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1,125 stories by "Natasha Tripney"

Top 5 theatre shows to see this week (November 19-25) by Natasha Tripney

The Kneebone Cadillac " Theatre Royal Plymouth Simon Stokes' last production at Theatre Royal Plymouth will be the new play by Carl Grose, recently

SOURCE: The Stage Registration at 2:00am on November 19, 2018[SHARE]

Rendezvous in Bratislava review at Battersea Arts Centre, London " 'fascinating and affectionate' by Natasha Tripney

Miriam Sherwood's late grandfather Laco Kalina lived a life large enough to fill five volumes of autobiography. Born in 1913, under the

SOURCE: The Stage Registration at 4:11am on November 18, 2018[SHARE]

New Diorama artistic director David Byrne: 'If we don't take risks, there's no point in us existing' by Natasha Tripney

Despite opening less than a decade ago and having a capacity of only 80 seats, the New Diorama Theatre in central London

SOURCE: The Stage Registration at 4:04am on November 14, 2018[SHARE]

Pinter Four review at Harold Pinter Theatre, London " 'an intriguing double-bill' by Natasha Tripney

The fourth instalment in Jamie Lloyd's ambitious anthology of Harold Pinter's shorter works consists of an intriguing if uneven double-bill of one-act

SOURCE: The Stage Registration at 6:05am on November 12, 2018[SHARE]

Top 5 theatre shows to see this week (November 12-18) by Natasha Tripney

Hadestown " National Theatre, London Created by singer-songwriter Anais Mitchell and director Rachel Chavkin, and starring Eva Noblezada, this musical reworking of the

SOURCE: The Stage Registration at 2:00am on November 12, 2018[SHARE]

Pinter Three review at Harold Pinter Theatre, London " 'thrilling performances' by Natasha Tripney

Jamie Lloyd's dauntingly ambitious and carefully curated season of Harold Pinter's entire body of shorter works continues with a series of pieces

SOURCE: The Stage Registration at 5:44am on November 11, 2018[SHARE]

Don Quixote review at Garrick Theatre, London " 'entertaining and poignant' by Natasha Tripney

First staged in 2016, the 400th anniversary of Cervantes’ death, James Fenton's adaptation of Don Quixote compresses the sprawling novel into just

SOURCE: The Stage Registration at 5:24am on November 9, 2018[SHARE]

The Exorcism review at Battersea Arts Centre, London " 'funny, eerie, and formally playful' by Natasha Tripney

Poet and performer Ross Sutherland relishes an experiment. He's written palindrome plays and interactive comedy gigs, as well as the sublime fusion

SOURCE: The Stage Registration at 8:10am on November 7, 2018[SHARE]

The Madness of George III starring Mark Gatiss review at Nottingham Playhouse " 'Gatiss rises to the challenge' by Natasha Tripney

Announced well over a year ago, this production was always intended to be a high point in Adam Penford's first year as

SOURCE: The Stage Registration at 4:19am on November 7, 2018[SHARE]

Jeton Neziraj: the playwright exploring Kosovo's identity on stage by Natasha Tripney

Kosovar playwright Jeton Neziraj is helping to explore the national identity of the 10-year-old country, Europe’s youngest, with his company Qendra Multimedia.

SOURCE: The Stage Registration at 7:30am on November 5, 2018[SHARE]

The Funeral Director review at Southwark Playhouse, London " 'sensitive and nuanced' by Natasha Tripney

Iman Qureshi's The Funeral Director, this year's winner of the Papatango prize for new writing, is a sensitive and nuanced exploration of

SOURCE: The Stage Registration at 6:30am on November 5, 2018[SHARE]

Top 5 theatre shows to see this week (November 5-11) by Natasha Tripney

White Teeth " Kiln Theatre, London The second production in the rechristened Kiln Theatre's autumn season is an adaptation of Zadie Smith's acclaimed debut

SOURCE: The Stage Registration at 2:00am on November 5, 2018[SHARE]

The Wolves review at Theatre Royal Stratford East, London " 'skilful evocation of adolescence' by Natasha Tripney

Sarah DeLappe's debut play, a 2017 Pulitzer prize-finalist, is a skilfully drawn coming-of-age tale set in a US girls' junior soccer team.

