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1,125 stories by "Natasha Tripney"

Twilight: Los Angeles, 1992 review at the Gate Theatre, London " 'intense, yet intimate' by Natasha Tripney

In 1992 actor and playwright Anna Deavere Smith created a verbatim piece about the LA riots. She interviewed over 300 people for

SOURCE: The Stage Registration at 6:09am on January 16, 2018[SHARE]

Girl from the North Country review at Noel Coward Theatre, London " 'superbly performed' by Natasha Tripney

This really shouldn't work as well as it does. Girl from the North Country takes songs from throughout Bob Dylan's career "

SOURCE: The Stage Registration at 6:15am on January 12, 2018[SHARE]

Lobster review at Theatre503, London " 'heavy-handed' by Natasha Tripney

Love stories between two women remain a rarity on our stages. For this reason alone, Lucy Foster's Lobster is a welcome addition

SOURCE: The Stage Registration at 12:19pm on January 11, 2018[SHARE]

My Mum's a Twat review at Royal Court, London " 'wayward, raw and very funny' by Natasha Tripney

Billed as "an unreliable version of a true story filtered through a hazy memory and vivid imagination", Anoushka Warden's debut play, My

SOURCE: The Stage Registration at 6:59pm on January 10, 2018[SHARE]

Five-star pantomimes " the best shows of 2017 by Natasha Tripney

Now that pantomime season is almost behind us ("Oh no it isn't" etc), here's The Stage's list of pantomimes that scored the

SOURCE: The Stage Registration at 12:31pm on January 5, 2018[SHARE]

Natasha Tripney: We need to think differently about power and leadership by Natasha Tripney

2017 was a pretty dispiriting year all round, but it was a particularly dismaying one for women. As if it wasn't enough

SOURCE: The Stage Registration at 3:00am on January 4, 2018[SHARE]

The Rock for president, a Neverland musical and all-female circus: London's Vault festival by Natasha Tripney

The Waterloo arts festival is bigger and more diverse than ever, with shows performed underground and in a bookshop, a car and two shipping containersA warren of tunnels lies underneath Wate…

SOURCE: The Guardian at 12:44pm on January 2, 2018[SHARE]

2017: Best plays of the year by Natasha Tripney

Alongside politically charged dramas about race and gender, standout works this year have included searing, re-imagined classics and a menagerie of onstage

SOURCE: The Stage Registration at 4:00am on December 24, 2017[SHARE]

Pinocchio review at National Theatre, London " 'tonally muddled' by Natasha Tripney

There are moments in John Tiffany's stage version of Pinocchio that seem engineered to seep into your dreams " and not always

SOURCE: The Stage Registration at 6:59pm on December 14, 2017[SHARE]

Natasha Tripney: Panto this lazy gives the whole genre a bad name by Natasha Tripney

It’s that time of year again. The time of year when I start to question whether some psychotropic substance has found its

SOURCE: The Stage Registration at 10:58am on December 13, 2017[SHARE]

Imperium Parts I and II review at Swan Theatre, Stratford-upon-Avon " 'ambitious and intricate' by Natasha Tripney

Mike Poulton is the go-to man when it comes adapting plot-dense novels for the stage. Having successfully adapted Hilary Mantel's Thomas Cromwell

SOURCE: The Stage Registration at 7:23am on December 8, 2017[SHARE]

The Lion, the Witch and the Wardrobe review at West Yorkshire Playhouse, Leeds " 'wonder-filled' by Natasha Tripney

Sally Cookson, more than most directors, is able to capture that moment of magic when a child opens a book for the

SOURCE: The Stage Registration at 4:35am on December 7, 2017[SHARE]

Barnum review at Menier Chocolate Factory, London " 'lacking in magic' by Natasha Tripney

Phineas Taylor Barnum lived a large life. The salesman, showman, promoter, impresario and would-be politician " who probably didn't say "there's a

SOURCE: The Stage Registration at 6:22am on December 6, 2017[SHARE]

Dear Brutus review at Southwark Playhouse, London " 'genuinely poignant' by Natasha Tripney

Lost children populate JM Barrie's work. Not just the motherless boys of Peter Pan, but the vanishing daughter of Mary Rose too.

SOURCE: The Stage Registration at 7:56am on December 5, 2017[SHARE]

Goats review at Royal Court, London " 'a potent metaphor' by Natasha Tripney

Syrian writer Liwaa Yazji's play about the conflict in her county, a war that makes young men into martyrs, features six live

SOURCE: The Stage Registration at 7:04am on December 2, 2017[SHARE]

Night at the Bombay Roxy review at Dishoom Kensington, London " 'a fusion of dinner and theatre' by Natasha Tripney

When the first branch of Dishoom opened in 2010, it was one of the few places where you could get a decent

SOURCE: The Stage Registration at 8:13am on December 1, 2017[SHARE]

A Christmas Carol review at Old Vic, London " 'incredibly atmospheric' by Natasha Tripney

Matthew Warchus' staging of Charles Dickens' never-more-timely morality tale brings the magic of a carol service to the West End. Staged in

SOURCE: The Stage Registration at 6:00pm on November 29, 2017[SHARE]

Jack and the Beanstalk review at Lyric Hammersmith, London " 'fizzy and fun' by Natasha Tripney

The Lyric Hammersmith panto, now in its ninth year, has never relied on big names or snazzy special effects. Its strength lies

SOURCE: The Stage Registration at 5:39am on November 27, 2017[SHARE]

Twelfth Night review at the Royal Shakespeare Theatre, Stratford " 'lavish and uplifting' by Natasha Tripney

In a year in which we've already seen Tamsin Greig as Malvolia in Simon Godwin's Twelfth Night at the National Theatre and

SOURCE: The Stage Registration at 5:05am on November 10, 2017[SHARE]

Glengarry Glen Ross at the Playhouse Theatre review " 'a polished revival' by Natasha Tripney

Written in 1983, David Mamet's lancing of American masculinity and capitalism feels more an indictment than ever. Glengarry Glen Ross' team of

SOURCE: The Stage Registration at 7:01pm on November 9, 2017[SHARE]

The Exorcist review at Phoenix Theatre, London " 'crass and schlocky' by Natasha Tripney

Even if you don't subscribe to film critic Mark Kermode's view that The Exorcist is a cinematic masterpiece, its power to disturb

SOURCE: The Stage Registration at 8:01pm on October 31, 2017[SHARE]

The Slaves of Solitude review at Hampstead Theatre, London " 'a patchy adaptation' by Natasha Tripney

Despite kicking off with a scene of confrontation, this new stage adaptation of Patrick Hamilton's 1947 novel of lonely souls thrown together

SOURCE: The Stage Registration at 6:30am on October 31, 2017[SHARE]

Young Marx review at the Bridge Theatre, London " 'funny, but dramatically underpowered' by Natasha Tripney

The Bridge Theatre " Nicholas Hytner and Nick Starr's shiny new 900-seat theatre near Tower Bridge " throws open its doors with

SOURCE: The Stage Registration at 5:00pm on October 26, 2017[SHARE]

Natasha Tripney: Critics need to remember their power and ditch the toxic adolescent commentary by Natasha Tripney

Lyn Gardner has already done a very good job of covering the meat of last week's Widening the Lens debate on diversity

SOURCE: The Stage Registration at 7:26am on October 24, 2017[SHARE]

Witness for the Prosecution review at County Hall, London " 'cumbersome' by Natasha Tripney

You can see why the idea appealed. The council chamber at County Hall, with its pillars and panelling, with its grand galleries,

SOURCE: The Stage Registration at 4:24am on October 24, 2017[SHARE]
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