Theater Review: Kate Benson's New Play at the Jam on Toast Festival
Kate Benson's "A Beautiful Day in November on the Banks of the Greatest of the Great Lakes" is a spectacularly inventive take on the drama of a family holiday dinner.
Kate Benson's "A Beautiful Day in November on the Banks of the Greatest of the Great Lakes" is a spectacularly inventive take on the drama of a family holiday dinner.
In "Intermission," a couple with many differences between them go to see a play.
The new version of the interactive play "Tony n' Tina's Wedding" is self-consciously updated, but strains for laughs.
In Beau Willimon's play "Breathing Time," at Teatro Iati, some 21st-century trauma impinges on an ordinary workday.
"Nothing on Earth Can Hold Houdini" tells of the magician's crusade to debunk mediums.
The director Stephanie Riggs follows the tribulations of three actors who are on call to step in for a star in a stage show.
The Pig Iron Theater Company outfits its interpretation of "Twelfth Night" in outrageousness, with colorful costumes, loud characters and a Balkan band.
"The Faire," Crystal Finn's new play at the Fourth Street Theater, follows the behind-the-scenes lives of five performers in a bedraggled Renaissance fair somewhere in Northern California.&n…
"Take Me Home," an immersive theater piece, treats audiences of three to a unique ride in a New York cab.
"Craving for Travel," at the Peter J. Sharp Theater, is a comedy about two rival travel agents dealing with dozens of difficult clients.
Isabella Rossellini talks about the sex lives found in the natural world in "Green Porno," at the Brooklyn Academy of Music.
A musical stage version of "A Christmas Story," the Jean Shepherd holiday classic, looks as if it will settle in as a seasonal perennial.
"Playwright: From Page to Stage," on the PBS series "Independent Lens," , follows two playwrights, Rajiv Joseph and Tarell Alvin McCraney, as they have new works produced. &…
In "Struck," at Here Arts Center, Tannis Kowalchuk tries to convey the experience of her stroke and recovery.
"Around the World," a streamlined concert reading of Orson Welles and Cole Porter's musical adaptation of the Jules Verne tale, is at the Mint Theater.
"Nutcracker Rouge" presents the "Nutcracker" tale as it might exist in another dimension.
"How to Make Friends and Then Kill Them" follows the uneasy interplay among three friends.
"The English Bride" is a mystery involving love, a bomb and a guessing game.
"Year of the Rooster," a play about cockfighting at the Ensemble Studio Theater, gives a rooster a complex interior life.
The documentary "Broadway Idiot" observes the metamorphosis of "American Idiot" from record to stage show, and of Billie Joe Armstrong from rock star to stage actor.
"The Hollow Crown" is a four-part serving of Shakespeare that begins on Friday on PBS's "Great Performances."
In "Why We Left Brooklyn," a party is being given for an actor who has accepted a teaching job in Ohio.
Daria Tavana's play is a stage adaptation of Kurt Vonnegut's novel.
A review of "Perceval," a four-actor play about one of the Knights of the Round Table.
Ms. Herz publicized shows for almost 65 years, among "La Cage aux Folles," and her client list included dance troupes, TV shows and even the Moscow Circus.