1,826 stories from The Globe and Mail
As happened on a larger scale in the U.S. with 9/11, artists are responding to the Air India tragedy in Canada with dance, poetry and opera
Dance staging of the children’s mini-symphony Peter and the Wolf takes a simple tale to new levels
This hot off-Broadway ticket is immersive theatre at its best. Here are four things the British company does that set it apart
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Award-winning actress Susinn McFarlen's new play at the Vancouver Fringe puts spotlight on older women
When award-winning actress Susinn McFarlen realized how few parts there are for women over 50, she saw a mission for the play she was writing: Since You Left Us, premiering at the Vancouver …
Arthur Miller’s psychologically sophisticated play has great comic dressing, but the dramatic meat is hard to invest in
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Australian playwright's epic work explores multi-generational effects of fathers who leave their sons behind
First-time director and revitalized company knock it out of the park with sketches and improv
Based on a true story, the Canadian play chronicles the brutal rivalry between Irish Catholics and Protestants in an Ontario township
Lots of flash and dash, but choreography is weak and repititious
Despite several stellar performances, Soulpepper’s redo of Judith Thompson’s 1984 play is all bark with no bite
The latest remount of the famous Canadian play is put on by students at New York University’s Tisch School of the Arts
Soulpepper’s production of this classic by absurdist playwright Eugene Ionesco takes a while to find its feet
Twyla Tharp’s retooled musical, Come Fly Away, uses the singer’s live performance tapes to bring his voice on stage
In a schmaltzy Broadway wannabe, Udo Lindenberg’s hit musical Beyond the Horizon is a genuine desire to confront Germany’s Cold War past
In a mini-festival, a standout piece brings to mind the image of a black widow spider
The Misanthrope lets the audience feel feel how little has changed from Louis XIV’s time to ours
Director Jennifer Tarver and her Stratford cast find all the laughs and the malevolence in Harold Pinter’s script
Cast of Pinter classic at Stratford is impressive, especially Dennehy and Krohn
The central performance is strong but the character’s identity crisis feels small, even petty. Here’s why
The central performance is strong but the character’s identity crisis feels small, even petty. Here’s why
Evolution is the theme, but it’s the awe-inspiring circus theatrics that propel Cirque du Soleil’s Totem