SOURCE: The Stage Registration at 6:45am on October 31, 2018[SHARE]

Close Quarters review at Crucible Studio, Sheffield " 'banter and bravado' by Natasha Tripney

In 2016, the ban was lifted on women in the British army fighting in close combat roles. Kate Bowen's new play takes this

SOURCE: The Stage Registration at 6:35am on October 30, 2018[SHARE]

Top 5 theatre shows to see this week (October 27-November 4) by Natasha Tripney

The Wolves " Theatre Royal Stratford East, London Ellen McDougall directs the European premiere of Sarah DeLappe's The Wolves, a play that uses

SOURCE: The Stage Registration at 3:00am on October 29, 2018[SHARE]

I and You starring Maisie Williams review at Hampstead Theatre " 'an underwhelming teen two-hander' by Natasha Tripney

Lauren Gunderson is one of the most produced playwrights in America today. I and You is one of her most popular plays.

SOURCE: The Stage Registration at 4:15am on October 26, 2018[SHARE]

The audition was an assault course: women seize combat roles in new play by Natasha Tripney

Kate Bowen talks about her drama Close Quarters, exploring the aspirations and gender wars of three female squaddiesIn 2016, the ban on women in the British army fighting in close combat ro…

SOURCE: The Guardian at 7:06am on October 24, 2018[SHARE]

The Wild Duck review at Almeida Theatre, London " 'dazzling precision' by Natasha Tripney

He's done it again. Having made Hamlet feel freshly hatched, Almeida associate Robert Icke does the same for Ibsen's 1884 play. The

SOURCE: The Stage Registration at 5:39am on October 24, 2018[SHARE]

Natasha Tripney: It's time for theatre to stop stereotyping Eastern Europeans by Natasha Tripney

The largest foreign-born community in the UK is Polish – it makes up 4.5% of London's foreign-born population " yet still theatre

SOURCE: The Stage Registration at 3:00am on October 24, 2018[SHARE]

Top 5 theatre shows to see this week (October 22-28) by Natasha Tripney

Macbeth " Barbican Theatre, London Polly Findlay's Royal Shakespeare Company production, starring Christopher Eccleston and Niamh Cusack, received mixed reviews when it opened in

SOURCE: The Stage Registration at 2:00am on October 22, 2018[SHARE]

Wise Children review at Old Vic, London " 'mess, melancholy and magic' by Natasha Tripney

This is a labour of love if ever there was one. Emma Rice's first new production, after her brief, troubled stint at

SOURCE: The Stage Registration at 7:01pm on October 18, 2018[SHARE]

Silence review at Mercury Theatre, Colchester " 'strong performances' by Natasha Tripney

Exploring the intergenerational fallout of war and diaspora from the perspective of a Polish woman, her daughter, and granddaughter, Silence is a

SOURCE: The Stage Registration at 12:23pm on October 18, 2018[SHARE]

Death of a Salesman review at Royal Exchange Theatre, Manchester " 'a layered reframing' by Natasha Tripney

The might of Arthur Miller's Pulitzer-winning play lies in the way it works simultaneously as a commentary on capitalism as a contaminant

SOURCE: The Stage Registration at 5:15am on October 17, 2018[SHARE]

Top 5 theatre shows to see this week (October 15-21) by Natasha Tripney

The Inheritance " Noel Coward Theatre, London Matthew Lopez's ambitious and moving seven- hour, two-part update of EM Forster's Howards End, exploring the

SOURCE: The Stage Registration at 2:00am on October 15, 2018[SHARE]

Everything That Happened and Would Happen review at Mayfield, Manchester " 'mesmeric multimedia work' by Natasha Tripney

Inside a vast disused train station in Manchester, German composer and artist Heiner Goebbels is staging history. Co-commissioned by Artangel, a company

SOURCE: The Stage Registration at 5:55am on October 12, 2018[SHARE]
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