Review: 'Drunk Shakespeare,' Where the Tipsy and the Sober Take Liberties
Each night the Drunk Shakespeare Society gathers with audience members on a library-like set, whereupon one actor downs alcohol, and the play commences.
Each night the Drunk Shakespeare Society gathers with audience members on a library-like set, whereupon one actor downs alcohol, and the play commences.
Toshiki Okada's play at Japan Society uses an allegory to dissect the relationship among these three countries.
Mr. Jan's play is a multimedia quest to uncover details about his father's past.
Mr. Wellman's play at the Connelly Theater uses Hitler's dog, among other tools, to criticize international relations today.
The ABC musical-comedy series, starting its second season on Sunday, is mindless in all the best ways.
A genius philosopher-student of molecular biology bares all in a one-man autobiographical show.
This Juliana Francis Kelly work revolves around the rehearsal of a play about four teenagers.
This crime show, which keeps finding ways to stay on the air, has a new home, A&E.
Young people were just as shallow 100 years ago, according to this David Pinski work, presented by the New Worlds Theater Project.
Peter Story performs in his one-man show about man-woman relationships, adapted from the book by John Gray.
Mr. Minhaj, a correspondent for "The Daily Show," tells of Indian weddings and a prom date in his one-man show at Cherry Lane Theater.
For a change of pace, try building homes for bats, getting lied to in Greenwich Village or hooking up at Joe's Pub.
A Texas couple transition to a world where Western and Saudi elements mix uneasily in this musical from Monk Parrots, at 59E59 Theaters.
James Walski's dance musical fantasy, which had its premiere in Japan in 2008, is delivered on garish sets at Stage 42.
JB Reich's comedy centers on two Upper West Side parents trying desperately to get their 3-year-old into a prestigious preschool.
In this production from the Seattle Children's Theater, four actors play virtually all the parts as Robin is pursued by the bumbling sheriff of Nottingham.
This 1922 comedy by Arthur Richman, the basis of several movies, gets a revival by the Metropolitan Playhouse.
This 90-minute intermissionless production of an early John Patrick Shanley work is really a play in three parts that centers on a young couple.
David Hanbury's drag show mines the repertories of favorites like Streisand and Minnelli, as well as the sad story of Mrs. Smith's missing cat.
In Casey Wimpee's play, five West Virginia miners trapped during a cave-in share their histories and anxieties.
An update of the play that opened Off Broadway in 1988, this film is about a shoe salesman who learns that an uncle he never met has left him a large inheritance.
Kitty Witless and Dr. Dan return to the Laurie Beechman Theater for more drag debauchery that comes complete with an onstage birth.
In It Must Be Him, a comedy by Kenny Solms, Peter Scolari plays a television writer who's trying to revive his career.
“Roadkill Confidential,” a new work by Sheila Callaghan, is intriguing to watch, yet it leaves no impression.
“How I Fell in Love,” by the television writer Joel Fields, studies the intersection of friendship and love.