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1,800 stories by "Elisabeth Vincentelli"

How Broadway Got the Beat: The Go-Go's in 5 Songs by Elisabeth Vincentelli

With "Head Over Heels" in previews, we looked at how five Go-Go's songs evolved into musical-theater numbers.

SOURCE: The New York Times Subscription at 10:18am on July 11, 2018☆⚑

Review: 'Laura Bush Killed a Guy' Plumbs a First Lady's Mysteries by Elisabeth Vincentelli

Diverging explanations of her past, her marriage and what's really on her mind in a solo comedy.

SOURCE: The New York Times Subscription at 2:24pm on July 1, 2018☆⚑

Wait, Leonard Bernstein Wrote a 'Peter Pan' Musical? by Elisabeth Vincentelli

It's not the Mary Martin vehicle you loved as a child. But Bernstein's version is getting a rare revival at the Bard SummerScape festival.

SOURCE: The New York Times Subscription at 4:18am on June 26, 2018☆⚑

Review: 'Radio Delirio' Focuses on a Forgettable Man by Elisabeth Vincentelli

The writer-performer Alessandro Magania narrates the tale of a man disguised as a page-turner, working hard to not be noticed.

SOURCE: The New York Times Subscription at 4:42pm on June 17, 2018☆⚑

Review: Savoring 'One Night' With a Hedonist Extraordinaire by Elisabeth Vincentelli

Jessica Walker delivers a delightful musical portrait of the now forgotten cabaret artist Suzy Solidor

SOURCE: The New York Times Subscription at 5:48pm on June 13, 2018☆⚑

Review: 'Tchaikovsky: None but the Lonely Heart' Has Music and Passion. But Not Romance. by Elisabeth Vincentelli

The intimate yet abstract correspondence between Tchaikovsky and a wealthy widow is interspersed with song in a new production.

SOURCE: The New York Times Subscription at 5:48pm on June 1, 2018☆⚑

Review: More than the Couples Are Odd in 'The Hollower' by Elisabeth Vincentelli

Liza Birkenmeier's play is an alienating exercise in extreme absurdism.

SOURCE: The New York Times Subscription at 8:48pm on May 25, 2018☆⚑

Critic's Notebook: Who is Neville Longbottom, and Why Should I Care? A Potter Newbie on That Broadway Show by Elisabeth Vincentelli

The stagecraft is impressive, but if you're not familiar with J.K. Rowling's world of wizards, "Cursed Child" can be a mystifying slog.

SOURCE: The New York Times Subscription at 12:18pm on May 24, 2018☆⚑

Review: Isabella Rossellini as Ringmaster in 'Link Link Circus' by Elisabeth Vincentelli

Ms. Rossellini's latest show explores animals' thoughts and behaviors using puppets, videos " and, yes, an adorable dog.

SOURCE: The New York Times Subscription at 1:18pm on May 18, 2018☆⚑

How Broadway Keeps Trying to Get the Disco Beat by Elisabeth Vincentelli

A brief history in five musicals " and a rating system of disco-dancing emojis.

SOURCE: The New York Times Subscription at 10:18am on May 18, 2018☆⚑

Bikini Bottom by Way of Party City by Elisabeth Vincentelli

How the 'SpongeBob' costume designer used found objects " and yes, sequins " to dress an eye-popping array of singing, dancing sea creatures.

SOURCE: The New York Times Subscription at 5:18am on May 11, 2018☆⚑

Review: Is There a Method to the Madness of 'Seagullmachine'? by Elisabeth Vincentelli

A razzle-dazzle mash-up of "The Seagull" and "Hamletmachine" at La MaMa has a ramshackle feel.

SOURCE: The New York Times Subscription at 3:04pm on April 24, 2018☆⚑

Review: A Spanish Stage Provocateur Makes a Blood-Dripping Debut by Elisabeth Vincentelli

New York-area audiences finally have a chance to see Angélica Liddell, a darling of European theaters, in "Esta Breve Tragedia" at Peak Performances.

