916 stories by "Laura Collins-Hughes"
Memory, gender and fantasy blend in this play about a Vietnam veteran and his offspring.
This solo show, written by Matthew Spangler and Benjamin Evett and starring Mr. Evett, is based on the poem by Samuel Taylor Coleridge.
This Kate Benson play is set in a Brooklyn spot that promises company and conversation, especially for a lonely woman who wants to attract a man.
"The Grand Paradise," "The Dead, 1904," "Drunk Shakespeare" and "Sleep No More" are participation shows offering special events the night of Dec. 31.
This six-actor adaptation by Matt Opatrny of the Dickens classic brings humanizing touches to the story.
He is writing essays, working on an album and starring in a play, among other things.
A roundup of what the actor is raving about these days.
The work, a trip through Anna Kohler's memories of being a young nude model in Paris, is directed by Caleb Hammond and is partly a sensory experiment.
The Classical Theater of Harlem's Christmas musical is a memory show; this year it moves to the main stage of the Apollo.
Erik Ehn's sprawling experimental drama at La MaMa, directed by Glory Kadigan, means to be obscure, though probably not to the degree that it is.
Jacob G. Padrón is the artistic director of the Sol Project, which has found deep pockets to finance its goal of ushering Latinos into the theater mainstream.
This book by Arthur and Barbara Gelb expresses a professional admiration for Mr. O'Neill but goes into great detail about the unflattering parts of his life.
The loss of a young son is the central force in this work by the Dutch playwright Lot Vekemans.
This Hansol Jung play, set from the 1940s through the mid-1970s, centers on a woman with an urn of her father's ashes and includes Jesus in disguise.
This show grew out of Israel Horovitz's radio play of the same name, inspired by an Alaskan avalanche that buried a man in a cabin under 30 feet of snow.
Christopher Bayes, who teaches physical acting at Yale, has trained a generation of comic performers, including many in "The Servant of Two Masters."
With girlfriends acting as ironic courtside commentators, Andy Bragen's play examines a highly charged pastime for two men entering middle age.
Mr. Oliver, who stars in "Attorney Street," the latest installment of his solo trilogy, takes a melancholy stroll around his former neighborhood.
John Fleck veers into gothic horror spoof in his solo show, "Blacktop Highway," at Dixon Place. With video and puppetry, it is gory and gleefully dark.
In this program of two one-act plays at Here, the company Eagle Project examines how natural disasters take their greatest toll on minority residents.
This MJ Kaufman play centers on a transgender character who finds solace in an enormous tree as he deals with issues of identity, intimacy and family.
Harrison David Rivers's new play, at the National Black Theater, pits Kansas siblings against each other in a bid for a Columbia graduate's heart.
Sean Holmes's contemporary take on Sean O'Casey's drama set during the 1916 Easter Rising offers no illusions of heroism.
The new multimedia piece, at the Abrons Arts Center, was based on the producer Anne Hamburger's experience with placing her son in wilderness therapy.
The highlight of "Inner Voices," a program of three musical monologues presented by Premieres at TBG Theater, is "The Pen," sung by Nancy Anderson.
