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1,428 stories by "Ben Brantley"

Review: 'She Loves Me' Is a Daydream of the Ordinary by Ben Brantley

The 1963 musical set in a 1930s perfume shop in Budapest has been rapturously revived by the Roundabout Theater Company.

SOURCE: The New York Times Subscription at 10:30pm on March 17, 2016

Review: Kenneth Lonergan's 'Hold On to Me Darling,' a Study of Bad Faith (and Behavior) by Ben Brantley

In Mr. Lonergan's play, a narcissistic country music and movie star returns to the Tennessee town where he grew up to start a new life as a simple man.

SOURCE: The New York Times Subscription at 10:26pm on March 14, 2016

Review: 'The Robber Bridegroom' Is Heavy on the Twang by Ben Brantley

This Alex Timbers revival includes a bluegrass band and a rogues' gallery of oddball comic performers in this musical based on a Eudora Welty novella.

SOURCE: The New York Times Subscription at 10:18pm on March 13, 2016

Review: 'Blackbird': The Past Returns, Taunting by Ben Brantley

David Harrower's disturbing drama of criminal love returns in a Broadway staging starring Jeff Daniels and Michelle Williams.

SOURCE: The New York Times Subscription at 10:27pm on March 10, 2016

Review: In 'Boy,' a Man Deals With Gender Cards He's Given (Not Born With) by Ben Brantley

In Anna Ziegler's play, Bobby Steggert plays a character " based on an actual person " who was born male but raised female after a botched circumcision.

SOURCE: The New York Times Subscription at 10:27pm on March 10, 2016

Review: 'The Royale' Harks Back to the Fighter Jack Johnson by Ben Brantley

This Marco Ramirez play, which takes place in the early 20th century, is set amid the sport of boxing and recreates the racism of the day.

SOURCE: The New York Times Subscription at 10:21pm on March 7, 2016

Review: 'Hungry' Portrays a Mourning Clan in Election Year 2016 by Ben Brantley

In Richard Nelson's play at the Public Theater, the characters' bereavement is laced with a sense that the world as they know it is coming to an end.

SOURCE: The New York Times Subscription at 6:10pm on March 6, 2016

Review: 'Rimbaud in New York' Splices the Genes of the Original Outlaw Artist by Ben Brantley

This collage tribute piece celebrates the French poet Arthur Rimbaud as the man who invented downtown as a state of mind.

SOURCE: The New York Times Subscription at 7:46pm on March 3, 2016

In Anna Ziegler's 'Boy,' an Ambiguous Gender Is Explored Onstage by Ben Brantley

Anna Ziegler's new play tells the story of a boy who was mutilated in an accident and then raised as a girl.

SOURCE: The New York Times Subscription at 2:50pm on March 3, 2016

Review: 'But I Cd Only Whisper,' a Tale of a Violent Veteran by Ben Brantley

Kristiana Rae Colón's play at the Flea Theater portrays an unthinkable crime and its origins and aftermath.

SOURCE: The New York Times Subscription at 5:45pm on March 1, 2016

Review: In 'The Wildness,' Defenses Against Adulthood by Ben Brantley

In this tuneful production by Lauren Worsham and Kyle Jarrow, friends gather at the start of the new year to retell and play out a fairy tale of their own.

SOURCE: The New York Times Subscription at 10:20pm on February 29, 2016

Review: You See 'The Encounter' With Your Ears by Ben Brantley

In the play, by Simon McBurney at the Barbican Theater in London, audience members are asked to put on headphones and listen closely.

SOURCE: The New York Times Subscription at 6:27pm on February 26, 2016

Review: 'I'll Never Love Again,' From a Teenage Girl's Diary by Ben Brantley

Clare Barron's play at the Bushwick Starr in Brooklyn recalls the anguishing mysteries of sex and love during adolescence.

SOURCE: The New York Times Subscription at 6:06pm on February 26, 2016

Review: In 'Hughie,' With Forest Whitaker, Two Desolate Lost Souls by Ben Brantley

The actor makes his Broadway debut in this one-act play by Eugene O'Neill.

SOURCE: The New York Times Subscription at 9:57pm on February 25, 2016

Critic's Notebook: The Anger on London's Stages Is Palpable, and Thrilling by Ben Brantley

"Ma Rainey's Black Bottom," "The Master Builder" and "Uncle Vanya" are all studies in the power of rage.

SOURCE: The New York Times Subscription at 6:01pm on February 19, 2016

Shame and Guilt Drives Several New Productions, Which is Good for Us by Ben Brantley

Some unpleasant emotions are at the heart of "Hughie," "Long Day's Journey Into Night," "The Crucible" and "Hold On to Me, Darling."

SOURCE: The New York Times Subscription at 1:15pm on February 18, 2016

Review: In Shepard's 'Buried Child,' a Father and Family Dissolve Into Darkness by Ben Brantley

This revival of the award-winning American gothic play stars Amy Madigan and Ed Harris as parents in a dysfunctional Illinois farmhouse.

SOURCE: The New York Times Subscription at 10:25pm on February 17, 2016

Review: In 'Funny Girl,' Sheridan Smith Does the Heavy Lifting by Ben Brantley

In this revival, Ms. Smith plays Fanny Brice, the role that sent Barbra Streisand soaring into the stratosphere in the 1960s.

SOURCE: The New York Times Subscription at 6:06pm on February 15, 2016

Critic's Notebook: For 'Hangmen' and 'Escaped Alone,' Connecting Threads in London by Ben Brantley

Martin McDonagh and Caryl Churchill's two plays, so different, are united by extreme narrative tension.

SOURCE: The New York Times Subscription at 6:08pm on February 14, 2016

Review: 'Prodigal Son,' John Patrick Shanley's Exploration of the Student He Once Was by Ben Brantley

This Manhattan Theater Club play depicts a self-worshiping, caustic pupil who intrigues and frustrates his boarding-school teachers.

SOURCE: The New York Times Subscription at 10:24pm on February 9, 2016

The Week Ahead: Target Margin Theater Takes On Eugene O'Neill by Ben Brantley

The company begins a two-season project devoted to the writer, starting with "Drunken With What," which excavates "Mourning Becomes Electra."

SOURCE: The New York Times Subscription at 10:39am on February 5, 2016

Review: A Whirlwind of Delicious Gossip in 'Sense & Sensibility' by Ben Brantley

Bedlam theater company's version of the Jane Austen novel expands and magnifies Austen's delicate comic worldview without cracking a single teacup.

SOURCE: The New York Times Subscription at 12:46am on February 5, 2016

Review: 'The Grand Paradise' Summons a '70s Pleasure Palace by Ben Brantley

This immersive play conjures a Florida resort built on nostalgia and losing one's inhibitions.

SOURCE: The New York Times Subscription at 5:46pm on January 31, 2016

Review: In 'Tonight/Jungle' by Philip Ridley, Darkness Rules by Ben Brantley

These two plays " "Tonight With Donny Stixx" and "Dark Vanilla Jungle," playing in repertory at Here " consist of monologues by people who have committed unspeakable crimes.

SOURCE: The New York Times Subscription at 6:16pm on January 29, 2016

Review: 'I and You' Is Lauren Gunderson's Sentimental Character Study by Ben Brantley

This play revolves around two high school students and a link to Walt Whitman.

SOURCE: The New York Times Subscription at 10:34pm on January 27, 2016
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