903 stories by "Laura Collins-Hughes"
Ellen McLaughlin's adaptation of Euripides' tale has its New York premiere at the Flea; the impetus for her work was the Bosnian War.
What is true and what is a cultural expectation in this play about a Chinese dissident keep the audience guessing.
This brisk production from the company Motherlode concerns a village tempted by a stranger to move to new homes down the road.
A critic revisits the festival for "The Box Show," "Thud!," a new "Cyrano," "Night of the Living N-Word!!" and "Roadkill."
A dozen-show dive into the New York International Fringe Festival, which has nearly 200 shows on offer.
Artists in the New York International Fringe Festival used their creativity to secure rehearsal locations that wouldn't break the bank.
Sarah DeLappe's play focuses on coming of age, the closed ranks of a longtime unit and the loneliness of being an outsider.
Reviews of "Newton's Cradle," "Dust Can't Kill Me," "Camp Rolling Hills" and "Ludo's Broken Bride," all part of this annual gathering.
Uneasy relationships feature in the three one-act plays in Series B of this 59E59 Theaters festival.
Owen McCafferty's rage-filled, mournful play, an Abbey Theater in Dublin production, is about terrorism, civil war and the damage that remains after the hatred cools.
In this musical about the complex relationship between four singers, the actors raise most of the characters above the level of the script.
A critic revisiting Cape Cod in the high season muses about "The Kritik," a satire about theater, criticism and the nature of community in a small town.
"A Scythe of Time," "Icon" and "Eh Dah? Questions for My Father" investigate themes of death, love and cultural identity in funny and moving ways.
Lisa Wolpe's one-woman show, "Shakespeare and the Alchemy of Gender," weaves together memoir and passages from the playwright's work.
Natalie Margolin's play centers on three female college roommates whose bonds are tested by the strict rules they use for dating in the digital age.
These revivals, presented by the Potomac Theater Project, speak to contemporary politics and cultural debate.
This play wants to be many things, most of all a commentary on the American Dream, but it is dreamlike in the wrong way.
In just four years, Eric Tucker and Andrus Nichols's New York-based company has become a critical darling. It's also keeping them busier than ever.
The director and designer prepares his new show, "Paradiso: Chapter 1," a suspense thriller that is also a game.
In this outdoor production of a Shakespeare classic, audience members follow the actors around through the park.
By performing it multiple times in rapid succession, flexCO turns a 17th-century farce inside out.
The Radio City show's aim seems to be selling tickets to people who would rather sit back and watch a sanitized simulation of the city.
In "The Iceman Lab, " a four-act rethinking of "The Iceman Cometh" at Here, the mood at that depressing saloon has really livened up.
"The Taming of the Shrew," now at the Delacorte Theater, reminds women of their duty to their husbands. Here's a take from a critic " and how some female directors view it.
This play, directed by Kristin Marting, emphasizes love and mourning through a collage of real online posts.
