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1,125 stories by "Natasha Tripney"

The Best Man review at Playhouse Theatre, London " 'dismayingly accurate satire' by Natasha Tripney

Written in 1960, Gore Vidal's play about American politics and populism still feels dismayingly accurate in its account of how political campaigns

SOURCE: The Stage Registration at 5:49pm on March 5, 2018[SHARE]

Nest review at Vaults, London " 'moments of tenderness' by Natasha Tripney

Jade doesn't like going outside. It's too risky. Kids are throwing shopping trolleys off the roof and the lift smells of piss.

SOURCE: The Stage Registration at 11:50am on March 5, 2018[SHARE]

Top 5 theatre shows to see this week by Natasha Tripney

Macbeth " National Theatre, London March is the month of Macbeths. There are three major productions opening as well as a new

SOURCE: The Stage Registration at 2:00am on March 5, 2018[SHARE]

Smile Upon Us, Lord review at Barbican Theatre, London " 'mesmeric and moving' by Natasha Tripney

Russia's prestigious Vakhtangov State Academic Theatre returns to London with Smile Upon Us, Lord, an adaptation of two books by the Jewish

SOURCE: The Stage Registration at 10:04am on March 1, 2018[SHARE]

Touretteshero's Jess Thom: 'Disabled people need to be written in, not written out' by Natasha Tripney

Jess Thom's Backstage in Biscuit Land, a witty celebration of her experience of living with Tourette's, was an Edinburgh Fringe hit in

SOURCE: The Stage Registration at 12:00pm on February 28, 2018[SHARE]

Love from a Stranger review at Royal and Derngate, Northampton " 'a taut thriller' by Natasha Tripney

Agatha Christie knew how to keep an audience on its toes. The art of concealment is key to this: what you keep

SOURCE: The Stage Registration at 6:21am on February 28, 2018[SHARE]

Harold and Maude review at Charing Cross Theatre, London " 'an amiable staging' by Natasha Tripney

Though it has cult status now, Hal Ashby's film about the unconventional relationship between a teenage boy and a 79-year-old woman met

SOURCE: The Stage Registration at 5:00pm on February 26, 2018[SHARE]

Work Makes You Free review at Vaults, London " 'promising and timely' by Natasha Tripney

Work plays a huge role in most people's lives. As a society, we assign different values to different types of work and

SOURCE: The Stage Registration at 9:18am on February 26, 2018[SHARE]

Brighton Rock review at York Theatre Royal " 'propulsive and atmospheric' by Natasha Tripney

It's easy to see why playwright Bryony Lavery would be drawn to Graham Greene's Brighton Rock " a book that combines a

SOURCE: The Stage Registration at 4:24am on February 22, 2018[SHARE]

Frozen review at Theatre Royal Haymarket, London " 'struggles to fill the stage' by Natasha Tripney

Bryony Lavery's 1998 study of crime, punishment and people's capacity to forgive is a tautly constructed chamber-piece. But it is not treated

SOURCE: The Stage Registration at 6:45pm on February 20, 2018[SHARE]

Elsa review at Vaults, London " 'sweetly skewers millennial angst' by Natasha Tripney

Isobel Rogers' solo show sees her sitting on a stool with her guitar in one of the more oppressively damp spaces at

SOURCE: The Stage Registration at 8:02am on February 19, 2018[SHARE]

Angry review at Southwark Playhouse, London " 'skilled performances, disjointed writing' by Natasha Tripney

Philip Ridley's new play consists of a sextet of monologues. These have been written to be gender neutral and Georgie Henley and

SOURCE: The Stage Registration at 6:40am on February 18, 2018[SHARE]

The Almighty Sometimes review at Royal Exchange Theatre, Manchester " 'an impressive writing debut' by Natasha Tripney

Anna is contemplating leaving home. She craves independence. She wants to go to university. She is 18 years old and that's what