SOURCE: The New York Times Subscription at 1:48pm on April 20, 2018☆⚑

Review: In 'We Live by the Sea,' a New Neighbor Disrupts the Routine by Elisabeth Vincentelli

Two teenage sisters share a life where the extraordinary can be ordinary in this play directed by Alex Howarth.

SOURCE: The New York Times Subscription at 7:54pm on April 18, 2018☆⚑

How an Anxious-Adolescent Musical (No, Not That One) Found Its Fans by Elisabeth Vincentelli

"Be More Chill" played a month at a New Jersey theater, and nothing much happened. Then the internet got very busy.

SOURCE: The New York Times Subscription at 5:00am on April 13, 2018☆⚑

Review: A 'King Lear' in Which You Feel for All the Daughters by Elisabeth Vincentelli

A mighty king demanding declarations of love faces villains you understand, in this Royal Shakespeare production at BAM.

SOURCE: The New York Times Subscription at 9:45pm on April 12, 2018☆⚑

Critic's Notebook: Women (and Men, Too) Pushed to the Edge at New Play Festival by Elisabeth Vincentelli

This year's Humana roster includes merciless looks at power imbalances in the workplace, and a doom-metal finale that left audiences shellshocked.

SOURCE: The New York Times Subscription at 1:25pm on April 3, 2018☆⚑

Critic's Notebook: Women on Stage Get Their Turn on the Playing Field by Elisabeth Vincentelli

A spate of works like "The Wolves" and "The Wholehearted" use sports to explore ideas about femininity, self-image and power.

SOURCE: The New York Times Subscription at 10:26am on March 29, 2018☆⚑

Review: Roll Over, Beethoven? At 'Rocktopia,' It's Time to Roll Back by Elisabeth Vincentelli

There's weird fun to be had in mash-ups of classical and rock music. But this show sticks to an overly familiar playlist.

SOURCE: The New York Times Subscription at 9:30pm on March 27, 2018☆⚑

Review: 'Babette's Feast' Is Served, This Time Onstage by Elisabeth Vincentelli

A French cook demonstrates the art of living in the moment in this adaptation of an Isak Dinesen short story.

SOURCE: The New York Times Subscription at 1:58pm on March 26, 2018☆⚑

Review: 'Leonora and Alejandro' and One Rather Trippy Encounter by Elisabeth Vincentelli

A new show draws on the art and writings of Leonora Carrington and Alejandro Jodorowsky, and gives viewers a peek into an expansive world.

SOURCE: The New York Times Subscription at 1:27pm on March 19, 2018☆⚑

Review: Hopscotching Between Worlds in 'My Dear Brooklyn' by Elisabeth Vincentelli

In an overstuffed one-man show, Modesto Jimenez recalls a personal journey that includes gang life, a liberal-arts college and experimental theater.

SOURCE: The New York Times Subscription at 9:45pm on March 18, 2018☆⚑

Review: 'Three Wise Guys,' Spreading Good Cheer and Stumbling Into Trouble by Elisabeth Vincentelli

The Damon Runyon adaptation from The Actors Company Theater could use more of his snap, crackle and pop.

SOURCE: The New York Times Subscription at 12:06pm on March 13, 2018☆⚑

Review: In 'Time No Line,' John Kelly Revisits Decades of Diary Entries by Elisabeth Vincentelli

Time runs in circles in Mr. Kelly's autobiographical memory play at La MaMa.

SOURCE: The New York Times Subscription at 12:52pm on March 5, 2018☆⚑

Children's Fare? This 'Little Red Riding Hood' Tests That Notion by Elisabeth Vincentelli

Joël Pommerat's visually abstract, sonically sophisticated adaptation will be performed this weekend as part of the three-week Tilt Kids Festival.

SOURCE: The New York Times Subscription at 2:30pm on February 28, 2018☆⚑
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