5,316 stories from The Hollywood Reporter
Billie Joe Armstrong Electrifies an Already Exhilarating Musical
Nick Wyman says he does not appreciate people who have 'turned their fury' against the union due to production's mishaps
Bloomberg News and Newsday reviewers file reports long before the February opening, breaking longstanding agreement.
"Does someone have to die?" writes Tony-winning actress Alice Ripley on Twitter.
The new issue of The Hollywood Reporter details the $65 million production's major problems - and why it continues to sell at 98.2% capacity despite it all.
The best way to perform farce is to be perfectly serious and in the Old Vic’s revival of the Georges Feydeau French classic "A Flea In Her Ear," Tom Hollander plays two roles with such…
Nobody will ever describe Donny & Marie as cutting edge, but there's something to be said for performers who remain unapologetically true to themselves and to the variety-show format that ga…
Edna O'Brien's play intrigues and frustrates in equal measure but ultimately falls short on emotional rewards.
Troubled $65 million musical will need sellout runs of two to three years just to break even.
Neil LaBute seems to be barely trying in this wisp of a play, kinda-sorta about spiritual redemption.
Jacking up the comic volume on intimate material, this stage treatment smothers the off-kilter appeal and tender character observation of the movie.
While the thematic expansiveness of John Guare's first new Broadway play in 18 years is audacious, George C. Wolfe's extravagant staging and Jeffrey Wright's mannered lead performance make a…
"Elf" comes up short.
A play that tends to chafe with modern audiences is transformed via this clear-headed reclamation into a haunting drama for our financially and morally complicated times.
Pee-wee nostalgists impatient for next year’s Judd Apatow-produced feature will get their fix in this giddy return to the Playhouse.
The History Channel meets Comedy Central in "Saturday Night Live" alumnus Colin Quinn's whip-smart dissertation on the rise and fall of the world's great empires.
Some of Broadway's finest performers and top-tier craftsmen take a valiant stab, but they can't give this misconceived musicalization of the 1988 Pedro Almodovar film a life of its own.
With its high-energy ensemble and dynamic direction and choreography, this darkly provocative musical makes a fitting swan song for the duo behind "Cabaret" and "Chicago."
This revival of Tony Kushner's two-part masterwork immediately establishes itself as the theatrical event of the season.
Julia Stiles returns to her theatrical roots with this experimental take on the classic Greek myth.
Vanessa Redgrave and James Earl Jones bring significant star power to this revival of Uhry's perfectly calibrated comic drama.
Heavy on sports atmosphere but light on content, “Lombardi” doesn't make it to the goal line.
Tyler Perry utterly butchers Ntozake Shange's theatrical tone poem to black female identity.
The brilliant Mark Rylance and David Hyde Pierce bring whatever comic life there is to this spoof of 17th century theatrical conventions.
