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522 stories by "carly Maga - Theatre Critic"

Under the Stairs borrows from kid-lit classics with success by Carly Maga - Theatre Critic

New play's tale of an anxious boy's mystical adventure is endearing even if it's not revolutionary.

SOURCE: Toronto Star at 12:50pm on April 5, 2019[SHARE]

Shove It Down My Throat takes a meta approach to a true crime story by Carly Maga - Theatre Critic

Playwright Johnnie Walker shows the audience his struggle over how to tell the story of a 2013 knife fight that sent Luke O'Donovan to jail.

SOURCE: Toronto Star at 1:55pm on April 4, 2019[SHARE]

Modern Times offers a faithful rendition of Chekov's The Cherry Orchard by Carly Maga - Theatre Critic

Presented as one act in about 90 minutes, the quickened pace of Soheil Parsa's adaptation lessens the characters' ennui and detracts from the play's sense of tragedy, writes Carly Maga.

SOURCE: Toronto Star at 2:01pm on March 30, 2019[SHARE]

Toronto's Dear Evan Hansen is a sad, sad, surefire smash by Carly Maga - Theatre Critic

Local production of Broadway smash has found a worthy star in Robert Markus, to go with powerful story and songs.

SOURCE: Toronto Star at 10:00pm on March 28, 2019[SHARE]

A Doll's House, Part 2 revives well-worn arguments about love and marriage but lacks emotional tension by Carly Maga - Theatre Critic

Director Krista Jackson seems to be caught between making Lucas Hnath's play a farcical comedy or a serious living-room drama, writes Carly Maga.

SOURCE: Toronto Star at 10:00pm on March 27, 2019[SHARE]

Theatre Passe Muraille: A Collective History presents the story of alternative theatre in Canada by Carly Maga - Theatre Critic

For collaborators Martin Julien, Samantha Serles and Rae Johnson, the book presents a hard-won history of a distinctly Canadian type of theatre and its passionate beginnings.

SOURCE: Toronto Star at 7:00am on March 27, 2019[SHARE]

The Little Prince: Reimagined reminds us why the original story is beloved by Carly Maga - Theatre Critic

Presented by new company Puzzle Piece, The Little Prince: Reimagined digs into deeper humanistic lessons around love, patience, connection and wonder with the novella's signature enigmatic s…

SOURCE: Toronto Star at 2:33pm on March 24, 2019[SHARE]

Isitwendam's structure is why Indigenous story's moving moments are undermined by Carly Maga - Theatre Critic

The passing of a decade, actor and co-creator Meegwun Fairbrother's narrative choices keep his affecting message from having a bigger impact.

SOURCE: Toronto Star at 12:31pm on March 21, 2019[SHARE]

With solo show CHICHO, Augusto Bitter brings both himself and Venezuela to the forefront by Carly Maga - Theatre Critic

Bitter grew up in Caracas and wanted his one-man show, now at Theatre Passe Muraille, to be about more than a gay man coming out, he tells Carly Maga.

SOURCE: Toronto Star at 1:03pm on March 12, 2019[SHARE]

Playwright Jocelyn Bioh's School Girls; or, the African Mean Girls Play gets a pitch-perfect production by Carly Maga - Theatre Critic

Ghanian-American's play is remarkable for not only skewering petty teenage female power grabs, but for exposing their root causes as deeply serious, systemic and colonial.

SOURCE: Toronto Star at 2:48pm on March 9, 2019[SHARE]

Was Betroffenheit just lightning in a bottle? Revisor proves it wasn't by Carly Maga - Theatre Critic

In latest collaboration, Crystal Pite and Jonathon Young reimagine Nikolai Gogol's mid-19th-century play The Government Inspector.

SOURCE: Toronto Star at 2:56pm on March 8, 2019[SHARE]

Dear Evan Hansen team strives to avoid cynicism in Tony-winning musical by Carly Maga - Theatre Critic

As it begins previews in Toronto, composers Benj Pasek and Justin Paul, director Michael Greif and others talk about understanding the human story behind the production, writes Carly Maga.

