1,783 stories by "ELISABETH VINCENTELLI"
Amina Henry's new play at Jack is about a greedy but not particularly bright entrepreneur and four determined dancers who compete in Pittsburgh.
Jon Brittain's play explores the fallout when Fiona announces to her girlfriend that she wants to transition and be called Adrian.
Mr. Urie, the frontman of the band Panic! at the Disco, is taking over the role of Charlie Price on Broadway.
In this new play, devised by the ensemble Piehole, we spend time with a group of friends who relive past adventures.
This production is a hybrid of concert and theater, a combination that has become the signature of the Ensemble for the Romantic Century.
Just a few years out of Juilliard, Mr. Hawkins stars in "24: Legacy" on TV and "Six Degrees of Separation" on Broadway
Les 7 Doigts (The 7 Fingers) present "Cuisine & Confessions," in which this Montreal company's members boil, pan-fry, back-flip and somersault.
The Grammy-winning musician thought he was just writing the score for "Samara." Then the playwright Richard Maxwell asked him to take a role, too.
Harvey Fierstein stars in Martin Sherman's poignant new play about the relationship between a young Londoner and an American expat.
The 1950s plays "Picnic" and "Come Back, Little Sheba," in repertory revivals at the Gym at Judson, capture the playwright's gift for understatement.
The SITI Company's opaque, mystifying play is built entirely from the composer's quotations, arranged into an exploration of the artistic process.
"Julius Caesar" and "X: Or, Betty Shabazz v. The Nation" illuminate each other as they run in rep.
The murdered Algerian remained anonymous in Albert Camus's "The Stranger," but this new play by Betty Shamieh reframes the point of view.
The Australian composer and performer on his career and the music and lyrics he wrote for "Groundhog Day."
Max Vernon's new musical sends a contemporary man back to 1973 and the UpStairs, a real New Orleans gay bar destroyed by arson.
The siblings in James Lecesne's new play, directed by Tony Speciale, continue to disagree about some rather important aspects of their upbringing.
This play from the New York Neo-Futurists embraces audience suggestions, with varying results.
Presented by Pan Asian Repertory, this play by Damon Chua, set during World War II, is steeped in the traditions of film noir as well as several other genres.
The British actress plays Prospero in an all-female "The Tempest," her latest gender-switched Shakespeare production, set in a penitentiary.
While "Top Secret International (State 1)" traffics in tech and disembodied narrators, "Real Magic" involves a clairvoyance game.
The illustrator Edward Gorey proves a complex subject in this imagined memoir for the stage that focuses more on the man than his art.
Jake Broder brings the decades-gone comedian back to slang-slinging life in "His Royal Hipness Lord Buckley," but without the pith helmet.
In Stan Richardson's "Private Manning Goes to Washington," the activist hacker Aaron Swartz wants to put on a play inspired by the whistle-blower Manning.
The anthology "In This Moment" is presented free of charge by Theater for One in a mobile booth in the Pershing Square Signature Center's lobby.
Deke Sharon discusses his work on "In Transit," an a cappella musical about the intertwining lives of New Yorkers.
