175 stories by "Robert Kahn"
Jessie Mueller delivers a transformative performance as the chart-topping music legend in an engaging new musical.
The NYTW's affectionate homage isn't so much a new interpretation of the hit maker's canon as it is a loyal-to-its roots tribute, and that's just nifty.
The two starry knights face off in enigmatic, enticing "No Man's Land" and "Waiting for Godot," in repertory at the Cort Theatre. We'll drink to that.
Bryce Pinkham is a debonair bad guy and Jefferson Mays does what he does best in a dark musical comedy set in Edwardian England.
A musical adaptation by theater greats James Lapine and William Finn fails to live up to the charm of the 2006 indie sleeper on which it's based
It's impossible to experience Billy Crystal's autobiographical story without waxing nostalgic about the absurd characters and pivotal moments of your own life.
Playwright Bruce Norris cast a jaundiced eye on race in "Clybourne Park." Now, he's tackling equally rich material with his latest drama.
With a big band picked by Wynton Marsalis and a kaleidoscope of costumes by Isabel Toledo, the new musical perks up the ears as much as it captivates the eyes.
Jeanine Tesori and Lisa Kron adapt Alison Bechdel's celebrated graphic memoir into a rich and revelatory new musical.
The stage translation of John Grisham's legal thriller is guilty of a multitude of sins, chief among them sloppy writing and poor directing.
"The Winslow" boy is a very British courtroom drama, minus the courtroom
The Classic Stage Co.'s edgy take on Shakespeare's doomed twosome will invite comparisons to its current Broadway counterpart.
Babe Ruth breaks bread with Derek Jeter and an all-star roster of pinstriped players in Eric Simonson's uneven sports fantasy "Bronx Bombers."
The classic Susan Stroman choreography makes a splash, but a humdrum score ultimately leaves this father-son story stuck in the shallows.
First-rate performances and a wistful setting make John Tiffany's new production of the Tennessee Williams classic one to be treasured.
The British film star is a dashing Romeo opposite Condola Rashad's innocent Juliet in a sometimes-sexy take on Shakespeare's tragic love story
Sunday's show marks the first time any production on or Off-Broadway has ever neared that milestone.
Azarenka, Sharapova are just two of the players who find time for a show when in town for tennis
The stage and TV vet's innovative one-man comedy just announced a New York extension, and a run next summer not too far from Barbra Streisand's fancy Malibu digs.
The writers of "Bloody Bloody Andrew Jackson" bring quirky songs and a contemporary touch to the Shakespearean comedy "Love's Labour's Lost"
Zachary Levi and Krysta Rodriguez execute dated material with enough panache to keep this "First Date" interesting.
"Let It Be," which opened last night at the St. James Theatre, is at its best when it drops the gimmicks and relies on the superior talents of its musician cast
The two-time Tony winner opens up about an important political musical shut down by the same U.S. government that funded it, at City Center on July 13.
It's the laughter you'll remember after an evening with Michael Urie and his clever take on the megastar's idiosyncrasies.
Hamish Linklater and Jesse Tyler Ferguson pack a load of laughs into a brisk Delacorte romp
