'The Beautiful Lady' Review: A Cabaret for the New Order
Artists and dreamers sing of revolution in a musical set on the cusp of the birth of the Soviet Union.
Artists and dreamers sing of revolution in a musical set on the cusp of the birth of the Soviet Union.
Based loosely on the 1977 film, a show about performers making it in the big city comes to St. James Theater with the sharper edges of its source material sanded off.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
In Arlene Hutton's play at 59E59 Theaters, the members of a Broadway cast reveal their hopes and fears tucked away in a quick-change room.
David Anzuelo's generous, unwieldy play about an oil-and-water friendship between two high school boys opens at 59E59 Theaters.
Developed by a team of Broadway and Hollywood all-stars, the new Hulu series sets a chorus of inner critics to song.
In Agnes Borinsky's latest play, a brother and sister returning from a party suddenly find their feet stuck in the earth. But to what end?
A young woman works to free herself from the expectations of men in Betty Smith's 1931 play.
The British writer and director Alexander Zeldin is bringing "Love," a European hit set at a temporary-housing facility, to the Park Avenue Armory.
In a pairing that seems almost predestined, the actresses are sharing a stage in "The Seagull/Woodstock, NY," a contemporary riff on Chekhov.
The actor, who starred in the original Broadway run of 'Rent,' reflects on the show's early days and dealing with the grief of his mother's death.
The film star embodies one of opera's greatest divas in the solo show "Maria Callas: Letters & Memoirs," coming to the Beacon Theater.
Featuring a lobster telephone and a robot boy with batlike wings, this puppet romance set in a future post-ecological collapse succeeds on its own weird terms.
Eduardo Machado's autofictional play follows the playwright's alter ego as he navigates gay life in the 1980s and '90s.
Two passengers share more than just an eerie commute aboard a train headed upstate.
This wacky family show respects the codes of the British holiday tradition known as panto, which means playfully not holding anything back.
In the new Broadway show, Will Swenson plays the superstar, who seems perpetually dissatisfied, as if on a quest " but for what?
In Jordan E. Cooper's biting satire, Black Americans descended from slaves are offered one-way airfare to Africa.
"Underneath the Skin," a theater piece by John Kelly, meditates on the life of Samuel Steward, who always lived boldly when others dared not.
Noël Coward's bleak portrait of a collapsing marriage between two artists has its American premiere at New York City Center.
In the playwright David Cale's thriller, a woman looking for a vanished friend discovers a new sense of self.
The comedian once again proves his virtuosity as a narrator, weaving a new harrowing tale in his latest Broadway show.
"I think that the legacy is more how we offer a model for future young companies," Bogart said of the theater company she leads, which is ending its producing activities.
The show's creative team talks about revamping the immersive Off Broadway hit so that it moves "around the audience" at Circle in the Square Theater.
Ensemble Studio Theater's 38th Marathon of One-Act Plays showcases what can be accomplished in short-form productions, and how, in some cases, they hem ideas in.