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916 stories by "Laura Collins-Hughes"

Review: 'Magic Trick,' the Tale of a Breakup in the World of Burlesque by Laura Collins-hughes

This play finds a young woman who uses a wheelchair experiencing a breakup with her boyfriend.

SOURCE: The New York Times Subscription at 6:28pm on August 30, 2015

Tennessee Williams Short Stories, Now as One-Acts by Laura Collins-hughes

Wednesday in 2d graf is Sept. 2 Playwrights including Beth Henley, David Grimm, Marcus Gardley and John Guare talk about adapting Williams's stories for the Acting Company.

SOURCE: The New York Times Subscription at 8:30am on August 28, 2015

Review: Taking In the New York International Fringe Festival, From Ferry to Theater by Laura Collins-hughes

With nearly 200 productions, navigating this festival can be difficult, but it can also be a surprisingly happy theatergoing experience.

SOURCE: The New York Times Subscription at 7:28pm on August 25, 2015

After Outcry Over Diversity, Manhattan Theater Club Is Making a Change by Laura Collins-hughes

Manhattan Theater Club's coming season of productions solely by white male playwrights led to a sometimes heated discussion on Twitter and other social media outlets.

SOURCE: The New York Times Subscription at 10:24pm on August 20, 2015

Review: 'Grey Gardens' Is Revived in Its Real Setting, the Hamptons by Laura Collins-hughes

This musical about two relatives of Jacqueline Kennedy Onassis is playing in Sag Harbor, N.Y.

SOURCE: The New York Times Subscription at 5:28pm on August 18, 2015

Review: In 'Steve: A Docu-Musical,' Colin Summers Honors an Online Mystery Lyricist by Laura Collins-hughes

Mr. Summers's one-man show details his online correspondence with the title's inspiration: a man, possibly Australian, who submitted lyrics to him over seven years.

SOURCE: The New York Times Subscription at 10:25pm on August 12, 2015

Review: In 'The Comedy of Errors,' Twins Lead to Confusion by Laura Collins-hughes

Kelley Curran steals the show in Taibi Magar's staging of this comedy, presented in Lenox, Mass., by Shakespeare & Company.

SOURCE: The New York Times Subscription at 7:10pm on August 4, 2015

Review: In 'Freight,' a Black Man Follows the Script for Five Incarnations by Laura Collins-hughes

In Howard L. Craft's century-spanning play at Here, J. Alphonse Nicholson plays a minstrel, a faith healer, an F.B.I. informant, an actor and a homeless man.

SOURCE: The New York Times Subscription at 6:12pm on August 3, 2015

Review: 'Paradise Blue' Rekindles Racial Drama in 1949 Detroit by Laura Collins-hughes

This jazz-infused play at the Williamstown Theater Festival stars Blair Underwood as a bullying nightclub owner and De'Adre Aziza as the alluring stranger who comes to town.

SOURCE: The New York Times Subscription at 5:02pm on July 29, 2015

Review: 'Antigona,' From Noche Flamenca, Pairs Rhythmic Dance With Greek Drama by Laura Collins-hughes

The odd-couple match of flamenco and ancient Greek tragedy in this production at West Park Presbyterian Church makes an "Aha!" kind of sense of the Sophocles work.

SOURCE: The New York Times Subscription at 5:38pm on July 22, 2015

Review: 'Awake and Sing!,' a Depression-Era Family Drama by Laura Collins-hughes

This play by Clifford Odets, directed by Stephen Brown-Fried at the Public Theater, is about a struggling Bronx family with aspirations.

SOURCE: The New York Times Subscription at 5:50pm on July 20, 2015

Critic's Notebook: Review: New York Musical Theater Festival Includes 'Deep Love' and 'Pope!' by Laura Collins-hughes

Among the offerings at this festival is a work in which the lead character wants to be the pope.

SOURCE: The New York Times Subscription at 5:50pm on July 20, 2015

Review: In 'The International,' Those Who Treat a Massacre as Entertainment by Laura Collins-hughes

Tim Ruddy's three-monologue drama takes place during an unnamed conflict that seems very much like Bosnian Serb forces' slaughter of thousands of Muslims in Srebrenica.

SOURCE: The New York Times Subscription at 6:48pm on July 17, 2015

'Spring Awakening' Revival Requires Signing in Lieu of Singing by Laura Collins-hughes

The Broadway-bound musical production, which blends hearing and deaf performers, held an open casting call for deaf actors this week.

SOURCE: The New York Times Subscription at 6:48pm on July 17, 2015

Manual Cinema Presents the Semi-Gothic 'Ada/Ava' by Laura Collins-hughes

The shadow-puppetry troupe makes use of music, cinematic techniques and art works to create its shows.

SOURCE: The New York Times Subscription at 10:26am on July 16, 2015

Critic's Notebook: At New York Musical Theater Festival, a Video Game Sendup, Gospel Music and More by Laura Collins-hughes

A roundup of five performances from the first week of the festival.

SOURCE: The New York Times Subscription at 5:30pm on July 13, 2015

Review: 'Losing Tom Pecinka' Challenges Audience to Get the Message by Laura Collins-hughes

Purposefully formulaic characters, a gender bend and a ghost with the name of a company member come together in this sendup of a play.

SOURCE: The New York Times Subscription at 5:39pm on July 9, 2015

Review: 'The Tempest' Brings Music and Spirits to Marcus Garvey Park by Laura Collins-hughes

Carl Cofield directs the Classical Theater of Harlem's production, which stars Ron Cephas Jones as Prospero.

SOURCE: The New York Times Subscription at 6:19pm on July 7, 2015

Review: In Beckett's 'Happy Days,' a Woman Buried Deep by Inertia by Laura Collins-hughes

Brooke Adams and Tony Shalhoub star in this production at the Flea Theater, directed by Andrei Belgrader.

SOURCE: The New York Times Subscription at 10:28pm on June 29, 2015

Review: John Kelly Revives 'Love of a Poet' by Laura Collins-hughes

This performance artist and singer has remade his "Love of a Poet," based on Robert Schumann's song cycle "Dichterliebe."

SOURCE: The New York Times Subscription at 11:22pm on June 26, 2015

Review: In 'At the Table,' a Menu of Identity-Based Arguments by Laura Collins-hughes

Michael Perlman's play, presented by Fault Line Theater, convenes a group of dinner party guests who tussle over abortion, race and class.

SOURCE: The New York Times Subscription at 5:58pm on June 22, 2015

Douglas Carter Beane Returns to His Childhood Home by Laura Collins-hughes

The playwright took a bus from Manhattan to Reading, Pa., to revisit the theater that inspired his new play, "Shows for Days."

SOURCE: The New York Times Subscription at 2:01pm on June 18, 2015

Theater Review: Review: 'A Midsummer Night's Dream' Embraces Fun and Folly of a Classic by Laura Collins-hughes

Tamilla Woodard delivers a breezy production that is warm-blooded and frolicsome for Masterworks Theater Company.

SOURCE: The New York Times Subscription at 6:58pm on June 17, 2015

Review: 'The Pavilion,' a Class Reunion Drama, at Barrow Group Theater by Laura Collins-hughes

In Craig Wright's comic romance, Kari and Peter meet again at their 20th high school reunion, and he wants her back.

SOURCE: The New York Times Subscription at 6:40pm on June 16, 2015

Review: Loudon Wainwright III's 'Surviving Twin' Is a Father-Son Collaboration by Laura Collins-hughes

Mr. Wainwright combines his work with that of his father, the writer Loudon Wainwright Jr., in his solo show.

SOURCE: The New York Times Subscription at 12:21pm on June 16, 2015
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