As You Like It / Hamlet, Shakespeare's Globe, London, review: There's a lot of imaginative freedom to Michelle Terry's double-bill by Paul Taylor, Paul Taylor

As You Like It is gloriously oddball, but Hamlet falls a bit flat by comparison

SOURCE: The Independent at 9:12am on May 18, 2018[SHARE]

Red, Wyndham's Theatre, London, review: Alfred Molina plays Mark Rothko in a phenomenal production of a flawed play by Paul Taylor, Paul Taylor

Michael Grandage revisits John Logan's play about the creation of the Abstract Expressionist's monumental Seagram murals

SOURCE: The Independent at 5:48am on May 16, 2018[SHARE]

Describe the Night, Hampstead Theatre, London, review: Not for folk who like to leave their brains in the cloakroom by Paul Taylor, Paul Taylor

Rajiv Jospeh has written a massively ambitious play that hops back and forth across a century of Russian history

SOURCE: The Independent at 8:54am on May 11, 2018[SHARE]

Life and Fate, Theatre Royal Haymarket, London, review: Maly Drama Theatre stage 'the 20th century's War and Peace' by Paul Taylor, Paul Taylor

The renowned Russian theatre company adapt Vasily Grossman's epic 1960 novel, which was suppressed by the KGB

SOURCE: The Independent at 6:54am on May 10, 2018[SHARE]

Nightfall, Bridge Theatre, London, review: Barney Norris's special sensitivity is lost on such a large stage by Paul Taylor, Paul Taylor

This play about grief, rural decay, and a struggling farm in Hampshire cries out for the intimacy of a studio environment

SOURCE: The Independent at 7:04am on May 9, 2018[SHARE]

An Ideal Husband, Vaudeville Theatre, London, review: Edward and Freddie Fox create a delicious double act by Paul Taylor, Paul Taylor

Oscar Wilde's comedy gets a shrewd, enjoyable revival from Jonathan Church

SOURCE: The Independent at 7:48am on May 4, 2018[SHARE]

Mood Music, Old Vic, London, review: Joe Penhall's forceful play explores the relationship between commercialism and creativity by Paul Taylor, Paul Taylor

A young female recording artist wrangles with an older male producer

SOURCE: The Independent at 7:42am on May 3, 2018[SHARE]

Chess, Coliseum, review, London: It's impossible to take this show as seriously as it takes itself by Paul Taylor, Paul Taylor

This new production of the Eighties musical by Tim Rice and ABBA's Benny Andersson and Bjorn Ulvaeus is overblown and messy

SOURCE: The Independent at 7:36am on May 2, 2018[SHARE]

Nine Night, National Theatre, London, review: Natasha Gordon's debut play buzzes with comic energy by Paul Taylor, Paul Taylor

A Jamaican nine nights wake is the basis for this affecting, funny study of a family dealing with grief

SOURCE: The Independent at 6:33am on May 1, 2018[SHARE]

The Prudes, Royal Court, London, review: Anthony Neilson trains a rare spotlight on the wilted libido in this funny, frank, and sad piece by Paul Taylor, Paul Taylor

Expect to go to some dark and uncomfortable places while watching a couple attempt to revitalise their sex life

SOURCE: The Independent at 1:06pm on April 26, 2018[SHARE]

The Writer, The Almeida, London, review: Unflaggingly provocative by Paul Taylor, Paul Taylor

Ella Hickson's tricksy play is handled with witty aplomb in Blanche McIntyre's superbly acted production

SOURCE: The Independent at 7:32am on April 25, 2018[SHARE]

Tonight at 8.30, Jermyn Street Theatre, London, review: Gird your loins for nine Noel Coward plays by Paul Taylor, Paul Taylor

An all-day triple-bill has its duds, but fills you with admiration for the energy and chutzpah of everyone involved

SOURCE: The Independent at 8:12am on April 23, 2018[SHARE]

Faceless, Park Theatre, London, review: A compelling play which refuses to reach for easy conclusions by Paul Taylor, Paul Taylor

Selina Fillinger's play sees a young white ISIS bride grilled in court by a Muslim prosecutor

SOURCE: The Independent at 8:12am on April 23, 2018[SHARE]

