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903 stories by "Laura Collins-Hughes"

Hot for teacher by Laura Collins-hughes

Amanda Palmer's secret weapon for ART's "Cabaret"? Her high school mentor.

SOURCE: Boston Globe at 5:58pm on May 25, 2015[SHARE]

Review: In Sara Fellini's 'In Vestments,' Haunted by More Than Ghosts by Laura Collins-hughes

Theater 4the People's new play, about a crumbling church and the people trying to hold it together, takes place in a church on the Upper West Side.

SOURCE: The New York Times Subscription at 5:51pm on May 19, 2015[SHARE]

Review: A Molière-Born Cad for the Ages in 'Don Juan' by Laura Collins-hughes

Jess Burkle's larkish adaptation of Molière's "Don Juan," at the Pearl Theater, features modern colloquial language and a loud-spoken costume.

SOURCE: The New York Times Subscription at 10:00pm on May 17, 2015[SHARE]

Review: 'Red Flamboyant' Is Earthbound and Flush With Romanticism by Laura Collins-hughes

Don Nguyen's play at Anderson Hall was inspired by a newspaper article about H.I.V.-positive women in Vietnam, but is most successful when it strays away from the source material.

SOURCE: The New York Times Subscription at 6:33pm on May 4, 2015[SHARE]

Review: 'Beyond Sacred: Voices of Muslim Identity,' Young New Yorkers Tell Their Stories by Laura Collins-hughes

Five young New Yorkers are featured in Ping Chong + Company's new work of interview-based theater at LaGuardia Performing Arts Center in Long Island City, Queens.

SOURCE: The New York Times Subscription at 6:03am on May 4, 2015[SHARE]

Review: 'Ziegfeld's Midnight Frolic' Explores the Murky Death of the Actress Olive Thomas by Laura Collins-hughes

The death by poison of the "Ziegfeld Follies" beauty in Paris in 1920 is the subject of an immersive theater piece at the Liberty Theater.

SOURCE: The New York Times Subscription at 10:00pm on April 29, 2015[SHARE]

Review: 'The Unexpected Guest,' From Agatha Christie, Dispenses With a Bully by Laura Collins-hughes

The new Theater Breaking Through Barriers production at the Clurman Theater opens with a dead body in a wheelchair.

SOURCE: The New York Times Subscription at 5:56pm on April 22, 2015[SHARE]

Review: 'Clinton the Musical' Proves Unimpeachably Amusing by Laura Collins-hughes

The show employs satire without the bite of meanspiritedness.

SOURCE: The New York Times Subscription at 10:00pm on April 10, 2015[SHARE]

In Bess Wohl's 'Small Mouth Sounds,' a Loss for Words Leads to a Gain in Insight by Laura Collins-hughes

The characters in a new play say almost nothing, an exercise in mindfulness that was both challenging and relieving for its writer.

SOURCE: The New York Times Subscription at 5:33pm on April 6, 2015[SHARE]

Review: 'Music Hall,' a Meditation in Stage Poetry by Jean-Luc Lagarce by Laura Collins-hughes

Tuta Theater Chicago brings a work by the French playwright Jean-Luc Lagarce to 59E59 Theaters.

SOURCE: The New York Times Subscription at 5:16pm on April 6, 2015[SHARE]

Review: In 'Soldier X,' Rehana Lew Mirza Explores Issues Off the Battlefield by Laura Collins-hughes

Ms. Mirza's play " full of emotions, conflicts and other military-related issues " intends to educate theatergoers.

SOURCE: The New York Times Subscription at 2:13pm on April 5, 2015[SHARE]

Stage Shows Are Most Alive at the First Preview by Laura Collins-hughes

Theater is always full of chance-taking and excitement, never more so than the first time a show has a preview.

SOURCE: The New York Times Subscription at 1:15pm on March 26, 2015[SHARE]

Review: 'Fashions for Men,' a Revival at the Mint Theater by Laura Collins-hughes

Ferenc Molnar's play, a romantic comedy that came to Broadway in 1922, revolves around a tenderhearted Budapest clothier and his road back to happiness.

