129 stories by "ANDY WEBSTER"
With its inspiration coming from samurai and kung fu films as well as manga, "Deadly She-Wolf Assassin at Armageddon!" delivers dancelike fight sequences.
The Just Kidding Theater Company takes on zombies and Hamlet " and Juliet, Titania and Lady Macbeth " in "Living Dead in Denmark," at the Gene Frankel Theater.
Eric John Meyer's play "The Sister" finds its characters caught in abusive cycles that can turn oppressive to the audience as well.
In "Geek!," a Vampire Cowboys production written by Crystal Stillman, a day at an anime convention in Ohio requires battles and frequent costume changes.
"For Love," at the Irish Repertory Theater, is a riotously tart and fiercely energetic dramedy about women in their mid-30s struggling in contemporary, recession-ravaged Dublin.
"Donnybrook!" is a revival of the 1961 musical that was an adaptation of "The Quiet Man," a John Ford film.
The Stolen Chair Theater Company is presenting "The Man Who Laughs," its 2005 adaptation of Victor Hugo's play, at Urban Stages.
"The Service Road," a play by Erin Courtney, follows a park tour guide searching for a child after a powerful storm.
The Irish Repertory Theater's stage adaptation of the classic Christmas movie "It's a Wonderful Life," set in a 1940s radio station, is a small triumph.
"Hearts Like Fists," by Adam Szymkowicz, is a comedy, but with a villain and fight scenes.
The "Radio City Christmas Spectacular" breathlessly ricochets between time-honored production numbers and more recent innovations.
In Gregory S. Moss's new play, "Billy Witch," teenage summer campers comically experience sexual awakening.
In "Coney," David Johnston uses distinctive characters to paint a portrait of that urban island playground.
Deanna Jent's drama "Falling" examines how an 18-year-old boy with autism disrupts the equilibrium of a family's relationships.
In "Mary Broome," a comedy by Allan Monkhouse, known for his acerbic take on the English bourgeoisie, a man leading a life of privilege is suddenly thrust into poverty.
"Independents," a musical held over from the New York International Fringe Festival, alternates between stoner comedy and romance, until dramatic storm clouds gather.
Dan O'Neil's's eco-comedy uses a 1918 Expressionist play as its base for a comedic look at the energy industry.
The musical "Sweet Charity" gets a Latin makeover in the director Julio Agustin's production at the New Haarlem Arts Theater, and it's called for.
A dancing couple contend with the frustrations of New York in a "I ♥ Bob," a live-action cartoon by the Parallel Exit troupe at the Joyce SoHo.
In "Probation," written and directed by Yoshvani Medina, a disillusioned Cuban in Miami wonders if he's better off where he came from.
The Irish Repertory Theater adaptation of "Man and Superman" has winnowed the George Bernard Shaw play to two acts from four yet retains Shaw's wit and animation.
"You Are in an Open Field," by the New York Neo-Futurists troupe, is a stew of 1980s-style video games, role-playing games and "nerdcore" hip-hop.
"The Ash Girl," staged by the Pipeline Theater Company, applies several hard-edge themes to the Cinderella story.
Dozens of songs provide the basis for Cirque du Soleil's "Michael Jackson The Immortal World Tour," coming to Madison Square Garden.
Adapted from a graphic novel by the comic artist Juliacks, "Swell" describes a college-age woman coping with the death of her sister.
