Circumcise Me! doesn’t cut too deeply
Yisrael Campbells chronicle of conversion is witty and revealing, but doesnt really address the depth of his religious conviction
Yisrael Campbells chronicle of conversion is witty and revealing, but doesnt really address the depth of his religious conviction
It was the crowd-pleaser of Toronto Fringe Festival, and while its more stand-up than true theatre, James Gangls comic act of confession is still hilarious
Theatre Smashs production of Marius von Mayenburgs 2007 play asks some hard questions about identity and shallow physical qualities
Actor Richard Donat gives a spellbinding portrayal of the legendary American playwright on the way down
Hannah Moscovitchs Little One is a psychological thriller that is brilliantly crafted
North American tour delivers a Broadway-sized show with a greatest-hits roster of skits
The man-eating bear is not the only reason to see Dream in High Parks first-ever staging of The Winters Tale
Soulpepper take on Williamss tale of self-delusion and heartache mines the comedy, eases off on the pathos
Soulpepper take on Williamss tale of self-delusion and heartache eases off on the pathos
Helen Mirren and Jeremy Irons rule the stage despite low turnout and airplane interruptions
Khanjian pours scorching intensity into her role as anguished mother in reinterpretation of classic about obsessive love
Soulpepper Theatre Company, the Canadian Opera Company and Billy Elliot also fare well as the finalists announced ahead of June 27 awards ceremony
A classic Bengali fable is inspired by transcendence, but remains earthbound in the delivery
At the Factory Theatre, a 10th-anniversary revival of a dark comedy by Adam Pettle is a tad understated but wittily shrewd
Writer Byron Abalos should reconsider satire as his vehicle of choice
Written originally about Bosnia, Colleen Wagners play gains new resonances in this East African setting
Woody Harrelson's play looks and sounds more like a failed sitcom pilot than a stage play
In this misfired effort, Sky Gilbert cant decide if its a play of ideas, a diatribe or a farce
After Akhmatova
Story of Russian poet builds to intellectual revelation no more profound than an undergraduate essay
Soulpepper restages William Saroyans prize-winning play, showing the works strengths and weaknesses
The sequel to a screwball hit has lots of light-hearted fun about middle age
One-woman drama is marred by directors heavy hand
Performers have a grand time riding this old warhorse
Play needs pruning of excess adult parts