Daytona, Haymarket Theatre Royal, review: 'deeply moving'
Daytona, starring Harry Shearer and Maureen Lipman, is a gripping story
Daytona, starring Harry Shearer and Maureen Lipman, is a gripping story
The Globe's new production had the audience rapt, says Charles Spencer
This new staging of Arthur Miller's great play, starring Richard Armitage, is electrifying, says Charles Spencer
The miners' strike of 1984 proves a gripping topic, says Charles Spencer
Adrian Noble's superb adaptation leaves Charles Spencer feeling bruised yet elated
Director Peter Brook's latest work is spellbinding, says Charles Spencer
Bill Nighy and Carey Mulligan give powerful and emotionally bruising performances, says Charles Spencer
This updated classic comedy is funny and touching, says Charles Spencer
Ché Walker's Klook's Last Stand combines laughter, love and sex with a brooding sense of tragic inevitability, says Charles Spencer
It is hard to imagine this production of Fathers and Sons ever being better staged than it is here, says Charles Spencer
The aerial stunts of this video game-inspired show soon grow repetitive, says Charles Spencer
Shifting between nervous laughter and jolting horror, Polly Stenham's latest play is astonishingly raw, powerful and terrifying, says Charles Spencer
David Haig excels as both the writer and star of this superb dramatisation of the D-Day preparations, says Charles Spencer
Kevin Spacey's portrayal of the great US lawyer is a prowling, mesmerising tour-de-force, says Charles Spencer
The Vale of Health, one in a series of Simon Gray plays, sees Game of Thrones actor Gethin Anthony give a harrowing performance, says Charles Spencer
This production at Shakespeare's Globe short-changes the audience when it comes to both poetry and passion, says Charles Spencer
This play about art and an odd couple is funny and genuine, if too slight
This new production in Manchester is blessed with charm, humour and great songs, says Charles Spencer
This revivial of 'Miss Saigon' is powerfully acted and splendidly sung, says Charles Spencer, but also easier to admire than to love
Review: You'd have to be pretty miserable not to enjoy Elliot Davis's re-working of Lionel Bart's, says Charles Spencer
This play should have been a theatrical fiasco - but it comes warmly recommended by Charles Spencer
Richard Eyre does it again, says Charles Spencer
This rarely performed drama is a mix of lust, greed and dark humour, says Charles Spencer
Why Dylan Thomas's play works better in the mind's eye than on stage, despite a great production
Chichester's Minerva Theatre kicks off the season with this highly ingenious piece