4,600 stories from Toronto Star
Scott Campbell, who will play opposite to Jessie Mueller, says role in Broadway's Beautiful: The Carole King Musical is "everything I could ask for."
Canadian Opera Company production's of Madama Butterfly, on until Oct. 31 at the Four Seasons Centre, merely ordinary.
Walking Dead fan favourite says Season 5 comes out of the gate 'like a motorcycle flying off of a ramp.'
Each half is 'like a Beatles song. The first half is Helter Skelter; the second half is A Day in the Life,' says British actor.
Falstaff is must-see for opera lovers, and even those immune to opera's charms will have their minds changed.
Star of Scott Pilgrim and Arrested Development learns to stay in the moment in his Broadway debut in Kenneth Lonergan's play.
CBC series, which begins final season Oct. 15, was Allan Hawco's gift to his home province of Newfoundland.
Young People's Theatre production on until Nov. 2.
Show built around songs of Charles Aznavour at Berkeley Street Theatre until Nov. 2.
80-year-old actress penned Marilyn " After, channels the famous starlet's humour, her empathy and her bad days.
David Mirvish announced Wednesday that the superstar tenor Heppner will make his musical theatre debut at the Princess of Wales Theatre.
Actress, director and choreographer was best know for The Trouble With Tracy, but her heart belonged to musical theatre.
First-rate revival of Kenneth Lonergan's play, playing to sold-out houses on Broadway, still holds up an unflinching mirror to the lives of people in their 20s and 30s.
Album JHUD reflects "all the different sides of me" says Oscar winner and former American Idol finalist.
Webcast from five ballet companies had almost unheard of "dwell time" of 28 minutes
What Makes a Man, a musical tapestry woven from Charles Aznavour's songs, begins performances at Canadian Stage's Berkeley Street Theatre on Sunday.
Young captures the essence of Julie and reminds all of us fans why we were so in thrall to her for so many years.
Sam Wills has three invaluable allies: his own imagination, his bottomless box of props and an audience full of willing victims.
'It's such a relief to play a character who is not there to ingratiate himself in any way,' says the actor who stars with Maggie Smith.
It takes two hours to turn slim nice guy Finley into the corpulent, vain Falstaff in the Canadian Opera Company production opening Oct. 3
Shakespeare's roguish knight, as interpreted by Verdi, fits 1950s England perfectly, says the director of the Canadian Opera Company's season opener.
Alison Lawrence and Mary Francis Moore have numerous theatre projects on the go, including a musical version of the play that kickstarted their careers.
Toronto dance company steps into its past with anniversary retrospective while casting an eye to the future.
Reviewer expected some sweeping in-depth revelations about the artist's life to emerge in a show that the makers say was 15 years in the making. But the exact opposite was the case.
