagers and bloody-minded Shakespeare.

SOURCE: The New York Times Subscription at 2:42pm on May 20, 2019

He Takes Us to the Underworld in 'Hadestown.' And We're Glad to Go. by Laura Collins-hughes

Fifty years into his stage career, André De Shields cherishes the ability to change what is to come.

SOURCE: The New York Times Subscription at 10:36am on May 16, 2019

Review: 'Democracy in America' Misses Our Current Moment by Laura Collins-hughes

Romeo Castellucci's Tocqueville-inspired spectacle, presented by Peak Performances, offers highbrow style without the substance to back it up.

SOURCE: The New York Times Subscription at 1:36pm on May 12, 2019

Review: In 'Lockdown,' a Prisoner Yearns to Rejoin the World by Laura Collins-hughes

The play, a sort-of autobiographical story about an author and an inmate, includes a post-show "community conversation" about incarceration.

SOURCE: The New York Times Subscription at 5:36pm on May 9, 2019

Review: In 'All Our Children,' Moral Authority Wades Into Nazi Germany by Laura Collins-hughes

Stephen Unwin's play, set in Germany in 1941, explores the reluctant evil perpetrated by people who think of themselves as good.

SOURCE: The New York Times Subscription at 12:59pm on April 17, 2019

Review: In 'Socrates,' a Brainy Tribute to a Prickly Provocateur by Laura Collins-hughes

Michael Stuhlbarg is sublime in the title role of Tim Blake Nelson's admiring but overlong play, presented as part of the Onassis Festival.

SOURCE: The New York Times Subscription at 9:45pm on April 16, 2019

Critic's Notebook: Toxic Men Get All the Attention. But Not in These Plays. by Laura Collins-hughes

The perspectives of women are welcome in an art form that inherently fosters empathy " and in which it matters greatly whom we're asked to feel for.

SOURCE: The New York Times Subscription at 3:50pm on April 15, 2019

Review: The Women of 'Plano' Are All About Men by Laura Collins-hughes

In this comedy by Will Arbery, three sisters slip-slide through time in a brightly heightened reality.

SOURCE: The New York Times Subscription at 2:55pm on April 14, 2019

Critic's Pick: Review: 'Oasis' Brings Childlike Whimsy to a Manhattan Mall by Laura Collins-hughes

This charming new piece of site-specific theater from the company Third Rail Projects is staged on the steps of the Winter Garden at Brookfield Place.

SOURCE: The New York Times Subscription at 3:24pm on April 7, 2019

Review: A Devil's Bargain, Live and on Video, in 'Faust 2.0' by Laura Collins-hughes

The latest Mabou Mines production is a strikingly designed but ultimately bloodless take on the weird second part of Goethe's classic.

SOURCE: The New York Times Subscription at 9:45pm on April 2, 2019

Review: 'Vilna' Takes Jewish Prisoners on a Desperate Quest by Laura Collins-hughes

A work of historical fiction inspired by the real-life discovery of a tunnel dug during the Holocaust.

SOURCE: The New York Times Subscription at 2:11pm on March 24, 2019

Mastering the Monologue and the Mammoth Part by Laura Collins-hughes

Quincy Tyler Bernstine, now starring in "Marys Seacole," is drawn to the toughest, brainiest roles. And playwrights are drawn to her to pull them off.

SOURCE: The New York Times Subscription at 2:51pm on March 18, 2019

Even Billy Eichner Likes This Guy by Laura Collins-hughes

A low-key spotter of high-wattage talent, Jason Eagan has made Ars Nova the launchpad for creative types merging uptown and downtown sensibilities.

SOURCE: The New York Times Subscription at 10:00am on March 13, 2019

Review: In 'Nylon,' Unfinished Business After the Breakup by Laura Collins-hughes

The decision to give up a baby years ago resurfaces for a couple in Sofia Alvarez's play at Theaterlab.

SOURCE: The New York Times Subscription at 3:56pm on March 12, 2019

Review: In 'Good Friday,' an Unblinking Look at Rape Culture by Laura Collins-hughes

A drama set in a college classroom during a campus shooting, "Good Friday," at the Flea Theater, is meant to unsettle and provoke.

SOURCE: The New York Times Subscription at 3:46pm on March 6, 2019

Critic's Pick: Review: A Family Divide Haunts Heart-Rending 'Suicide Forest' by Laura Collins-hughes

Kristine Haruna Lee's gorgeously complex play is made up of sharp vignettes that open up to explore Japanese-American identity.

SOURCE: The New York Times Subscription at 9:45pm on March 4, 2019

Review: In 'Recent Alien Abductions,' Anguish Is a Driving Force by Laura Collins-hughes

A dissection of an episode of "The X-Files" is the jumping-off point for an exploration of a fragile and tortured identity.

SOURCE: The New York Times Subscription at 9:45pm on March 3, 2019

'Eat the Devil' Review: Sex Dolls, Wormholes and a Stand for Nihilism by Laura Collins-hughes

This gleefully but fatally overloaded play riffs on sci-fi, time-travel and airplane-disaster movies, while sending up our screen-obsessed culture.

SOURCE: The New York Times Subscription at 1:32pm on February 27, 2019

Review: In 'Neurology of the Soul,' Looking for a Brain in Love by Laura Collins-hughes

The scientist in Edward Einhorn's uneven romantic dramedy wants to find solid proof of his girlfriend's devotion. Which is his first problem.

SOURCE: The New York Times Subscription at 4:53pm on February 24, 2019

Critic's Notebook: Suspended in Air, Searching for Connection in Two High-Flying Shows by Laura Collins-hughes

"When Angels Fall," at Peak Performances, and "Non Solus," at the Brooklyn Academy of Music, blend circus with dance in feats of perfect equilibrium.

SOURCE: The New York Times Subscription at 3:48pm on February 15, 2019
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