13,356 stories from The Financial Times
On show at New York's Museum of Modern Art, White's paintings are the work of a quietly polemical artist
The countertenor shone in the title role, but this was a musically uneven account of Handel's oratorio
Pieces by Julie Cunningham, Botis Seva and Alesandra Seutin marked 20 years of the venue's latest incarnation
The veteran polemicist's latest documentary is entertaining but never knows quite where to direct its outrage
Massenet's Cinderella opera is performed by an enchanted cast as it begins its autumn tour in East Sussex
A look back over 50 years of the award that verges from the hilarious to the painful
The artist on representation, the western canon and who decides the value of art
Stolen artworks are at the heart of this expertly produced series
English National Opera's production is an old-fashioned, copper-bottomed success
Shakespeare's play undergoes extra scrutiny in this intelligent double production
An entertainingly starry show from the singer
The photographer has produced a careful study of the gaudy cult of Graceland as it appears in Porthcawl and other wet, ordinary Welsh towns
The Londoner's second album rolls along effectively with songs that are solidly constructed and heartily performed
The songs pack in a lot of lyrical action yet do not feel constricted or over-busy
Sharply observed songs jostle with more theatrical spoken-word material
The band deliver sparkling moments but it is the gripping ensemble narratives that stand out
The Russian-born pianist is an artist with acute political as well as musical antennas
The album features disruptive beats and surreal lyrics, and cements the musician's move to an electronic mode
A dissection of conspicuous consumption and a franchise not so much rebooted as reheeled in luxury stilettos
The reworked space intriguingly embraces the camera as object, as well as images themselves
A retrospective of the German artist celebrates an exceptionally upbeat strand of modernism
The German artist unveils his latest series, a collaborÂation of sorts with the 19th-century photographer Linnaeus Tripe
Director Marianne Elliott is updating the already-radical 'Company' with one key difference: a female lead
This year's event blends works about contemporary social and sexual brutality with old-fashioned Shakespearean gore
Plus, Milan dealer changes tack; Robin Williams sale; Grayson Perry's treasure hunt
