Blue Heart, Orange Tree, Richmond, review: 'This dazzling diptych makes extraordinary demands of the cast' by Paul Taylor, Paul Taylor

Nearly 20 years after its Royal Court premiere, this exhilarating Caryl Churchill double-bill includes two one act plays, Heart's Desire and Blue Kettle

The Red Barn, Lyttelton, National Theatre, review: 'The impossibly elegant Elizabeth Debicki (of Night Manager fame) exudes, like an expensive pe by Paul Taylor, Paul Taylor

David Hare's new play is based on Georges Simenon's thriller, La Main, and stars Debicki, Hope Davis and Mark Strong

Oil, Almeida Theatre, London, review: 'The play will, I suspect, divide audiences but I'm not complaining when I say that I can't get i by Paul Taylor, Paul Taylor

Anne-Marie Duff time-travels across a century and a half, ending up in the dystopian, post-oil future of 2051 in Ella Hickson's play Oil, which connects the dawn of the Oil Age with the…

A Man of Good Hope, Young Vic, London, review: 'In troubled post-Brexit Britain, the show is an inspiration in its open-hearted resonant appeal f by Paul Taylor, Paul Taylor

The true story of a Somalian refugee's epic journey across Africa, brought to life with music from the Isango Ensemble

Shopping and F**king, Lyric Theatre, Hammersmith, review: A high-energy, go-for-broke production by Paul Taylor, Paul Taylor

Too often the performances feel like frenetic demonstrations rather than lived experience

One Night in Miami..., Donmar Warehouse, London, review: 'Sope Dirisu beautifully captures both the mischievous charm and full-of-beans cockiness by Paul Taylor, Paul Taylor

Cassius Clay (aka Muhammad Ali) celebrates 1964 heavyweight title in hotel room with activist Malcolm X, singer Sam Cooke and American football star Jim Brown

Travesties, Menier Chocolate Factory, London review: A first-rate cast perform with terrific pace, zest and dexterity by Paul Taylor, Paul Taylor

Patrick Marber's ace production revels in the play's riotous plenty

No's Knife, Old Vic, London review: Lisa Dwan is back with Beckett in another extraordinary tour de force by Paul Taylor, Paul Taylor

No's Knife has been selected and arranged by the actress from Texts for Nothing

Floyd Collins, Wilton's Music Hall, London, review: 'On no account to be missed' by Paul Taylor, Paul Taylor

This musical tells the real-life story of a young man who becomes trapped in the cave he has discovered in 1920s Kentucky

The Libertine, Theatre Royal, Haymarket, London, review: Dominic Cooper is curiously colourless and uncompelling as Rochester by Paul Taylor, Paul Taylor

Dominic Cooper plays hedonistic 17th Century rake the Earl of Rochester in this sexually charged play by award-winning playwright Stephen Jeffreys

Father Comes Home from the Wars (Parts 1, 2 & 3), Royal Court, review: 'Immensely arresting and impressive piece of work' by Paul Taylor, Paul Taylor

Dinner at the Twits, The Vaults, London, theatre review: 'For all its culinary novelty, this show leaves a rather bland taste in the mouth' by Paul Taylor, Paul Taylor

To mark the centenary of Roald Dahl's birth, theatre company Les Enfants Terribles joined forces with Bompas and Parr to serve up his 1979 children's book as an immersive theatrica…

Things I Know To Be True, Lyric Theatre, Hammersmith, review: 'Genuinely haunting and fervently recommended' by Paul Taylor, Paul Taylor

A beautiful and painfully perceptive portrait of a family and the frictions that arise when grown-up children try to push beyond the confines of their loving parents' expectations

The Emperor, Young Vic, London, review: 'Witty and haunting production' by Paul Taylor, Paul Taylor

It's no wonder that Ryszard Kapucsinski's 1978 book appeals to theatre-makers, says Paul Taylor

punkplay, Southwark Playhouse, review: 'The troubled dynamic is beautifully handled' by Paul Taylor, Paul Taylor

Gregory S Moss's 2009 play is now receiving its UK premiere

Labyrinth, Hampstead Theatre, London, review: Dynamic and deeply researched by Paul Taylor, Paul Taylor

Some may feel it is a bit too school-of-Enron for comfort

Britten in Brooklyn, Wilton's Music Hall, London, review: 'Resoundingly hollow and off-key' by Paul Taylor, Paul Taylor

Zoe Lewis's new play, starring Sadie Frost, is based on true events

King Lear, Royal Shakespeare Theatre, Stratford-upon-Avon, review: 'An evening that moves and impresses' by Paul Taylor, Paul Taylor

Antony Sher played a memorable Fool to Michael Gambon's Lear at the RSC in 1982. Now he returns to the tragedy as the lead

Unfaithful, Found 111, theatre review: 'Recommended' by Paul Taylor, Paul Taylor

Owen McCafferty takes what could have been a hackneyed scenario " middle-aged marriage rocked by the imputation of infidelity " and gives it a raw contemporary twist

The Entertainer, Garrick Theatre, review: 'Kenneth Branagh rises to the occasion' by Paul Taylor, Paul Taylor

Music hall meets domestic drama in this revival of John Osborne's classic play

They Drink It In The Congo, Almeida Theatre, review: 'A rich mess and a bold sprawl' by Paul Taylor, Paul Taylor

The Almeida addressed the situation in the Democratic Republic of Congo a few years back when it staged the European premiere of Lynn Nottage's Pulitzer Prize-winning Ruined. Adam Brace…

946: The Amazing Story of Adolphus Tips, Shakespeare's Globe, review: 'A winningly rumbustious family show' by Paul Taylor, Paul Taylor

Theatre's love-affair with the writings of War Horse author Michael Morpurgo continues with this stage version of his 2006 novella

Groundhog Day, Old Vic, theatre review: 'Such a tonic that it's a pity you can't get a repeat prescription for it' by Paul Taylor, Paul Taylor

The stage-musical adaptation of the 1993 movie reunites the team behind the smash-hit Matilda

The Burnt Part Boys, Park Theatre, review: 'Entertaining enough' by Paul Taylor, Paul Taylor

The European premiere of an off-Broadway show and the first musical ever to be staged in Park90 is a bold choice, says Paul Taylor

Allegro, Southwark Playhouse, musical review: 'A heartfelt production that takes you into the soul of a lost gem' by Paul Taylor, Paul Taylor

This Rodgers and Hammerstein musical had to wait nearly 70 years for its professional European premiere