4,600 stories from Toronto Star
Accompanied by U of T professor Kathleen Gallagher, Kushnir interviewed young people in five countries for play that opens this week at Streetcar Crowsnest.
The actors find the key to the humour and Pinter's cultural criticism in this 90-minute collection of short plays, writes Carly Maga.
The plot is linear and predictable, and most of the cast sang flat a good 60 or 70 per cent of the time during the musical's world premiere, writes Ben Rayner.
First presented in a workshop version in the 2015 RISER Project, Adam Paolozza's Paolozzapedia still has a strong work-in-progress vibe, writes Karen Fricker.
Tales of boyhood from immigrants' son benefit considerably from more ambitious presentation at Toronto's Aki Studio.
Sting's orchestral score shows off the cast's divine vocals. He and the set by 59 Productions are reasons to potentially forgive the musical's missteps, writes Carly Maga.
The designer behind the woodsy set in last year's Jerusalem is converting St. Matthew's Clubhouse for Human Animals and the Don Jail for Kiss of the Spider Woman.
The dancer and violinist have co-created new work for Atelier's The Angel Speaks, debuting Feb. 21 at the Royal Ontario Museum.
The world premiere play Mules, about a first-time drug smuggler (Eva Barrie), holed up in the washrooms at Vancouver Airport with her trafficker (Anita Majumdar), waiting for the goods to re…
Director Joel Greenberg's production at CAA Theatre of J.T. Rogers' play about a daring real-life peace mission overcomes slightly thin characterizations.
Eric Peterson is best at capturing Andre's childlike helplessness, culminating in a moving final breakdown, writes Carly Maga.
Thousands of GM employees gathered Thursday to hear the British musician deliver a free acoustic performance as a gesture of support.
In her directorial debut, the company's artistic director will restage the ballet to accentuate the love story at its heart.
Sting was happy to be putting the finishing touches on his musical in the city that 'adopted' him and the Police, despite the snowstorm and missing the Grammy Awards, he tells Raju Mudhar.
The two have collaborated on The Apocalypse Plays: A Legacy Project, the end of a trilogy that Lushington began in the 1980s, writes Carly Maga.
As Trickster, Marshall Vielle is a trustworthy guide through history and his sense of humour stops We Are All Treaty People from feeling too much like a lecture, writes Carly Maga.
The production fuses a Downton Abbey-like look at both the menial workers and famous guests at a nameless hotel with the jazzy sights and sounds of the 1920s, writes Carly Maga.
The cast had to adjust to the new space after nearly a year at the Royal Alexandra Theatre, while the Elgin was made cozier for audience members with fewer seats and a new back wall.
The actors who star in the hit musical set in Gander, Newfoundland, got a chance to meet some of the real people they play.
The play purports to expose a societal evil with devastating outcomes: brutal onstage murders of two innocent women; Othello's almost immediate succumbing to violence and anger and jealousy;…
Academy will given Kain its Queen Elizabeth II Coronation Award for her 50 years with the National Ballet of Canada, making her the first recipient outside the U.K.
Ho " Ophelia in Why Not Theatre's Prince Hamlet and the author of Iphigenia and the Furies " gravitates toward the Greek tragedies because they were his first experience of theatre, he tells…
The main subscription series also features Tony winner The Band's Visit, Hello, Dolly!, the Toronto premiere of Piaf/Dietrich and the stage version of Emma Donoghue's Room.
Many academics argue the portrait of Alexander Hamilton, the star of U.S. $10 bills, is a counterfeit. Now they're escalating their fight against the musical.