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903 stories by "Laura Collins-Hughes"

Review: 'Among the Dead' Deals in War and Family Mysteries by Laura Collins-hughes

This Hansol Jung play, set from the 1940s through the mid-1970s, centers on a woman with an urn of her father's ashes and includes Jesus in disguise.

SOURCE: The New York Times Subscription at 7:18pm on November 21, 2016[SHARE]

Review: 'Man in Snow,' With a Lone Voice Hoping to Stay Connected by Laura Collins-hughes

This show grew out of Israel Horovitz's radio play of the same name, inspired by an Alaskan avalanche that buried a man in a cabin under 30 feet of snow.

SOURCE: The New York Times Subscription at 1:48pm on November 16, 2016[SHARE]

The Professor of Pratfalls by Laura Collins-hughes

Christopher Bayes, who teaches physical acting at Yale, has trained a generation of comic performers, including many in "The Servant of Two Masters."

SOURCE: The New York Times Subscription at 1:18pm on November 16, 2016[SHARE]

Review: A Tennis Rivalry That Just Might Sabotage a Friendship by Laura Collins-hughes

With girlfriends acting as ironic courtside commentators, Andy Bragen's play examines a highly charged pastime for two men entering middle age.

SOURCE: The New York Times Subscription at 5:18pm on November 14, 2016[SHARE]

Edgar Oliver, Actor and Raconteur, Hews to His East Village Past by Laura Collins-hughes

Mr. Oliver, who stars in "Attorney Street," the latest installment of his solo trilogy, takes a melancholy stroll around his former neighborhood.

SOURCE: The New York Times Subscription at 6:06pm on November 13, 2016[SHARE]

Review: Stranded. And Don't Expect Help From Those Animals. by Laura Collins-hughes

John Fleck veers into gothic horror spoof in his solo show, "Blacktop Highway," at Dixon Place. With video and puppetry, it is gory and gleefully dark.

SOURCE: The New York Times Subscription at 2:48pm on November 8, 2016[SHARE]

Review: 'Lost Voices' Confronts the Rising Tide of Climate Change by Laura Collins-hughes

In this program of two one-act plays at Here, the company Eagle Project examines how natural disasters take their greatest toll on minority residents.

SOURCE: The New York Times Subscription at 5:48pm on November 7, 2016[SHARE]

Review: In 'Sagittarius Ponderosa,' New Self Confronts Old by Laura Collins-hughes

This MJ Kaufman play centers on a transgender character who finds solace in an enormous tree as he deals with issues of identity, intimacy and family.

SOURCE: The New York Times Subscription at 6:54pm on November 1, 2016[SHARE]

Review: Sisters at War in 'Sweet,' a Triangle Amid '60s Tumult by Laura Collins-hughes

Harrison David Rivers's new play, at the National Black Theater, pits Kansas siblings against each other in a bid for a Columbia graduate's heart.

SOURCE: The New York Times Subscription at 2:04pm on October 26, 2016[SHARE]

Review: 'The Plough and the Stars,' War and Folly in a Dublin Tenement by Laura Collins-hughes

Sean Holmes's contemporary take on Sean O'Casey's drama set during the 1916 Easter Rising offers no illusions of heroism.

SOURCE: The New York Times Subscription at 5:10pm on October 21, 2016[SHARE]

Therapy Becomes Theater in 'Wilderness' by Laura Collins-hughes

The new multimedia piece, at the Abrons Arts Center, was based on the producer Anne Hamburger's experience with placing her son in wilderness therapy.

SOURCE: The New York Times Subscription at 10:24am on October 20, 2016[SHARE]

Review: A Portrait of Living With Mental Illness in 'The Pen' by Laura Collins-hughes

The highlight of "Inner Voices," a program of three musical monologues presented by Premieres at TBG Theater, is "The Pen," sung by Nancy Anderson.

SOURCE: The New York Times Subscription at 6:12pm on October 18, 2016[SHARE]

Review: 'The Maids' in Puerto Rico, With Shifts in Power and Gender by Laura Collins-hughes

This adaptation of the Jean Genet play puts two pairs of actors " one male, one female " in the title roles as servants yearning for freedom.

