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1,779 stories by "Elisabeth Vincentelli"

Review: Hopscotching Between Worlds in 'My Dear Brooklyn' by Elisabeth Vincentelli

In an overstuffed one-man show, Modesto Jimenez recalls a personal journey that includes gang life, a liberal-arts college and experimental theater.

SOURCE: The New York Times Subscription at 9:45pm on March 18, 2018[SHARE]

Review: 'Three Wise Guys,' Spreading Good Cheer and Stumbling Into Trouble by Elisabeth Vincentelli

The Damon Runyon adaptation from The Actors Company Theater could use more of his snap, crackle and pop.

SOURCE: The New York Times Subscription at 12:06pm on March 13, 2018[SHARE]

Review: In 'Time No Line,' John Kelly Revisits Decades of Diary Entries by Elisabeth Vincentelli

Time runs in circles in Mr. Kelly's autobiographical memory play at La MaMa.

SOURCE: The New York Times Subscription at 12:52pm on March 5, 2018[SHARE]

Children's Fare? This 'Little Red Riding Hood' Tests That Notion by Elisabeth Vincentelli

Joël Pommerat's visually abstract, sonically sophisticated adaptation will be performed this weekend as part of the three-week Tilt Kids Festival.

SOURCE: The New York Times Subscription at 2:30pm on February 28, 2018[SHARE]

Critic's Notebook: In 2 New Plays, Sound Design Is Front and Center (for a Change) by Elisabeth Vincentelli

"Sound House" and "This Is the Color Described by the Time" explore a sense that too often falls by the wayside onstage " sound.

SOURCE: The New York Times Subscription at 1:07pm on February 26, 2018[SHARE]

Review: Deirdre O'Connell Loses Her Grip on Reality in 'Terminus' by Elisabeth Vincentelli

Ms. O'Connell delivers a heartbreaking performance as an older woman struggling with dementia in this drama infused with Southern Gothic horror.

SOURCE: The New York Times Subscription at 9:45pm on February 20, 2018[SHARE]

Review: 'Against the Hillside' Is an Eye on Drone Warfare by Elisabeth Vincentelli

A couple in Pakistan are always "listening to the sky," while an American captain becomes too invested in their lives.

SOURCE: The New York Times Subscription at 9:45pm on February 8, 2018[SHARE]

A 'Homeland' Spy Opens Up Onstage in 'Returning to Reims' by Elisabeth Vincentelli

The 2016 election changed the course of Nina Hoss's career. You may know this film and stage actress from TV, where she played Astrid on "Homeland."

SOURCE: The New York Times Subscription at 10:34am on February 2, 2018[SHARE]

Review: In 'Divine Horsemen,' a Checklist of Tough-Guy Tropes by Elisabeth Vincentelli

Paul Calderon's play, about a robbery gone wrong, is almost nostalgic for the poetic theater of masculine bravado.

SOURCE: The New York Times Subscription at 9:45pm on January 18, 2018[SHARE]

Critic's Notebook: How to Listen to Rock 'n' Roll in a Theater by Elisabeth Vincentelli

Rock is underexplored onstage, but two Under the Radar shows, "How to Be a Rock Critic" and "The Hendrix Project," grapple with its transformative power.

SOURCE: The New York Times Subscription at 1:49pm on January 12, 2018[SHARE]

He Made Kids' Music and Albums About Lucifer. Now His Work Is a Rock Opera. by Elisabeth Vincentelli

The psychedelic work of Bruce Haack, an electronic-music pioneer who died in 1988, is coming to the stage.

SOURCE: The New York Times Subscription at 1:58pm on January 9, 2018[SHARE]

Review: In 'Unexploded Ordnances,' It's an Hour to Doomsday. Help! by Elisabeth Vincentelli

The longtime feminist duo Split Britches sets its new play in a situation room with "Dr. Strangelove" vibes and a general calling the shots.

SOURCE: The New York Times Subscription at 10:56am on January 8, 2018[SHARE]

A Philadelphia Theater Heading, and Sweating, in a New Direction by Elisabeth Vincentelli

Repertory companies have largely disappeared on American stages. But with an eye on Europe, and highly physical training, the Wilma Theater is going against the grain.

