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903 stories by "Laura Collins-Hughes"

'Spring Awakening' Revival Requires Signing in Lieu of Singing by Laura Collins-hughes

The Broadway-bound musical production, which blends hearing and deaf performers, held an open casting call for deaf actors this week.

SOURCE: The New York Times Subscription at 6:48pm on July 17, 2015[SHARE]

Manual Cinema Presents the Semi-Gothic 'Ada/Ava' by Laura Collins-hughes

The shadow-puppetry troupe makes use of music, cinematic techniques and art works to create its shows.

SOURCE: The New York Times Subscription at 10:26am on July 16, 2015[SHARE]

Critic's Notebook: At New York Musical Theater Festival, a Video Game Sendup, Gospel Music and More by Laura Collins-hughes

A roundup of five performances from the first week of the festival.

SOURCE: The New York Times Subscription at 5:30pm on July 13, 2015[SHARE]

Review: 'Losing Tom Pecinka' Challenges Audience to Get the Message by Laura Collins-hughes

Purposefully formulaic characters, a gender bend and a ghost with the name of a company member come together in this sendup of a play.

SOURCE: The New York Times Subscription at 5:39pm on July 9, 2015[SHARE]

Review: 'The Tempest' Brings Music and Spirits to Marcus Garvey Park by Laura Collins-hughes

Carl Cofield directs the Classical Theater of Harlem's production, which stars Ron Cephas Jones as Prospero.

SOURCE: The New York Times Subscription at 6:19pm on July 7, 2015[SHARE]

Review: In Beckett's 'Happy Days,' a Woman Buried Deep by Inertia by Laura Collins-hughes

Brooke Adams and Tony Shalhoub star in this production at the Flea Theater, directed by Andrei Belgrader.

SOURCE: The New York Times Subscription at 10:28pm on June 29, 2015[SHARE]

Review: John Kelly Revives 'Love of a Poet' by Laura Collins-hughes

This performance artist and singer has remade his "Love of a Poet," based on Robert Schumann's song cycle "Dichterliebe."

SOURCE: The New York Times Subscription at 11:22pm on June 26, 2015[SHARE]

Review: In 'At the Table,' a Menu of Identity-Based Arguments by Laura Collins-hughes

Michael Perlman's play, presented by Fault Line Theater, convenes a group of dinner party guests who tussle over abortion, race and class.

SOURCE: The New York Times Subscription at 5:58pm on June 22, 2015[SHARE]

Douglas Carter Beane Returns to His Childhood Home by Laura Collins-hughes

The playwright took a bus from Manhattan to Reading, Pa., to revisit the theater that inspired his new play, "Shows for Days."

SOURCE: The New York Times Subscription at 2:01pm on June 18, 2015[SHARE]

Theater Review: Review: 'A Midsummer Night's Dream' Embraces Fun and Folly of a Classic by Laura Collins-hughes

Tamilla Woodard delivers a breezy production that is warm-blooded and frolicsome for Masterworks Theater Company.

SOURCE: The New York Times Subscription at 6:58pm on June 17, 2015[SHARE]

Review: 'The Pavilion,' a Class Reunion Drama, at Barrow Group Theater by Laura Collins-hughes

In Craig Wright's comic romance, Kari and Peter meet again at their 20th high school reunion, and he wants her back.

SOURCE: The New York Times Subscription at 6:40pm on June 16, 2015[SHARE]

Review: Loudon Wainwright III's 'Surviving Twin' Is a Father-Son Collaboration by Laura Collins-hughes

Mr. Wainwright combines his work with that of his father, the writer Loudon Wainwright Jr., in his solo show.

SOURCE: The New York Times Subscription at 12:21pm on June 16, 2015[SHARE]

Review: 'The Old Masters,' Art Found, Artist Lost and Another Adrift by Laura Collins-hughes

Sam Marks's play, at the Flea Theater, tackles art-world pretensions and a frustrated painter and father-to-be's existential crisis.

