300 stories by "Anna Winter"
Actor, pianist and writer Hershey Felder specialises in stage portrayals of Western music's big figures. With the likes of Gershwin, Chopin and
Lucy Light is a tender and funny two-hander about female friendship and the threat of cancer that is by turns sensitive and
There's no single route into a career on the West End's biggest stages. Three figures from the world of dance tell Anna
The Little Mermaid completes Northern Ballet's hat-trick year of premieres in sparkling style. Choreographed by company director David Nixon, it's a thoroughly
Phoebe Eclair-Powell's all-female adaptation of The Picture of Dorian Gray is a winning and witty affair, nimbly directed by Owen Horsley and
Bullish sets out to gore the conventional heart of the gender binary with cabaret charm, sincerity and fuzzy bovine heads. A cast
With DeadClub, directing duo David Rosenberg and Frauke Requardt leave behind the outdoor spectacles of previous collaborations and move into a suggestive
Jogging is a remarkable piece of theatre, even in its currently altered form " a result of the Home Office's refusal to
Choreographer Sara Juli's one-woman show about urinary incontinence and the burdens of motherhood " both bodily and psychological " flows with an
Choreographer Pauline Mayers' one-woman show What If I Told You is eloquent on ideas of difference. Part confessional monologue, memoir and workshop,
Amid the pheromone fug of a locker room, the macho posturing of two blokes in tiny shorts shades into furtive erotic promise
Gracefool Collective comprises four graduates of the Northern School of Contemporary Dance whose first Edinburgh Fringe show mixes feminist frustration with raucous
Echoes of Nijinsky's faun emerge in Sharon Eyal's mysterious Process Day, a work danced with commanding presence by every member of Scottish
Manual Cinema's Lula Del Ray is easy to admire but oddly unengaging: a slice of Americana with a strange aftertaste. In technical
The first fratricide is given a rather flat treatment in Animikii Theatre's Origins, a physical theatre retelling of Cain and Abel. Bare-chested
Something remarkably febrile lies at the centre of Nederlands Dans Theater's Edinburgh triple bill. A man in the throes of death recalls
Urielle Klein-Mekongo's one-woman show Yvette is a winning and poignant work that deals with raging teenage hormones, racial identity and the lasting
Robert Mapplethorpe and the bohemian subcultures of 1970s’ New York inspire this transfixing piece " an extract from a full-length work "
Tutu is a disappointing all-male production that relies on cheap visual gags in an attempt to satirise several styles of dance. Ballet
A bearded man in a blue suit is dancing blithely to Whitney Houston, but things take an awkward turn in Josh Lucas'
Celebration is a small but glorious remedy for despair. Ben Kulvichit and Clara Potter-Sweet acknowledge bewilderment and fright at the recent rise
Slip jigs, reels and the smell of hairspray fill the Tallaght Basketball Arena in Margaret McAuliffe's wonderful one-woman show about a teenage
Cirkopolis has technical feats aplenty but its lacks a real storytelling soul. Intended as a family-friendly reworking of Metropolis, the narrative clarity
Luca Silvestrini's Border Tales has been around since 2014, but its messages about multiculturalism seem more relevant than ever in the rabid
Cass is a writer who has lost her voice and can’t get out of the bathtub. Her mother has just died and
