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1,428 stories by "Ben Brantley"

Review: That 'Sunset Boulevard' Close-Up, Finely Focused by Ben Brantley

The pared-down revival of the Andrew Lloyd Webber musical relies more on Glenn Close's astounding performance than the original lavish production could.

SOURCE: The New York Times Subscription at 10:32pm on February 9, 2017

5 Must-See Shows in New York This Month by Ben Brantley

Those setting fire to stages this month include Jake Gyllenhaal, Glenn Close and Joan of Arc.

SOURCE: The New York Times Subscription at 1:33pm on February 2, 2017

'Life According to Saki,' in the Trenches of World War I by Ben Brantley

Katherine Rundell's work, directed by Jessica Lazar, begins previews at the Fourth Street Theater.

SOURCE: The New York Times Subscription at 4:36pm on February 1, 2017

Review: 'Yen' Is a Den of Family Dysfunction by Ben Brantley

Lucas Hedges stars in this highly physical production about two dog-owning brothers who are short on social skills and living in a squalid suburban London apartment.

SOURCE: The New York Times Subscription at 10:12pm on January 31, 2017

Review: Hungarian Musicians Bare Their Dark Side in 'Our Secrets' by Ben Brantley

This unsettling and imaginative production from Bela Pinter and Company looks back at state surveillance, sexual desires and the folk dancing scene in Communist Budapest.

SOURCE: The New York Times Subscription at 2:18pm on January 27, 2017

Review: August Wilson's 'Jitney' Magnifies Marginalized Souls by Ben Brantley

With soaring language and an improvisatory jazz spirit, Ruben Santiago-Hudson's revival brings lives shaped by privation to throbbing life.

SOURCE: The New York Times Subscription at 10:18pm on January 19, 2017

Review: In 'The Tempest,' Liberation and Exhilaration by Ben Brantley

Set in a women's prison, this production is the third and last installment of the director Phyllida Lloyd's series of Shakespeare plays for Donmar Warehouse.

SOURCE: The New York Times Subscription at 10:18pm on January 18, 2017

Review: 'The Beauty Queen of Leenane': Oh Gosh, I've Turned Into My Mother by Ben Brantley

A revival of Martin McDonagh's play features Marie Mullen as the mother, Mag; almost 20 years ago she played Maureen, Mag's daughter.

SOURCE: The New York Times Subscription at 11:33pm on January 15, 2017

Review: 'Time of Women' Portrays Activists Haunted by a K.G.B. Ordeal by Ben Brantley

In this emotionally raw play from the Belarus Free Theater at the Under the Radar festival, three women relive their incarceration and interrogation.

SOURCE: The New York Times Subscription at 4:18pm on January 13, 2017

Review: 'The Present': Even in Russia, It's Hard to Turn 40 by Ben Brantley

Cate Blanchett stars in this Sydney Theater Company production of a Chekhov work, which features an eruption of runaway hedonism at a birthday party.

SOURCE: The New York Times Subscription at 10:18pm on January 8, 2017

Review: 'The Bitter Game' Brings Black Lives Matter to the Fore by Ben Brantley

The play, by Keith A. Wallace, follows an African-American boy, Jamal, who from childhood on learns to keep his head up.

SOURCE: The New York Times Subscription at 3:18pm on January 8, 2017

'Lula del Ray,' a Spectral Parade of Fantastical Images by Ben Brantley

The action in this piece at the Under the Radar festival unfolds both on a screen and below it, as you watch illusion-makers work with video, shadow puppets and scrims.

SOURCE: The New York Times Subscription at 7:18pm on January 6, 2017

Review: What if 'Until Death Do Us Part' Means a 'Hundred Days'? by Ben Brantley

The married performers Shaun and Abigail Bengson fall in love and contemplate mortality in this concert-style memoir at the Under the Radar festival.

SOURCE: The New York Times Subscription at 5:12pm on January 5, 2017

Review: The Devil Went Down to Chelsea to See 'Prudencia Hart' by Ben Brantley

You can get there in a handbasket, but the route proposed by "The Strange Undoing of Prudencia Hart" is a lot more fun. And drinks are served.

SOURCE: The New York Times Subscription at 10:12pm on December 13, 2016

Review: Jealousy and Lies in a No-Exit Theater of War in 'Othello' by Ben Brantley

Daniel Craig is the Iago to the Othello of David Oyelowo in this breathless interpretation of Shakespeare's taut portrait of lives razed by jealousy.

SOURCE: The New York Times Subscription at 10:18pm on December 12, 2016

Review: 'In Transit' Goes on an a Cappella Ride by Ben Brantley

This musical subway portrait intends to meld a group of diverse, stressed travelers into a single voice.

SOURCE: The New York Times Subscription at 10:18pm on December 11, 2016

Review: Desert Awakening in 'The Band's Visit' by Ben Brantley

The show, with music and lyrics by David Yazbek, abounds with signs of new and exciting life in the contemporary American musical.

SOURCE: The New York Times Subscription at 11:12pm on December 8, 2016

Review: Dear Audiences of 'Tiny Beautiful Things,' Prepare to Cry by Ben Brantley

This play at the Public Theater, based on Cheryl Strayed's book, is a handkerchief-soaking meditation on pain, loss, hope and forgiveness.

SOURCE: The New York Times Subscription at 10:36pm on December 7, 2016

Review: In This 'Winter's Tale,' the King Is Insane. It's as Simple as That. by Ben Brantley

In Declan Donnellan's production at the Brooklyn Academy of Music, the homicidal protagonist's motives are all too clear.

SOURCE: The New York Times Subscription at 5:24pm on December 7, 2016

An Evening of Song, Dance and the Devil in a Barroom by Ben Brantley

"The Strange Undoing of Prudencia Hart," at the McKittrick Hotel, is a rambunctious yarn imported from Scotland.

SOURCE: The New York Times Subscription at 1:36pm on December 7, 2016

Review: 'Rancho Viejo,' Where Banality and Trouble Cohabitate by Ben Brantley

Dan LeFranc's sweet and scary, lackadaisical and hypnotic play centers on a pending divorce and baby-boomer couples with a lot of time on their hands.

SOURCE: The New York Times Subscription at 10:42pm on December 6, 2016

Review: For 'The Wolves,' the Goal Is to Win and to Be Heard by Ben Brantley

In this play, ideas and emotions jostle for position as a soccer team of teenage girls chatter and loosen up before playing.

SOURCE: The New York Times Subscription at 10:36pm on December 5, 2016

Review: Waiting to Connect in Levittown in 'The Babylon Line' by Ben Brantley

Writers-in-training swap tales in Richard Greenberg's unresolved new comedy.

SOURCE: The New York Times Subscription at 10:36pm on December 5, 2016

5 Must-See Shows if You're in New York This Month by Ben Brantley

A dark comedy about a girls' soccer team, a trilogy of plays in the year in the life of a family, a crash course on Manhattan and a bit of hedonism is on tap.

SOURCE: The New York Times Subscription at 12:02pm on December 1, 2016

Review: 'This Day Forward,' a Weird Wedding Night and What Comes After by Ben Brantley

At the Vineyard Theater, Nicky Silver shows a pair of newlyweds, their damaged gay son almost a half-century later and growing empathy for mothers.

SOURCE: The New York Times Subscription at 11:18pm on November 21, 2016
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