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39 stories by "Catherine Jones"

Jonathan Harvey: 'Playwriting is like sculpting. You're chiselling away and eventually a beautiful shape will form' by Catherine Jones

Since penning hit play Beautiful Thing in the 1990s, Jonathan Harvey has combined theatre work with TV, writing some of Coronation Street's

SOURCE: The Stage Registration at 4:00am on February 28, 2020

Lost in Colomendy review at Royal Court Liverpool " 'five go mad in Wales in this knockabout comedy' by Catherine Jones

A childhood trip to the North Wales holiday camp of Colomendy has been a rite of passage for generations of Liverpudlians. Its

SOURCE: The Stage Registration at 10:43am on February 6, 2020

Merry Christmas, Carol review at Royal Court Liverpool " 'touching seasonal tale' by Catherine Jones

Charles Dickens' perennially popular festive novella has been endlessly retold and reworked since it was published more than 175 years ago. In

SOURCE: The Stage Registration at 7:45am on December 13, 2019

Musical director George Francis: 'I've never felt comfortable telling people my age until now' by Catherine Jones

It has been a busy year for musical director George Francis, who turns 23 on the first preview of his new show,

SOURCE: The Stage Registration at 12:50pm on December 4, 2019

The Scouse Snow White review at Liverpool Royal Court " 'entertaining Christmas caper' by Catherine Jones

"I used to be Snow White," Mae West famously wisecracked, "but then I drifted." While Hayley Sheen's Scouse Snow White may be

SOURCE: The Stage Registration at 5:23am on November 29, 2019

The Strange Case of Dr Jekyll and Mr Hyde review at Storyhouse, Chester " 'a thought-provoking interpretation' by Catherine Jones

Though Robert Louis Stevenson's slight but thematically rich story of the unleashing of the dark soul has been dramatised in numerous different

SOURCE: The Stage Registration at 5:07am on October 17, 2019

How the Second World War transformed British theatre by Catherine Jones

After almost a century, marks left by the Second World War can still be seen across UK theatre. But it wasn't just

SOURCE: The Stage Registration at 10:00am on August 30, 2019

Masquerade review at Royal Court Liverpool " 'thoughtful coming-of-age tale' by Catherine Jones

In the week Liverpool prepares for its annual Pride festival, Masquerade is a reminder that LGBT+ culture hasn't always been celebrated quite

SOURCE: The Stage Registration at 6:02am on July 26, 2019

Grand history: Frank Matcham's Blackpool masterpiece celebrates 125 years by Catherine Jones

As Blackpool's Grand Theatre marks its 125th birthday, Catherine Jones charts the history of this gem in Blackpool's crown that has weathered

SOURCE: The Stage Registration at 2:00am on July 23, 2019

Lost Soul 2: Smigger's Wrecked Head review at Royal Court Liverpool " 'crowd-pleasing sequel' by Catherine Jones

Dave Kirby's 2006 play Lost Soul was an unashamed celebration of the middle-aged. Over the course of a decade its Motown-loving 50-something

SOURCE: The Stage Registration at 9:42am on June 13, 2019

Liverpool's Boisterous Theatre founders: 'First-timers tell us they didn't know theatre could be like that' by Catherine Jones

Boisterous Theatre Company is the brainchild of writer Maurice Bessman and director Miriam Mussa. They felt that, despite improvements, creatives from ethnic

SOURCE: The Stage Registration at 2:00am on May 24, 2019

Chester Storyhouse's Andrew Bentley and Alex Clifton: 'The term 'regional theatre' is poisonous: every theatre's a community theatre' by Catherine Jones

Since it opened two years ago, Chester's Storyhouse has forged a reputation as a local cultural hub. Its chief executive Andrew Bentley

SOURCE: The Stage Registration at 7:30am on May 7, 2019

Brick Up 2: The Wrath of Ann Twacky review at Royal Court Liverpool " 'a dated comedy sequel' by Catherine Jones

While the real world is in meltdown over Brexit, this revival of Scouse comedy Brick Up 2 is more concerned with the

SOURCE: The Stage Registration at 11:47am on March 14, 2019

Big Up! review at Unity Theatre, Liverpool " 'a captivating live theatre experience' by Catherine Jones

Three years ago, Theatre-Rites and 20 Stories High collaborated on the raw and refreshingly original Broke 'N' Beat Collective. Big Up! "

SOURCE: The Stage Registration at 5:14am on February 11, 2019

Aladdin review at Forum Studio Theatre, Chester " 'solid seasonal entertainment' by Catherine Jones

Tip Top Productions' Aladdin proves you don't need a lavish budget or star names to stage a successful Christmas show. Promising "magic,

SOURCE: The Stage Registration at 6:01am on December 10, 2018

The Scouse Cinderella review at Royal Court, Liverpool " 'a Christmas crowd-pleaser' by Catherine Jones

There's only one way to follow the greatest story ever told, and that's with the world's favourite fairytale. The Royal Court has

SOURCE: The Stage Registration at 5:41am on November 30, 2018

Blackpool Opera House technical manager Duncan Jump: 'We used to have lots of technicians " now one person controls everything' by Catherine Jones

After four decades at Blackpool Opera House, its technical manager tells Catherine Jones why working at the Winter Gardens is a family

SOURCE: The Stage Registration at 12:00pm on November 26, 2018

Beyond Belief review at Unity Theatre, Liverpool " 'food for thought' by Catherine Jones

There was a time immortality was the preserve of the famous. The rest of us were memorialised in the minds of friends

SOURCE: The Stage Registration at 10:19am on October 4, 2018

Bouncers review at Royal Court, Liverpool " 'vibrant and energetic' by Catherine Jones

Four decades after John Godber's Bouncers was first staged at the Fringe it remains one of the most popular and performed comedies

SOURCE: The Stage Registration at 8:15am on September 5, 2018

Chester Mystery Plays review at Chester Cathedral " 'a colourful people's pageant' by Catherine Jones

In medieval times the Chester Mystery Plays were performed by the city's various Guilds, from water drawers to wheelwrights and glaziers to

SOURCE: The Stage Registration at 12:13pm on July 4, 2018

Treasure Island review at Sudley House Gardens, Liverpool " 'a rambunctious open-air reimagining' by Catherine Jones

It's shaping up to be a sun-blessed season for travelling troupes bringing live theatre to the nation's parks and gardens. Mate Productions

SOURCE: The Stage Registration at 8:34am on June 25, 2018

Playwright Robert Farquhar: 'I'd love to crack London, I'm aware time is running out' by Catherine Jones

Inspired by Monty Python and the Beatles, Liverpool-based Robert Farquhar pens off-the-wall, anarchic, funny plays, but always with a message. He tells

SOURCE: The Stage Registration at 7:30am on June 12, 2018

Unity Theatre's Gordon Millar: 'I want us to be a force beyond these walls' by Catherine Jones

He was an audience member in his student days, now he's the man at the helm. Unity Theatre's artistic director talks to

SOURCE: The Stage Registration at 12:00pm on May 4, 2018

Golda Rosheuvel: 'I'm interested in the normality of playing a lesbian Othello' by Catherine Jones

Male Shakespearean roles taken by actresses are often described as 'gender neutral', but Golda Rosheuvel's Othello at Liverpool's Everyman is very much

SOURCE: The Stage Registration at 8:12am on April 23, 2018

Liver Birds Flying Home review at Royal Court, Liverpool " 'less than the sum of its many parts' by Catherine Jones

Back in the 70s, The Liver Birds was ground-breaking TV " a show where the lead characters were two young women who

SOURCE: The Stage Registration at 5:36am on April 20, 2018
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