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6,907 stories from Washington Post

How Netflix helped Kyle Abraham create his new dance by Sarah L. Kaufman

The A.I.M. founder and his dancers used weekly viewing and discussion sessions to inform "An Untitled Love," which comes to the Kennedy Center April 29-30.

SOURCE: Washington Post at 8:12am on April 22, 2022

Martin McDonagh, Paula Vogel add to spring bounty on Broadway by Peter Marks

"Hangmen" and "How I Learned to Drive" disturb and delight, while "For Colored Girls..." gets a nostalgic revival.

SOURCE: Washington Post at 12:24am on April 22, 2022

Robert Morse, Tony-winning comic actor, dies at 90 by Harrison Smith

He launched his career in musical comedies but was later celebrated for played Truman Capote on Broadway and an eccentric adman on "Mad Men."

SOURCE: Washington Post at 8:03pm on April 21, 2022

Folk-opera take on sci-fi novel comes to town, after a long gestation by Geoffrey Himes

"Parable of the Sower," a folk-opera adaptation of Octavia Butler's 1993 sci-fi novel created by Toshi Reagon and Bernice Johnson Reagon, has uncanny resonance with current events.

SOURCE: Washington Post at 8:36am on April 19, 2022

Tracy Letts skewers America's shames in stunning debut of 'The Minutes' by Peter Marks

The playwright's scaldingly funny satire opens on Broadway.

SOURCE: Washington Post at 2:54pm on April 18, 2022

A Russian director's 'Cherry Orchard' shakes a theater to its roots by Peter Marks

A Russian director conjures Ukraine in a wildly imaginative version of "The Cherry Orchard."

SOURCE: Washington Post at 2:36pm on April 17, 2022

Hello, gorgeous: 'Funny Girl's' new Nicky by Peter Marks

Karimloo co-stars with Beanie Feldstein in one of the year's biggest Broadway revivals.

SOURCE: Washington Post at 7:36am on April 15, 2022

James McAvoy is a Cyrano knockout, and Sam Rockwell is a blast in Mamet by Peter Marks

McAvoy stars in a modern beatbox "Cyrano de Bergerac"; Rockwell joins Laurence Fishburne and Darren Criss in a socko "American Buffalo."

SOURCE: Washington Post at 1:03am on April 15, 2022

When war hit Ukraine, dancers mobilized like never before by Sarah L. Kaufman

The global ballet community rallies to help young Ukrainians and families find new homes " and pursue their art.

SOURCE: Washington Post at 8:33am on April 14, 2022

Round House's Russia-set play blends high tech and timeliness by Thomas Floyd

Inspired by true events, the play "We Declare You a Terrorist …" uses digital projection to tell a tale set in 2002 and today.

SOURCE: Washington Post at 8:33am on April 14, 2022

An allegation and a cancellation: How Arena Stage's big show fell apart by Thomas Floyd

Lead actress in theater's fall 2021 run of "Toni Stone" said she felt unsafe onstage and didn't receive support.

SOURCE: Washington Post at 7:06am on April 13, 2022

At Keegan Theatre, satirical 'Yoga Play' strikes a warrior pose by Celia Wren

Katie McManus as CEO Joan is a highlight of Dipika Guha's gleeful skewering of the athleisurewear-meets-enlightenment mind-set.

SOURCE: Washington Post at 2:37pm on April 12, 2022

Why Misty Copeland should be American Ballet Theatre's new director by Sarah L. Kaufman

The acclaimed ballet company can make history and look to the future by naming a woman of color as its leader.

SOURCE: Washington Post at 7:42am on April 11, 2022

Jewish diversity is becoming an ever more vibrant issue onstage by Peter Marks

New efforts " a Black Shylock, commissions for Jewish playwrights of color " are occurring at the intersection of race and Judaism.

SOURCE: Washington Post at 12:33pm on April 7, 2022

Two new musicals dig into America's past but fail to strike gold by Peter Marks

"Paradise Square" on Broadway, and "Suffs" off-Broadway, musicalize history without locating its heart.

SOURCE: Washington Post at 11:24pm on April 6, 2022

Q&A: Nadina Hassan on playing Regina George in 'Mean Girls' tour by Thomas Floyd

Nadina Hassan, an actress of Colombian and Egyptian heritage, talks about playing the high school bully in the touring production of 'Mean Girls,' which comes to the Kennedy Center this mont…

SOURCE: Washington Post at 1:18pm on April 5, 2022

'Take Me Out' loads the Broadway bases with wit and incisive drama by Peter Marks

Richard Greenberg's outstanding baseball play receives a top-notch revival at the Hayes Theatre.

SOURCE: Washington Post at 11:06pm on April 4, 2022

Pointless Theatre's 'Rhinoceros,' while flawed, throws its weight around by Celia Wren

French dramatist Eugène Ionesco's 1959 absurdist classic provides a shock of connection and recognition in our hyperpartisan era.

SOURCE: Washington Post at 4:37pm on April 4, 2022

American Ballet Theatre turns in an exhilarating 'Don Quixote' by Sarah L. Kaufman

At the Kennedy Center, an effervescent cast lifts a production geared to excite.

SOURCE: Washington Post at 3:06pm on April 1, 2022

Sis finds hot-girl soul of Ado Annie in 'Oklahoma!' at Kennedy Center by Celia Wren

Q&A with Sis, the trans actress playing Ado Annie in the touring production of 'Oklahoma!'

SOURCE: Washington Post at 10:42am on April 1, 2022

What it's like to be a Russian artist now by Sarah L. Kaufman

A dancer, director and conductor reflect on what Putin's funding, and his war in Ukraine, mean for the arts in Russia.

SOURCE: Washington Post at 6:18am on April 1, 2022

'Grace' is a rousing new musical that could use fine-tuning by Peter Marks

Nolan Williams Jr. and Nikkole Salter's story of a contentious family gathering makes its uneven debut at Ford's Theatre.

SOURCE: Washington Post at 3:33pm on March 31, 2022

In 'Private,' we ponder where to draw the line on surveillance by Peter Marks

A new play by Mona Pirnot explores the murky territory of corporate surveillance of employees

SOURCE: Washington Post at 4:06pm on March 30, 2022

Parker, Broderick bring belly laughs back to Broadway in revival of 'Plaza Suite' by Peter Marks

"Plaza Suite," with Matthew Broderick and Sarah Jessica Parker, marks its official Broadway opening at the Hudson Theatre.

SOURCE: Washington Post at 11:42am on March 29, 2022

A great actor tackles 'The Merchant of Venice' " one of Shakespeare's most challenging plays by Peter Marks

Shakespeare Theatre Company stages "The Merchant of Venice" with John Douglas Thompson as Shylock.

SOURCE: Washington Post at 5:03pm on March 28, 2022
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