SOURCE: The New York Times Subscription at 5:56pm on October 17, 2016[SHARE]

Review: In 'The Loon,' the Birds Can Coo. Can You? by Laura Collins-hughes

The new piece from the dance and theater company Witness Relocation is a meditation on middle age that does not want to go gentle.

SOURCE: The New York Times Subscription at 5:56pm on October 17, 2016[SHARE]

Review: 'Stuffed' Details Fights Women Wage With Their Weight by Laura Collins-hughes

The play, written by and starring Lisa Lampanelli, is a patchwork of standup comedy and monologues that are only loosely sewn together.

SOURCE: The New York Times Subscription at 6:34pm on October 14, 2016[SHARE]

Review: In 'The God Projekt,' He's Old and Alone but Still Almighty by Laura Collins-hughes

This play features Kevin Augustine as a broken-down heavenly father who is better at making promises than answering prayers.

SOURCE: The New York Times Subscription at 5:49pm on October 11, 2016[SHARE]

Review: Shelagh Delaney's "A Taste of Honey," once a hit in the West End & on Broadway,revived by Pearl Theatre Company by Laura Collins-hughes

Joan Plowright & Amanda Plummer played "Jo" to great acclaim, add REBEKAH BROCKMAN to that list since her memorable & assured performance is the chief attraction of Austin Pendleton's produc…

SOURCE: The New York Times Subscription at 7:03pm on October 3, 2016[SHARE]

New York International Fringe Festival Will Skip 2017 by Laura Collins-hughes

Organizers of the summer festival, which has been produced for 20 years, say the hiatus will be used to reconsider the festival's mission.

SOURCE: The New York Times Subscription at 6:21pm on September 30, 2016[SHARE]

Review: In 'Tomorrow's Parties,' Visions of the Planet's Future by Laura Collins-hughes

A woman and a man conjure ever-morphing, wildly different ideas in this show from Forced Entertainment, part of the Crossing the Line Festival.

SOURCE: The New York Times Subscription at 5:42pm on September 29, 2016[SHARE]

Review: 'The Black Crook' Inspires Its Own Alcohol by Laura Collins-hughes

The play, at the Abrons Arts Center, is adapted by Joshua William Gelb from the 1866 New York stage spectacular of the same name.

SOURCE: The New York Times Subscription at 5:36pm on September 27, 2016[SHARE]

Review: In 'A Taste of Honey,' She's Having the Baby. How Quaint. by Laura Collins-hughes

Shelagh Delaney's play, once a hit in the West End and on Broadway, is revived by Pearl Theater Company.

SOURCE: The New York Times Subscription at 6:51pm on September 23, 2016[SHARE]

Review: A 'Hamlet' That Wants to Get Closer by Laura Collins-hughes

The Public Theater's Mobile Unit took on the challenge of presenting this play in a nontheatrical space in Harlem; now the cast will continue it in a theatrical one.

SOURCE: The New York Times Subscription at 5:51pm on September 20, 2016[SHARE]

Review: 'Blossom,' a Puppet's Tale of Alzheimer's by Laura Collins-hughes

Spencer Lott's play shines in its wordless moments as it follows the decline of a 76-year-old widower with Alzheimer's disease.

SOURCE: The New York Times Subscription at 6:49pm on September 14, 2016[SHARE]

Review: Nice Music, but in 'Maestro' He Doesn't Look a Thing Like Lenny by Laura Collins-hughes

Hershey Felder plays that "telegenic ham" Leonard Bernstein in "Maestro," a solo show with songs, at 59E59 Theaters.

SOURCE: The New York Times Subscription at 10:43pm on September 12, 2016[SHARE]

Playing a 'Game' to Reveal Uncomfortable Truths About Race by Laura Collins-hughes

"Underground Railroad Game," opening at Ars Nova, is a squirm-inducing comic play concerning the legacy of slavery.

SOURCE: The New York Times Subscription at 6:04pm on September 7, 2016[SHARE]
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