Tina: the Musical, the Aldwych, London, review: A stupendous Adrienne Warren seems possessed by the spirit of Tina Turner by Paul Taylor, Paul Taylor

Katori Hall's book is too brisk, but this jukebox musical is powered by an unstoppable central performance

SOURCE: The Independent at 8:12am on April 23, 2018[SHARE]

Instructions for Correct Assembly, Royal Court, London, review: Astute dystopian satire by Paul Taylor, Paul Taylor

Hamish Pirie directs Thomas Eccleshare's play with flair, but there's a lack of human warmth to proceedings

SOURCE: The Independent at 11:36am on April 16, 2018[SHARE]

Palmyra, Eurohouse, Battersea Arts Centre, London, review: A smashing double-bill that will haunt you by Paul Taylor, Paul Taylor

Bertrand Lesca and Nasi Voutsas bring their beguiling, unsettling brand of absurdism " a hit at the Edinburgh festival " to London

SOURCE: The Independent at 5:52am on April 16, 2018[SHARE]

Quiz, Noel Coward Theatre, London, review: In James Graham's Who Wants to Be a Millionaire play, the audience is the jury of the 'coughing m by Paul Taylor, Paul Taylor

With its mix of populism, personal tragedy, politics, and even a pub quiz, this is sure to be another hit for a playwright on a roll

SOURCE: The Independent at 7:05am on April 11, 2018[SHARE]

Pericles, Barbican, London, review: Shakespeare as modern psychodrama by Paul Taylor, Paul Taylor

Declan Donnellan's French version of Shakespeare's lesser-performed romance is fitfully very interesting, but not vintage Cheek by Jowl

SOURCE: The Independent at 7:46am on April 10, 2018[SHARE]

Devil with the Blue Dress, The Bunker, London, review: Monica Lewinsky meets #MeToo in this new play by Paul Taylor, Paul Taylor

A timely look at Bill Clinton's relationship with his intern, Kevin Armento's play puts the stories of five women centre stage " with the former president played by a saxophone

SOURCE: The Independent at 6:00am on April 5, 2018[SHARE]

Cathy, Soho Theatre, London, review: a galvanising update of Cathy Come Home by Paul Taylor, Paul Taylor

Cardboard Citizens' visceral show reminds audiences how easy it would be to become homeless

SOURCE: The Independent at 6:53am on April 3, 2018[SHARE]

The Inheritance, Young Vic, London, review: Extraordinarily accomplished acting by Paul Taylor, Paul Taylor

Stephen Daldry directs Matthew Lopez's play about gay life in New York, a generation after the AIDS crisis, which is inspired by E.M. Forster's novel 'Howards End'

SOURCE: The Independent at 6:53am on March 29, 2018[SHARE]

Kiss of the Spider Woman, Menier Chocolate Factory, London, review: A focused, bitter-sweet adaptation by Paul Taylor, Paul Taylor

Set in an Argentine prison cell, this adaptation of Manuel Puig's novel, brings out the emotional delicacy of what the pair discover about themselves about the nature of love and power

SOURCE: The Independent at 6:56am on March 22, 2018[SHARE]

Macbeth, Royal Shakespeare Theatre, Stratford-upon-Avon, review: A powerful take on the Macbeth marriage by Paul Taylor, Paul Taylor

The death cries of Macduff's slaughtered children are accidentally relayed to Lady Macbeth's mobile phone in this modern-dress production of 'Macbeth' starring Christophe…

SOURCE: The Independent at 11:04am on March 21, 2018[SHARE]

The Great Wave, National Theatre, London, review: It sensitively intertwines the intimacies of private pain and the pressures of international politic by Paul Taylor, Paul Taylor

Family tragedy about a girl who apparently drowns on a Japanese beach takes on a political dimension in Francis Turnley's epic new thriller

SOURCE: The Independent at 8:05am on March 20, 2018[SHARE]

Fanny & Alexander, Old Vic, London, review: Penelope Wilton is superb by Paul Taylor, Paul Taylor

Stephen Beresford, who wrote the film 'Pride', has scripted a stage adaptation of Ingmar Bergman's semi-autobiographical family saga 'Fanny & Alexander'

SOURCE: The Independent at 9:25am on March 5, 2018[SHARE]