SOURCE: The Stage Registration at 4:39am on February 15, 2018[SHARE]

The Boring Room at Vaults, London " 'insubstantial and meandering' by Natasha Tripney

What do you get if you lock Agatha Christie, Arthur Conan Doyle and Edgar Allen Poe in a room together? Frustratingly little,

SOURCE: The Stage Registration at 5:57am on February 11, 2018[SHARE]

The Poetry We Make review at Vaults, London " 'intriguing, but underdeveloped' by Natasha Tripney

Elliot and Robin were in a relationship for four years. It didn't last but they had some good times. Now Robin is

SOURCE: The Stage Registration at 5:41am on February 11, 2018[SHARE]

Gundog review at Royal Court, London " 'raw, bleak and humane' by Natasha Tripney

Time looms large in Simon Longman's play. The seasons change and the years roll past while the characters remain rooted in place.

SOURCE: The Stage Registration at 6:29am on February 8, 2018[SHARE]

The Captive Queen review at Sam Wanamaker Playhouse, London " 'Barrie Rutter's swansong' by Natasha Tripney

Barrie Rutter clocks off from Northern Broadsides, the company he co-founded 25 years ago, with a relocated version of John Dryden's Restoration

SOURCE: The Stage Registration at 6:12pm on February 7, 2018[SHARE]

Company review at Aberdeen Arts Centre " 'a slick staging' by Natasha Tripney

Ahead of Marianne Elliott's hotly anticipated gender-swapped version of Sondheim's musical, Aberdonian director Derek Anderson presents a more conventional staging in his

SOURCE: The Stage Registration at 5:18am on February 5, 2018[SHARE]

Julius Caesar review at Bridge Theatre, London " 'a kinetic, promenade staging' by Natasha Tripney

This is the season of Caesar. Last year Robert Hastie started his reign as artistic director of Sheffield Theatres with the play

SOURCE: The Stage Registration at 5:00pm on January 30, 2018[SHARE]

The Almighty Sometimes: the drama that asks 'how much of me is my medication?' by Natasha Tripney

In her prizewinning play, Kendall Feaver charts the relationship between a young woman with mental health problems and her motherWhen Kendall Feaver was going through her old school reports,…

SOURCE: The Guardian at 2:00am on January 30, 2018[SHARE]

The Brothers Size review at Young Vic, London " 'tender exploration of brotherhood' by Natasha Tripney

It's been over a decade since Tarell Alvin McCraney's The Brothers Size was first staged at the Young Vic. It was a

SOURCE: The Stage Registration at 6:12am on January 29, 2018[SHARE]

The Flying Lovers of Vitebsk review at Wilton's Music Hall, London " 'gorgeous, intimate and moving' by Natasha Tripney

Images of flying lovers run through Emma Rice's work. It crops up again and again, in Nights at the Circus, in Romantics

SOURCE: The Stage Registration at 12:44pm on January 24, 2018[SHARE]

Lady Windermere's Fan review at Vaudeville Theatre, London " 'Jennifer Saunders is scene-stealing' by Natasha Tripney

Fans are versatile things. They provide their holders with a way of conveying emotions that cannot be expressed in polite company with

SOURCE: The Stage Registration at 6:55pm on January 22, 2018[SHARE]

The Birthday Party review at the Harold Pinter Theatre, London " 'Toby Jones is superb' by Natasha Tripney

Harold Pinter's early play The Birthday Party is a famously murky piece of work, by turns sinister and absurd. Ian Rickson's production

SOURCE: The Stage Registration at 6:00pm on January 18, 2018[SHARE]

Natasha Tripney: Rita, Sue and Bob Too has changed since I saw it in Bolton, but so has the world by Natasha Tripney

Last September, when I went to Bolton's Octagon Theatre to catch the opening performance of Out of Joint's Andrea Dunbar's Rita, Sue

SOURCE: The Stage Registration at 11:32am on January 16, 2018[SHARE]
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