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300 stories by "Anna Winter"

Chambre Noire review at Jacksons Lane, London " 'frustratingly shallow' by Anna Winter

Chambre Noire is a grim one-woman puppet show about the death of Valerie Jean Solanas, the radical feminist who famously shot Andy

SOURCE: The Stage Registration at 7:10am on January 28, 2019

Strictly Come Dancing: The Live Tour review at Arena Birmingham " 'slick and spangled' by Anna Winter

Dangle the disco balls and crank up Copacabana because Strictly's live tour is back on the road. With the full coterie of

SOURCE: The Stage Registration at 5:49am on January 21, 2019

A Night With Thick and Tight review at Lilian Baylis Studio, London " 'a subversive delight' by Anna Winter

What would happen if Miss Havisham and Queen Victoria met up for a little conversation, cavorting and mutual sourness? As imagined by

SOURCE: The Stage Registration at 10:51am on January 18, 2019

Waltz of the Hommelettes review at Barbican Pit, London " 'eggs, elves and evil bunnies' by Anna Winter

Eggs, elves and an evil bunny are the main players in puppetry company Les Antliaclastes' Waltz of the Hommelettes, an imaginatively sinister

SOURCE: The Stage Registration at 7:23am on January 16, 2019

Anomaly review at Old Red Lion, London " 'pacy, perceptive debut play' by Anna Winter

Liv Warden's punchy debut play shifts its gaze away from the epicentre of the MeToo movement towards the auxiliary victims of abuse:

SOURCE: The Stage Registration at 7:17am on January 11, 2019

Swan Lake review at London Coliseum " 'extraordinary performances' by Anna Winter

Derek Deane's 1997 production of Swan Lake for English National Ballet was originally staged as a vast in-the-round spectacle at the Royal

SOURCE: The Stage Registration at 6:58am on January 7, 2019

Matthew Bourne's Swan Lake review at Sadler's Wells " 'a superb revival' by Anna Winter

There isn't a wasted step in Matthew Bourne's Swan Lake. It's been more than 20 years since Bourne's brawny male birds first

SOURCE: The Stage Registration at 5:19am on December 13, 2018

Cinderella and the Beanstalk review at Theatre503, London " 'screwball energy' by Anna Winter

Cinderella and Prince Charming have bonded over a shared passion for DIY and bathroom sealant, Rumpelstiltskin is on the rampage and the

SOURCE: The Stage Registration at 9:00am on December 10, 2018

Prima ballerina Natalia Osipova: 'I don't like it when artists get involved in politics' by Anna Winter

Dazzling audiences at Covent Garden for five years, the Royal Ballet principal tells Anna Winter about the differences between dancing in Russia

SOURCE: The Stage Registration at 8:50am on December 7, 2018

The Wind in the Willows review at New Vic Theatre, Newcastle-under-Lyme " 'inventive in-the-round staging' by Anna Winter

The New Vic’s adaptation of Kenneth Grahame’s classic is full of gentle whimsy and clever stagecraft. The cast of accomplished actor-musicians begins

SOURCE: The Stage Registration at 10:53am on December 5, 2018

Don't Forget the Birds review at Battersea Arts Centre, London " 'tender, honest and superbly performed' by Anna Winter

What happens when you're released from prison? In the words of Cheryl Byron, who served three years inside HMP Low Newton, it's

SOURCE: The Stage Registration at 9:59am on November 29, 2018

Dystopian Dream review at Sadler's Wells, London " 'flashes of brilliance' by Anna Winter

Dystopian Dream is an ambitious theatrical setting of Nitin Sawhney's 2015 album, choreographed and performed by dance duo Honji Wang and Sebastien

SOURCE: The Stage Registration at 7:35am on November 28, 2018

The Unknown Soldier review at Royal Opera House, London " 'slight and sentimental' by Anna Winter

If only there was a sense of rage in Alastair Marriott's new one act ballet The Unknown Soldier, which opens the latest

SOURCE: The Stage Registration at 6:22am on November 21, 2018

Hot Lane review at Spode Works, Stoke-on-Trent " 'a talented cast' by Anna Winter

It's 1956 and a prodigal daughter returns to the Potteries after 13 years of mysterious exile in Deborah McAndrew's latest work for

SOURCE: The Stage Registration at 4:29pm on November 16, 2018

Fat Blokes review at Southbank Centre, London "'visibility, vulnerability and sensuality' by Anna Winter

With the help of four participants (some of whom have never performed professionally before), Scottee is staging a fat rebellion. It's a

SOURCE: The Stage Registration at 6:11am on November 12, 2018

BalletLorent choreographer Liv Lorent: 'I'm female, I'm in the north and I make family work. That's a triple whammy' by Anna Winter

It's been 25 years since choreographer Liv Lorent set up dance theatre company BalletLorent. Based in Newcastle-upon-Tyne, the company is known for

SOURCE: The Stage Registration at 1:41pm on November 9, 2018

Rambert2 review at Sadler's Wells, London " 'a thrilling triple bill' by Anna Winter

Rambert2 has arrived. Made up of 13 newly-graduated dancers from around the world, Rambert's new junior company is a blazingly talented troupe

SOURCE: The Stage Registration at 8:38am on November 7, 2018

La Bayadere review at Royal Opera House, London " 'mesmeric and moving' by Anna Winter

First performed in St Petersburg in 1877, Marius Petipa's La Bayadere is a grand Imperial classic set to broadly danceable tunes by

SOURCE: The Stage Registration at 7:04am on November 2, 2018

Isabella Rossellini's Link Link review at Southbank Centre " 'informative, inventive and charming' by Anna Winter

With a master's degree in animal behaviour and conservation under her belt, Isabella Rossellini brings a spirit of generosity and wit to

SOURCE: The Stage Registration at 6:38am on October 24, 2018

Reckonings review at Sadler's Wells, London " 'promising new commissions' by Anna Winter

Sadler's Wells celebrates the 20th anniversary of its transformation into a purpose-built dance house with a promising triple bill of new work

SOURCE: The Stage Registration at 9:33am on October 12, 2018

As Sadler's Wells hits 20, meet the emerging choreographers shaping its future by Anna Winter

Race, politics, disability " these are the issues a trio of emerging choreographers are pushing to the forefront at the iconic London

SOURCE: The Stage Registration at 3:00am on October 9, 2018

William Forsythe: A Quiet Evening of Dance review at Sadler's Wells, London " 'cerebral, mischievous and sublime' by Anna Winter

Quiet it may be, but William Forsythe's latest evening of dance at Sadler's Wells resounds with an extraordinary cerebral and imaginative force.

SOURCE: The Stage Registration at 8:04am on October 6, 2018

Dennis of Penge review at Ovalhouse, London " 'clever and compassionate musical storytelling' by Anna Winter

Annie Siddons' Dennis of Penge is a mighty piece of poetic storytelling. By turns ribald and sublime, it's a cri de coeur

SOURCE: The Stage Registration at 7:26am on October 2, 2018

Natalia Osipova: Pure Dance review at Sadler's Wells, London " 'dramatic intensity and dreamy partnerships' by Anna Winter

Russian-born Royal Ballet star Natalia Osipova returns to Sadler's Wells with a largely triumphant mixed bill of contemporary and classical fare. Her

SOURCE: The Stage Registration at 10:40am on September 14, 2018

Backbone review at Southbank Centre, London " 'bold, colourful circus show exploring notions of strength' by Anna Winter

Backbone, by Australian circus company Gravity and Other Myths, derives some of its strength from upending our big-top expectations. There's a false

SOURCE: The Stage Registration at 6:31am on August 15, 2018
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