Clarion, Arcola, review: 'appallingly funny'
The state of the British press is laid bare in this sharp and knowing debut by a former Fleet Street showbiz editor, says Jane Shilling
The state of the British press is laid bare in this sharp and knowing debut by a former Fleet Street showbiz editor, says Jane Shilling
For all her brilliance, Osipova's début as Lise was something of a curate's egg, says Mark Monahan
The National Theatre's new production of Caryl Churchill's epic account of political upheaval in 1640s England couldn't be more timely, says Dominic Cavendish
Despite seams of absurd sentimentality, you can't help but root for the protagonists of this Irish drama, says Claire Allfree
This political play appears to hark back to the Gordon Brown era, says Dominic Cavendish
Caryl Churchill, the most experimental of our major playwrights, keeps a famously low profile. Actor Samuel West explains why she has endured
Consider yourself well read? Take our quiz about the Bard's life and his plays
Nicole Kidman, whose last West End performance was memorably described as "pure theatrical Viagra", is back in play about British scientist Rosalind Franklin
Nicole Kidman will return to the West End in Photograph 51, 17-years after her theatrical debut was described by The Telegraph as 'pure theatrical viagra'
This sequel to the Rocky Horror Show can't match the original but still provides deliriously silly entertainment, says Claire Allfree
This revival of Eugene O'Neill's lone, poignant comedy boasts fine performances but is let down by its staging, says Dominic Cavendish
As George Cole turns 90, we pay tribute to his character Arthur Daley, the crafty car dealer from TV hit Minder
The cast make valiant effort, but John Ford's 17th century tragedy is still a messy affair, says Dominic Cavendish
This is a poor man's DIY homage to one of the most accomplished British films of recent times, says Dominic Cavendish
Warchus, the new artistic director of the Old Vic, has anounced an inaugural season that suggests he may eclipse the record of the Hollywood star at the theatre, says Dominic Cavendish
This pulse-taking of the NHS has some strong sections, but it sorely needs editing, says Ben Lawrence
As he unveils his inaugural season, Matthew Warchus tells Anita Singh what's in store
Mixed playing and irksome postmodern humour meant that these distinguished visitors undersold themselves, says Ivan Hewett
Cheek by Jowl's Measure for Measure is streamed live on the Telegraph website on Wednesday. Artistic director Declan Donnellan tells Charlotte Runcie why you should watch it
Really Useful Holdings Ltd, Andrew Lloyd Webber's wholly-owned holding company, resurfaced into the black as it prepared to launch a musical adaptation of The School of Rock
Mark Monahan heads to Monaco to meet the director of Les Ballets de Monte-Carlo
Andrew Lloyd Webber describes many of London's venues as 'not fit for purpose', with cramped seating offering poor views of the stage
A transformation of the original Carmen story is another ambitious work from playwright Simon Stephens, says Dominic Cavendish
This week's upheaval at the National Theatre highlights a growing tension at the top of Britain's major arts institutions, says Rupert Christiansen
Video: From Severus Snape to Louis XIV - how Alan Rickman became cinema's greatest silver-tongued devil