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35,882 stories from The Stage

Babylon Beyond Borders review at Bush Theatre, London " 'brimming with life' by Ava Davies

Babylon Beyond Borders is a momentous technical feat. At the end of the performance, a spotlight illuminates Heather Pasfield, the live stream

SOURCE: The Stage Registration at 9:29am on February 14, 2019☆⚑

The Lady from the Sea review at Print Room, London " 'a mesmeric performance' by Dave Hollander

No detail in the Norwegian Ibsen company's staging of The Lady from the Sea is left to chance. In this bilingual version,

SOURCE: The Stage Registration at 8:41am on February 14, 2019☆⚑

True West starring Kit Harington and Johnny Flynn to be released on Audible by Georgia Snow

The West End production of True West, starring Kit Harington and Johnny Flynn, has been recorded for audio release on Audible. The

SOURCE: The Stage Registration at 8:00am on February 14, 2019☆⚑

Jade Anouka: 'Shakespeare needs more gender-swapped casting to stay relevant' by Giverny Masso

Actor Jade Anouka has argued that there needs to be more openness in the casting of classical theatre in order for it

SOURCE: The Stage Registration at 6:50am on February 14, 2019☆⚑

The Writing Squad's Steve Dearden: 'We support those who face the blank screen and keep doing it' by Lyn Gardner

Lyn Gardner talks to Writing Squad director Steve Dearden and finds out about how the company has helped writers Nick Payne and

SOURCE: The Stage Registration at 6:32am on February 14, 2019☆⚑

Mother Courage and Her Children review at Royal Exchange Theatre, Manchester " 'brutal and brilliant' by Natasha Tripney

Amy Hodge's production of Brecht's epic play of conflict and commerce sets out its stall from the start. The Royal Exchange stage

SOURCE: The Stage Registration at 5:27am on February 14, 2019☆⚑

Blue Door review at Ustinov Studio, Bath " 'two fine performances' by Jeremy Brien

Blue Door is the name given by some African Americans to the ancestral belief that painting door frames in this colour would

SOURCE: The Stage Registration at 5:10am on February 14, 2019☆⚑

Edward II review at Sam Wanamaker Playhouse, London " 'an exhilarating production' by Rosemary Waugh

Christopher Marlowe's Edward II is a thrilling account of a fascinating episode in British history, one filled with personal and political dilemmas.

SOURCE: The Stage Registration at 4:16am on February 14, 2019☆⚑

Chichester Festival Theatre to build spiegeltent for season featuring Hugh Bonneville, Sheila Hancock and John Simm by Georgia Snow

Chichester Festival Theatre is introducing a new spiegeltent venue for its 2019 season, which also includes appearances from Hugh Bonneville, John Simm,

SOURCE: The Stage Registration at 3:36am on February 14, 2019☆⚑

Richard Jordan: Theatre shouldn't lose sight of good behaviour in the search for new audiences by Richard Jordan

Two experienced actors currently playing in the West End have responded very differently to breaches of audience etiquette during their shows. Writing

SOURCE: The Stage Registration at 2:00am on February 14, 2019☆⚑

The American Clock review at Old Vic, London " 'moments of excellence' by Tim Bano

There's a great deal this lesser-known Arthur Miller play has in common with the other lesser-known Arthur Miller play that opened up

SOURCE: The Stage Registration at 7:25pm on February 13, 2019☆⚑

Jon Dryden Taylor: How can we ensure voice-over artists get paid on time? by Jon Dryden Taylor

With delays of six months not uncommon, voice actors are often paid long after their work has aired. Jon Dryden Taylor looks

SOURCE: The Stage Registration at 7:01pm on February 13, 2019☆⚑

Soft Animals review at Soho Theatre, London " 'a delicate debut play' by Rosemary Waugh

As friendships go, the one between Sarah (Ellie Piercy) and Frankie (Bianca Stephens) falls into the 'unlikely' category. On paper, the women

SOURCE: The Stage Registration at 11:41am on February 13, 2019☆⚑

£8k playwriting award launched with London's Finborough Theatre by Giverny Masso

An £8,000 playwriting award has been launched to “further the ambitions” of budding writers working in front-of-house, backstage, administrative and creative roles

SOURCE: The Stage Registration at 11:08am on February 13, 2019☆⚑

Relaunched Bloomsbury Theatre to set up programme of research-driven performance by Georgia Snow

The recently renovated Bloomsbury Theatre is establishing a programme inspired by research that will see performers and creatives work alongside leading scientists

SOURCE: The Stage Registration at 10:55am on February 13, 2019☆⚑

The Price starring David Suchet at Wyndham's Theatre, London " review round-up by Fergus Morgan

Playwrights, like fashions, go in and out of style, and in 2019 Arthur Miller is back in a big way in London.

SOURCE: The Stage Registration at 10:47am on February 13, 2019☆⚑

You Stupid Darkness! review at Theatre Royal, Plymouth " 'unflinchingly truthful' by Dave Fargnoli

Life has a way of carrying on, even in the face of catastrophe. With the world quietly coming to an end offstage,

SOURCE: The Stage Registration at 9:41am on February 13, 2019☆⚑

Diary: Patti LuPone gig saves face and keeps Company by Tabard

It started off like every company manager's nightmare. A show's star is taken ill (brief panic) but it's okay, the understudy can

SOURCE: The Stage Registration at 9:00am on February 13, 2019☆⚑

Should Mamet and Berkoff tell the #MeToo story? (your views, February 14) by The Stage

Lyn Gardner on Berkoff/Mamet I disagree with Lyn Gardner (Back off Berkoff and Mamet " women own the #MeToo story) on the

SOURCE: The Stage Registration at 9:00am on February 13, 2019☆⚑

From Our Archive: 35 years ago in The Stage (February 16, 1984) by The Stage

We reported on a dispute between critics and theatre managements over starting times: "The row over when the public can read about

SOURCE: The Stage Registration at 9:00am on February 13, 2019☆⚑

Hamlet: February 14 by Harry Venning

SOURCE: The Stage Registration at 8:59am on February 13, 2019☆⚑

Royal Exchange, Home and Old Vic among recipients of Theatres Trust accessibility funding by Giverny Masso

The Theatres Trust has awarded its 100th grant to a consortium of theatres in Greater Manchester, including Home and the Royal Exchange,

SOURCE: The Stage Registration at 7:42am on February 13, 2019☆⚑

Rip It Up " The 60s review at Garrick Theatre, London " 'stylish and energetic' by Paul Vale

Following a UK tour and a brief stint at the Palladium last year Rip It Up – The 60s gets a limited

SOURCE: The Stage Registration at 6:42am on February 13, 2019☆⚑

Maggie Smith to return to stage after 12 years for London play by Georgia Snow

Maggie Smith will return to the stage for the first time in 12 years to perform in a new one-woman play by

SOURCE: The Stage Registration at 6:36am on February 13, 2019☆⚑

Editor's View: Would Albert Finney have made it in today's theatre climate? by Alistair Smith

Albert Finney's death is a huge loss to stage and screen, but it has also served as a lightning rod for wider

SOURCE: The Stage Registration at 6:00am on February 13, 2019☆⚑
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