SOURCE: The New York Times Subscription at 6:30pm on June 14, 2015[SHARE]

Review: Panti's 'High Heels in Low Places' Delivers Identity Politics in Stilettos by Laura Collins-hughes

The Irish drag queen Panti, who gained fame when her speech about homophobia went viral, makes an argument for the freedom to be oneself at the Irish Arts Center.

SOURCE: The New York Times Subscription at 6:04pm on June 10, 2015[SHARE]

Review: 'Smile at Us, Oh Lord' Depicts a Jewish Odyssey by Laura Collins-hughes

This mournful play, adapted from a novel by the Israeli-based Lithuanian author Grigory Kanovich, is presented by the Cherry Orchard Festival.

SOURCE: The New York Times Subscription at 5:25pm on June 8, 2015[SHARE]

Review: 'J. Edgar Klezmer: Songs From My Grandmother's F.B.I. Files' Tells All at Here Arts Center by Laura Collins-hughes

Eve Sicular's play documents her grandmother's life, with help from J. Edgar Hoover's watchful eye and meticulous records.

SOURCE: The New York Times Subscription at 6:44pm on June 5, 2015[SHARE]

Review: At Ensemble Studio Theater, Men and Women Chatting Privately by Laura Collins-hughes

This theater's 35th Marathon of One-Act Plays includes a marital comedy by Julia Cho and a portrait of intimacy and entitlement by Martyna Majok.

SOURCE: The New York Times Subscription at 10:27pm on June 3, 2015[SHARE]

Snapshot: 'Cuddles,' From Joseph Wilde, Turns the Tables on a Fear of Horror by Laura Collins-hughes

Mr. Wilde talks about his unnerving vampire tale at 59E59 Theaters, which depicts two women " one all-controlling, the other wrapped up in fantasy tales.

SOURCE: The New York Times Subscription at 9:27am on June 3, 2015[SHARE]

Review: In 'The Upper Room,' Homesteaders Living an Eco-Nightmare by Laura Collins-hughes

Jeremy Bloom and Brian Rady's play, at the New Ohio Theater, includes Catherine Brookman's music, rising water levels, New England farmers and marine animals behaving oddly.

SOURCE: The New York Times Subscription at 8:04pm on May 29, 2015[SHARE]

Review: 'For the Last Time' Sets a Hawthorne Novel in New Orleans, in 1950 by Laura Collins-hughes

Nancy Harrow and Will Pomerantz collaborate on this jazz musical at the Clurman Theater at Theater Row.

SOURCE: The New York Times Subscription at 8:04pm on May 29, 2015[SHARE]

Harm for the holidays by Laura Collins-hughes

At the Huntington Theatre, collaborators reunite for a new play that reveals a family's tragic flaws at festive times, "Vengeance Is the Lord’s."

SOURCE: Boston Globe at 5:58pm on May 25, 2015[SHARE]

Eye of the storm by Laura Collins-hughes

She conjures a ‘Tempest' with a twist in her new film, but Julie Taymor is at the center of a very different maelstrom with her mega-budget Broadway musical, ‘Spider-Man'

SOURCE: Boston Globe at 5:58pm on May 25, 2015[SHARE]

On stage, taking risks by Laura Collins-hughes

With aerial stunts, how can performers stay safe?

SOURCE: Boston Globe at 5:58pm on May 25, 2015[SHARE]

Is Inge coming back into vogue? by Laura Collins-hughes

Huntington Theatre Company artistic director Peter DuBois didn't have to look far to find someone raising an eyebrow or two at his desire to revive William Inge's “Bus Stop.'' The firs…

SOURCE: Boston Globe at 5:58pm on May 25, 2015[SHARE]

Fictional town sets Annie Baker's plays in motion by Laura Collins-hughes

Annie Baker will have three of her "Shirley, Vt." plays performed in a festival of her work.

SOURCE: Boston Globe at 5:58pm on May 25, 2015[SHARE]
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