'A Eulogy for Roman' Review: Farewell to a Friend, With Help From the Audience
Check your cynicism at the door: Brendan George is earnest and endearing as he mourns Roman in this one-man show.
Check your cynicism at the door: Brendan George is earnest and endearing as he mourns Roman in this one-man show.
The comedian talks about her slightly goofy, slightly surreal style, and why New York has proved to be "the hardest translation" yet.
The Goodspeed Opera House takes on Charles Walters's 1950 film with zest and humor.
Erica Schmidt's revival of this Tennessee Williams play for Theater for a New Audience downplays the melodrama.
At the helm of Soho Rep, Benson presided over a long streak of ambitious, thought-provoking works. As she heads out the door, she reflects on her vision for theater's future and plans for he…
Only 650 people got to experience one of the 21st century's artistic feats, until this documentary. Unfortunately, it misses some of the performance's key aspects.
A lonely high school student discovers she may be a divine messenger in Paul Gordon's half-baked new Off Broadway musical.
The Britney Spears jukebox musical, about fairy tale princesses fighting for their emancipation, comes up short as a narrative of feminist awakening.
A bio-show about the radio D.J. Alan Freed, one of rock music's early popularizers, dutifully plays the hits.
'Good Vibrations' at the Irish Arts Center takes a snapshot of life in Northern Ireland during the Troubles through its music scene.
In her autobiographical new show with songs, Catherine Cohen delivers a heightened version of millennial oversharing and confidence run amok.
In Abe Koogler's latest play, melancholy islanders try to band together to investigate where their beloved orcas have gone.
From LaGuardia High School to Broadway, this Tony Award-nominated star has traveled many miles on her journey to theater stardom.
Levi Holloway on his psychological thriller starring Laurie Metcalf: "It wears the jacket of horror. But I think it's more heart than horror."
Artists and dreamers sing of revolution in a musical set on the cusp of the birth of the Soviet Union.
Based loosely on the 1977 film, a show about performers making it in the big city comes to St. James Theater with the sharper edges of its source material sanded off.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
In Arlene Hutton's play at 59E59 Theaters, the members of a Broadway cast reveal their hopes and fears tucked away in a quick-change room.
David Anzuelo's generous, unwieldy play about an oil-and-water friendship between two high school boys opens at 59E59 Theaters.
Developed by a team of Broadway and Hollywood all-stars, the new Hulu series sets a chorus of inner critics to song.
In Agnes Borinsky's latest play, a brother and sister returning from a party suddenly find their feet stuck in the earth. But to what end?
A young woman works to free herself from the expectations of men in Betty Smith's 1931 play.
The British writer and director Alexander Zeldin is bringing "Love," a European hit set at a temporary-housing facility, to the Park Avenue Armory.
In a pairing that seems almost predestined, the actresses are sharing a stage in "The Seagull/Woodstock, NY," a contemporary riff on Chekhov.
The actor, who starred in the original Broadway run of 'Rent,' reflects on the show's early days and dealing with the grief of his mother's death.