Small Craft Warnings/Theater Review
If a case were to be made for reassessment of this 1972 barroom dirge set on the Southern California coast, it won't be in this apathetic staging.
If a case were to be made for reassessment of this 1972 barroom dirge set on the Southern California coast, it won't be in this apathetic staging.
To invest in characters partly defined by their political persuasions, it's necessary to buy them on some level.
Vacant ethics and global economic woes provide the background of “Microcrisis,” a dynamic but sometimes painful-to-watch show at Here Arts Center.
Wrestling fan Kristoffer Diaz draws on pop-culture sources for his plays.
"Elf" comes up short.
“THE only thing that matters is the theater!” That passionate declaration was made not by Katharine Cornell, Ethel Barrymore or some other grande dame of the stage. It was spit o…
While the thematic expansiveness of John Guare's first new Broadway play in 18 years is audacious, George C. Wolfe's extravagant staging and Jeffrey Wright's mannered lead performance make a…
“Personal Enemy,” the play John Osborne wrote in 1953 with Anthony Creighton, deals with anti-Communist paranoia and homosexual persecution.
Lynn Rosen’s comedy “Apple Cove” is many things, just not as funny or clever as it should be.
In “Mimic,” at the Irish Arts Center, Raymond Scannell’s tragic tale about a life gone off the rails is punctuated by bursts of melody, sound effects and impersonations.
“The Sneeze” offers an uneven look at a collection of Chekhov pieces presented by the Pearl Theater.
Anyone unconvinced as to the manifold skills at Geoffrey Rush's disposal might want to consider the purposeful intensity of his Oscar-nominated performance in "The King's Speech" alongside t…
"Memphis" will be the first ongoing Broadway show to beam a live performance into movie theaters nationwide, taking a cue from New York's Metropolitan Opera and London's National Theatr…
In “Pieces,” an ineffectual psycho-chiller at the Brits Off Broadway festival, no horror film sound effect goes unheard.
I have been showered with unexpected attention during more than one show because of the gleaming beacon of my fur-free head.
Kiefer Sutherland Makes Broadway Debut in Dated Drama 'That Championship Season'
The director Sam Gold navigates the mess of human suffering and the uneasy line between humor and pain.
Caleb Deschanel, a lauded cinematographer, directs a one-act play Off Off Broadway for the New York International Fringe Festival.
The History Channel meets Comedy Central in "Saturday Night Live" alumnus Colin Quinn's whip-smart dissertation on the rise and fall of the world's great empires.
In a craft store in Idaho, a search for meaning in Samuel D. Hunter’s play “A Bright New Boise,” at the Wild Project.
In “The Annihilation Point,” audience members are tagged with a Reproduction Candidate number and led into a time-travel transit station.
Billie Joe Armstrong Electrifies an Already Exhilarating Musical
In “My Scandalous Life,” Lord Alfred Douglas, Oscar Wilde’s lover, takes center stage.
Review
A vanity production so self-inflated they needed an extra dimension to contain it, Michael Flatley's Lord of the Dance 3D won't win many new fans for the high-stepping dancer.