SOURCE: The New York Times Subscription at 11:47am on January 3, 2018[SHARE]

And for His Next Trick, Hopping Genres by Elisabeth Vincentelli

Dane Terry grew up wanting to be a magician and came to New York to play his songs. But the downtown cabaret scene came calling.

SOURCE: The New York Times Subscription at 10:00am on January 1, 2018[SHARE]

Review: 'Jersey Boys,' Downsized by Elisabeth Vincentelli

There are still goosebump-worthy moments in this Tony-winning Four Seasons bio-musical, but the show feels rushed and formulaic in a smaller theater.

SOURCE: The New York Times Subscription at 1:04pm on December 28, 2017[SHARE]

Review: In This 'Cruel Intentions,' High School Schemers Sing the Best of the '90s by Elisabeth Vincentelli

The choice lines and the soundtrack hits are there in this enjoyable adaptation of the movie. Now it's time to make a full-fledged show out of a quasi concert.

SOURCE: The New York Times Subscription at 9:54pm on December 11, 2017[SHARE]

Review: 'Jack and the Beanstalk' Is a Holiday Treat Worth Savoring by Elisabeth Vincentelli

The British panto tradition finds a welcoming home on the Lower East Side.

SOURCE: The New York Times Subscription at 3:04pm on December 11, 2017[SHARE]

Review: 'Who's Holiday!' Is a Raunchy Riff on Dr. Seuss's Yuletide Tale by Elisabeth Vincentelli

Cindy Lou Who has grown up bad in Matthew Lombardo's profane, rhyme-filled holiday-season take on Dr. Seuss.

SOURCE: The New York Times Subscription at 6:06pm on December 4, 2017[SHARE]

Review: TV Crooners (and Danny Aiello) Head 'Home for the Holidays' by Elisabeth Vincentelli

Despite the presence of "American Idol" winner Candice Glover, this limp revue of carols and pop songs isn't likely to bring much Yuletide cheer.

SOURCE: The New York Times Subscription at 10:18pm on November 21, 2017[SHARE]

Critic's Notebook: A Night at the Theater From Your Couch? No Apologies Needed. by Elisabeth Vincentelli

Streaming services have more stage offerings than ever " from great actors in early roles to recent Broadway musicals, captured live. Plus "Hamlet" in Lithuanian.

SOURCE: The New York Times Subscription at 2:18pm on November 20, 2017[SHARE]

Review: A Raucous Day at the Beach With 'The Sisters Macaluso' by Elisabeth Vincentelli

Life and death, joy and poverty coexist in Emma Dante's wondrous show about a family in Palermo. And it only costs $20 to see it.

SOURCE: The New York Times Subscription at 2:18pm on November 17, 2017[SHARE]

Critic's Notebook: Nellie McKay Blossoms Under Pressure From Joan Rivers's Lawyers by Elisabeth Vincentelli

A musical biography of Joan Rivers pulls together when the subject is deleted.

SOURCE: The New York Times Subscription at 5:18am on November 9, 2017[SHARE]

Review: 'Lee Harvey Oswald,' an American Assassin in Puppet Form by Elisabeth Vincentelli

The latest ambitious effort by the Czechoslovak-American Marionette Theater is both highly detailed and hard to follow.

SOURCE: The New York Times Subscription at 2:48pm on November 6, 2017[SHARE]

Review: 'Red Roses, Green Gold' Brings Back the Grateful Dead by Elisabeth Vincentelli

While the jukebox musical has a cartoonish plot, songs like "Friend of the Devil" and "Box of Rain" work smartly on stage.

SOURCE: The New York Times Subscription at 3:18pm on October 30, 2017[SHARE]

Review: In 'Lonely Planet,' Mismatched Friends and an Unnamed Plague by Elisabeth Vincentelli

In a Keen Company revival of Steven Dietz's play, the comic actors Arnie Burton and Matt McGrath trade quips to keep the fear at bay.

SOURCE: The New York Times Subscription at 10:36pm on October 19, 2017[SHARE]
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