372 stories by "suzy evans"
The “Gilmore Girls” star discusses the difference between theater and film and how she overcame her shyness.
NY Post’s Michael Riedel and producer Susan Haskins have been gathering the best of Broadway on PBS’ “Theater Talk” since 1992.
Ethan Lipton’s “No Place to Go,” at the Public Theater’s Joe’s Pub, captures the artist’s complaint, but the whining gets tiresome after a while.
The veteran Broadway actor discovers the child inside while working with the young cast of Disney’s “Newsies.”
"Lucky Duck," with songs by "Side Show" authors Bill Russell and Henry Krieger, aims to teach children important life lessons but muddies its messages.
"Jesus Christ Superstar," "Godspell," "Leap of Faith" join last season's "Book of Mormon" and "Sister Act" for a faith-centric Broadway season.
Capathia Jenkins looks to her ancestors to create her character Medda, a burlesque theater owner, in Disney’s “Newsies.”
“Newsies” stars Jeremy Jordan, Kara Lindsay, Ben Fankhauser, and Andrew Keenan-Bolger are living their childhood dream on Broadway.
Lyricist Jack Feldman and composer Alan Menkenhad not one but two chances to rework “Newsies.”
Begonya Plaza can’t balance her roles of playwright and actor in the muddled “Teresa’s Ecstasy,” an opposites-attract romance at the Cherry Lane Theatre.
Julia Roberts talks with director Mike Nichols for Vanity Fair's April issue about performing onstage and her upcoming film, "Mirror Mirror."
New York University, Northwestern University, and University of California at Los Angeles professors discuss balancing their acting and teaching careers.
Playwright Jacob M. Appel fails to make a convincing argument in his estate-dividing comedy “Thirds.”
Playwright Michel Wallerstein’s “Flight,” from Alchemy Theatre Company, loses steam in mid-takeoff and putters to an unsatisfying conclusion.
Playwright Heather Hill struggles to find divine inspiration for "Heathens," a rambling play about chronic sinners in rural Kentucky.
Laura Eason delivers a charming adaptation of Mark Twain's "The Adventures of Tom Sawyer" that will appeal to children and adults alike.
Actor Sandy Rustin, in her writing debut, clings to stale parenting scenarios in the musical revue "Rated P for Parenthood" at the Westside Theatre.
Leslye Headland examines the overly ambitious New York culture in her sharp workplace satire "Assistance" at Playwrights Horizons.
William Shatner discusses "Star Trek," Priceline, and other career highlights in his one-man show on Broadway at the Music Box Theatre through March 4.
The Asian American Performers Action Coalition and Fordham University presented RepresentAsian on Monday night.
Maya Macdonald has crafted a heartbreakingly real examination of the quarter-life crisis, when escape—through substances, jokes, silence—feels like the only option.
Punctuated by generic pop songs by Tony Biancosino, Lia Romeo's evening of short plays feels like a romantic fling. It's fun for a while, but when it's over you're left feeling empty.
Mikaela Feely-Lehmann has her acting school to thank for her first professional job, her Equity card, and her agent.
For a show centered on equality, "Created Equal" relies on a lot of polarizing stereotypes, but at least everyone receives the same harsh treatment.
The dynamic duo behind the web series "Submissions Only," which takes a loveable look behind the scenes of the New York theater scene, turn their audition room mishaps into comedy.
