321 stories by "Rosemary Waugh"
Mike Bartlett's Love, Love, Love premiered in 2010. Revived precisely a decade later, its central premise of the white boomer middle classes
Cheek by Jowl's collaboration with the Piccolo Teatro di Milano opens with a blast of high church, high-camp bravado. The Duke (Massimiliano
There's a wedge of discord between text and performance running throughout Hester Chillingworth's production of Trainers, or The Brutal Unpleasant Atmosphere of
"Must" is the first word Thibault Delférière writes on a large cloth at the back of the stage, before continuing to drag
Layla (Nicole Ansari) is up to her neck in it, literally. Condemned to death by stoning, the English Literature professor in an
Alina Cojocaru's curated programme is, as the saying goes, a game of two halves. Pre-interval, a selection of three contemplative, tender works
Alistair McDowall's All of It is like Sally Rooney written by Samuel Beckett. Or Samuel Beckett written by Sally Rooney. Either way,
Still fondly remembered as Fresh Prince's butler Geoffrey in the US sitcom, actor Joseph Marcell also has an impressive stage CV, with
The Taming of the Shrew is one of the most notoriously difficult Shakespeare plays to stage. Director Maria Gaitanidi's production, unfortunately, does
In her essay Shakespeare's Sisters, Rachel Cusk examines the knotty ties between a woman's domestic situation and her literary output, quoting Virginia
For Irish director Caroline Byrne, it's the non-verbal world of theatre, and not the spoken one, that captivates her most. She tells
Conor McPherson's musical, based around the songs of Bob Dylan and set in the musician's birthplace of Duluth, Minnesota, is not a
Matt Harrison's production of A Midsummer Night's Dream for the National Youth Theatre relocates Shakespeare's original to Athens-on-Sea: a land of grab-a-bear
The Egg's Christmas shows are consistently a delight and this year's Rapunzel, written by Annie Siddons and directed by Nik Partridge, is
This year's pantomime at the Theatre Royal Bath has two elements to it: the Disney-fied tale of the impoverished Belle (Clare Maynard)
Matilda Ibini's Little Miss Burden is a gem of a play. Set in 1990s Hackney, it manages that rare feat of being
Incommunicability is frequently identified as an aspect of chronic pain. Indeed, this was precisely the topic of Rachel Bagshaw's previous work, The
This year's Christmas offering from the Theatre Royal Stratford East is a joy-filled mash-up of Dick Whittington and The Pied Piper, with
The most famous fraternal relationships of mythology, Cain and Abel or Romulus and Remus, end with bloodshed. Bijan Sheibani's The Arrival, a
She has tackled plays exploring trauma and state corruption, and now Tinuke Craig is turning her hand to a boldly re-imagined panto
Anupama Chandrasekhar's When the Crows Visit is a haunting beast of a play, one that persistently claws away at expectations and comforts
With her focus split across different areas, Yarit Dor tells Rosemary Waugh why 'movement practitioner' is the term that best describes her
Ar the turn of the last century, long before Gwyneth Paltrow promoted alkaline water on her Goop well-being brand, 'Doctor' Linda Hazzard
Two men meet in a private hospital ward. They have been assigned adjacent rooms and are being looked after by the same
Nancy Harris' The Beacon trades on stereotypes. Beiv (Jane Brennan) is a smock-wearing female artist who's been through her sculptures-of-tampons stage, opened