SOURCE: The New York Times Subscription at 5:23pm on March 9, 2015[SHARE]

'The Events' Uses Local Choirs for Vocals, Minus a Script by Laura Collins-hughes

The play, which examines the aftermath of a mass shooting at a choir rehearsal, uses local choruses who volunteer to be a part of the show.

SOURCE: The New York Times Subscription at 7:34pm on March 6, 2015[SHARE]

Review: Eberhardt's Fierce Ride, in 'The Nomad' by Laura Collins-hughes

"The Nomad," from Elizabeth Swados and Erin Courtney, follows the journey of a Western woman who finds freedom posing as a man in North Africa.

SOURCE: The New York Times Subscription at 4:18pm on March 3, 2015[SHARE]

Review: In 'Abundance,' by Beth Henley, Mail-Order Brides Find Husbands and Lice by Laura Collins-hughes

Ms. Henley's play, in a revival by the Actors Company Theater, is a rare western in which women are the stars.

SOURCE: The New York Times Subscription at 4:02pm on March 3, 2015[SHARE]

Review: In 'Rocket to the Moon,' a Dentist Deals With a Midlife Crisis by Laura Collins-hughes

In a revival of this Clifford Odets play, directed by Dan Wackerman, the protagonist dreams of a less soul-sucking life, yet lacks the courage to try to build one.

SOURCE: The New York Times Subscription at 3:30pm on March 1, 2015[SHARE]

Review: 'Churchill,' a One-Man Show at New World Stages by Laura Collins-hughes

Ronald Keaton portrays Winston Churchill in reflecting on that former British prime minister's anecdote-rich life.

SOURCE: The New York Times Subscription at 5:40pm on February 24, 2015[SHARE]

Theater Review: 'Texas in Paris' Stars Lillias White at York Theater Company by Laura Collins-hughes

In "Texas in Paris," Lillias White and Scott Wakefield play very different singers on a music tour in France.

SOURCE: The New York Times Subscription at 6:48pm on February 6, 2015[SHARE]

Theater Review: 'Zero Hour: Tokyo Rose's Last Tape' at Japan Society by Laura Collins-hughes

"Zero Hour: Tokyo Rose's Last Tape" focuses on a young Japanese-American who becomes branded as an Axis propagandist.

SOURCE: The New York Times Subscription at 5:55pm on January 30, 2015[SHARE]

Third Time Is Not the Charm for 'Soul Doctor' by Laura Collins-hughes

An Off Broadway production of the bio-musical about Shlomo Carlebach will close on Sunday.

SOURCE: The New York Times Subscription at 1:57pm on January 23, 2015[SHARE]

A Provocative Play Connects Halley Feiffer and Betty Gilpin by Laura Collins-hughes

Halley Feiffer's new play, "I'm Gonna Pray for You So Hard," focuses on an actress and her better-known father, a situation she knows firsthand.

SOURCE: The New York Times Subscription at 12:48pm on January 22, 2015[SHARE]

Theater Review: 'Wyoming,' a Brian Watkins Family Drama by Laura Collins-hughes

In the play "Wyoming," a family gets uncomfortable reminders when a son arrives for Thanksgiving.

SOURCE: The New York Times Subscription at 4:17pm on January 21, 2015[SHARE]

Theater Review: Tom Hewitt in 'Another Medea' by Laura Collins-hughes

The Broadway veteran Tom Hewitt plays a disarming psychopath in "Another Medea," a monologue written by Aaron Mark.

SOURCE: The New York Times Subscription at 5:40pm on January 20, 2015[SHARE]

Theater Review: 'The Woodsman' Tells the Tin Man's Tale by Laura Collins-hughes

"The Woodsman," an ambitious production from James Ortiz, uses spare dialogue, omnipresent music and fanciful puppets to tell the Tin Man's back story.

SOURCE: The New York Times Subscription at 5:30pm on January 20, 2015[SHARE]
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