Taken at Midnight, Chichester Festival Theatre, review: 'harrowing'
Downton Abbey's Penelope Wilton impresses as the mother of a young German lawyer imprisoned by the Nazis, says Jane Shilling
Downton Abbey's Penelope Wilton impresses as the mother of a young German lawyer imprisoned by the Nazis, says Jane Shilling
Joe Orton's 'lost' first play provides glimpses of the violently original dramatist to come, says Jane Shilling
It is never OK to whack your taxi driver over the head, no matter how late he's made you, says Jane Shilling
Dogfight's uncritical depiction of misogyny hits a sour note, says Jane Shilling
The stark surroundings of Beckett's birthplace, Enniskillen, have made it the perfect setting for a festival in his honour
Jane Shilling is held captive by a remarkable production of Beckett's duet for one voice
The set is delightful, but the adaptation of Jacqueline Wilson's book is stolid
The Globe's bold drama has a touch of the medieval mystery play, says Jane Shilling
On its West End resumption, Marianne Elliott's production lacks the quirky appeal of Mark Haddon's original novel, says Jane Shilling
A precision-engineered parody of Broadway musicals delights Jane Shilling
This play at the Tricycle Theatre about American society girls leaves an interestingly toxic aftertaste, says Jane Shilling
This revival of the Rodgers and Hammerstein musical is spirited, funny and achingly sad, says Jane Shilling
Good intentions are not enough to rescue an evening of sentimental, voyeuristic mush
Broadway composer Andrew Lippa offers up a tantalising taster menu of his work, says Jane Shilling
Rachel De-lahay's new play about young love and the cyclical nature of violence confirms that she is a talent to watch, says Jane Shilling
Tantrums, huffs and sexual imbroglios abound in Ian Hislop and Nick Newman's am-dram comedy
This elegant play about Eugene de Kock's atrocities is taut with each revelation, says Janes Shilling
Hilary Mantel's novels are done justice in these adaptations, says Jane Shilling
Caitlin McLeod's production of The Malcontent is an ambitious take on a savagely cynical play, says Jane Shilling
A drama set among the inmates of a women's prison fails to ignite, says Jane Shilling
?mile Zola himself would surely have approved of this exhilarating musical adaptation of his novel Thérèse Raquin, says Jane Shilling
This new play is a howl of anger about the NHS
The plot is as insubstantial as a rasher of streaky bacon, but Betty Blue Eyes is a charming romp, says Jane Shilling
Any great work of art can appear hateful if the context in which one first encounters it is unlucky, says Jane Shilling
Jane Shilling was dazzled by this bold, funny drama inspired by Finnegan's Wake