SOURCE: Toronto Star at 3:36pm on March 6, 2019[SHARE]

Towards Youth connects drama class and drama of real world by Carly Maga - Theatre Critic

Towards Youth pulls back director Andrew Kushnir's misplaced fear toward teens and reveals the humour, anxiety, thought, and, most importantly to Gallagher, hope, that affects their world vi…

SOURCE: Toronto Star at 4:21pm on March 2, 2019[SHARE]

In New Magic Valley Fun Town, Daniel MacIvor tackles issue of resurrecting long buried pain by Carly Maga - Theatre Critic

As quirky, introverted Dougie, MacIvor reveals that the quirks mask a deep trauma: they're coping mechanisms in a small town that hides its pain, writes Carly Maga.

SOURCE: Toronto Star at 1:15pm on March 1, 2019[SHARE]

26 Letter Dance's march through the alphabet leaves kids spellbound by Carly Maga - Theatre Critic

Other aspects were less successful but dance element at heart of show playing through March break grips its young audience.

SOURCE: Toronto Star at 12:28pm on February 27, 2019[SHARE]

We laugh along with Harold Pinter's 'comedy of menace' in Little Menace: Pinter Plays at Soulpepper by Carly Maga - Theatre Critic

The actors find the key to the humour and Pinter's cultural criticism in this 90-minute collection of short plays, writes Carly Maga.

SOURCE: Toronto Star at 5:48pm on February 25, 2019[SHARE]

Good Morning, Viet Mom grows beyond the Fringe by Carly Maga - Theatre Critic

Tales of boyhood from immigrants' son benefit considerably from more ambitious presentation at Toronto's Aki Studio.

SOURCE: Toronto Star at 8:55pm on February 21, 2019[SHARE]

There are some impressive elements in The Last Ship, but it's not all smooth sailing by Carly Maga - Theatre Critic

Sting's orchestral score shows off the cast's divine vocals. He and the set by 59 Productions are reasons to potentially forgive the musical's missteps, writes Carly Maga.

SOURCE: Toronto Star at 1:04pm on February 20, 2019[SHARE]

Designer Nick Blais specializes in bringing theatre to life in unconventional spaces by Carly Maga - Theatre Critic

The designer behind the woodsy set in last year's Jerusalem is converting St. Matthew's Clubhouse for Human Animals and the Don Jail for Kiss of the Spider Woman.

SOURCE: Toronto Star at 7:00am on February 20, 2019[SHARE]

The Father at Coal Mine Theatre builds empathy for its aging lead character with its combination of farce and tragedy by Carly Maga - Theatre Critic

Eric Peterson is best at capturing Andre's childlike helplessness, culminating in a moving final breakdown, writes Carly Maga.

SOURCE: Toronto Star at 1:41pm on February 15, 2019[SHARE]

Kate Lushington put aside her idea for a play when her daughter, Natasha Greenblatt, was 2. Now that Natasha's 34, they've finished it together. by Carly Maga - Theatre Critic

The two have collaborated on The Apocalypse Plays: A Legacy Project, the end of a trilogy that Lushington began in the 1980s, writes Carly Maga.

SOURCE: Toronto Star at 7:00am on February 13, 2019[SHARE]

We Are All Treaty People treats the serious subject of Indigenous-settler relations with a light touch by Carly Maga - Theatre Critic

As Trickster, Marshall Vielle is a trustworthy guide through history and his sense of humour stops We Are All Treaty People from feeling too much like a lecture, writes Carly Maga.

SOURCE: Toronto Star at 6:21pm on February 12, 2019[SHARE]

Cirque Éloize's Hotel has beautiful images and inventive acts but could use some dramatic development by Carly Maga - Theatre Critic

The production fuses a Downton Abbey-like look at both the menial workers and famous guests at a nameless hotel with the jazzy sights and sounds of the 1920s, writes Carly Maga.

SOURCE: Toronto Star at 2:31pm on February 12, 2019[SHARE]

Canadian premiere of Hamilton is the highlight of the new Mirvish season by Carly Maga - Theatre Critic

The main subscription series also features Tony winner The Band's Visit, Hello, Dolly!, the Toronto premiere of Piaf/Dietrich and the stage version of Emma Donoghue's Room.

SOURCE: Toronto Star at 6:00am on February 6, 2019[SHARE]

In salt, Selina Thompson travels a transatlantic slave route, but the journey is a warm and celebratory one by Carly Maga - Theatre Critic

It's rare to see an hour-long show so affecting that encompasses hundreds of years, many miles and several generations but feels intimate, immediate and personal, writes Carly Maga.

SOURCE: Toronto Star at 2:05pm on February 4, 2019[SHARE]
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