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341 stories by "Neil Genzlinger"

Review: 'Drunk Shakespeare,' Where the Tipsy and the Sober Take Liberties by Neil Genzlinger

Each night the Drunk Shakespeare Society gathers with audience members on a library-like set, whereupon one actor downs alcohol, and the play commences.

SOURCE: The New York Times Subscription at 5:28pm on January 25, 2016

Review: In 'God Bless Baseball,' Japan, Korea and America's Pastime by Neil Genzlinger

Toshiki Okada's play at Japan Society uses an allegory to dissect the relationship among these three countries.

SOURCE: The New York Times Subscription at 7:14pm on January 15, 2016

Review: Lars Jan's 'The Institute of Memory (TIMe)' Is a Search for Identity by Neil Genzlinger

Mr. Jan's play is a multimedia quest to uncover details about his father's past.

SOURCE: The New York Times Subscription at 6:04pm on January 11, 2016

Review: 'The Offending Gesture' Takes On Foreign Policy's Barking Madness by Neil Genzlinger

Mr. Wellman's play at the Connelly Theater uses Hitler's dog, among other tools, to criticize international relations today.

SOURCE: The New York Times Subscription at 6:19pm on January 10, 2016

Critic's Notebook: 'Galavant' Goes Medieval for the Biggest Laughs by Neil Genzlinger

The ABC musical-comedy series, starting its second season on Sunday, is mindless in all the best ways.

SOURCE: The New York Times Subscription at 8:56pm on December 30, 2015

Review: 'Phalaris's Bull,' or How a Man Comes to Terms With Life by Neil Genzlinger

A genius philosopher-student of molecular biology bares all in a one-man autobiographical show.

SOURCE: The New York Times Subscription at 4:20pm on December 28, 2015

Review: In 'The Reenactors,' a Play About a Suicide Pact Has a Twist by Neil Genzlinger

This Juliana Francis Kelly work revolves around the rehearsal of a play about four teenagers.

SOURCE: The New York Times Subscription at 5:03pm on December 7, 2015

'Unforgettable,' Apparently Forever by Neil Genzlinger

This crime show, which keeps finding ways to stay on the air, has a new home, A&E.

SOURCE: The New York Times Subscription at 4:32pm on November 17, 2015

Review: 'Professor Brenner,' a 1911 Play About a Generation Gap by Neil Genzlinger

Young people were just as shallow 100 years ago, according to this David Pinski work, presented by the New Worlds Theater Project.

SOURCE: The New York Times Subscription at 9:09am on November 17, 2015

Review: 'Men Are From Mars, Women Are From Venus, Live!' by Neil Genzlinger

Peter Story performs in his one-man show about man-woman relationships, adapted from the book by John Gray.

SOURCE: The New York Times Subscription at 7:04pm on November 13, 2015

Review: Hasan Minhaj's 'Homecoming,' a Tale of Multiple Worlds by Neil Genzlinger

Mr. Minhaj, a correspondent for "The Daily Show," tells of Indian weddings and a prom date in his one-man show at Cherry Lane Theater.

SOURCE: The New York Times Subscription at 10:51pm on October 29, 2015

10 Unconventional Halloween Diversions by Neil Genzlinger

For a change of pace, try building homes for bats, getting lied to in Greenwich Village or hooking up at Joe's Pub.

SOURCE: The New York Times Subscription at 2:34pm on October 22, 2015

Review: 'Welcome to the Kingdom of Saudi Arabia,' a Musical by Neil Genzlinger

A Texas couple transition to a world where Western and Saudi elements mix uneasily in this musical from Monk Parrots, at 59E59 Theaters.

SOURCE: The New York Times Subscription at 3:58pm on October 20, 2015

Review: 'Trip of Love,' a Light and Energetic Collection of '60s Hits by Neil Genzlinger

James Walski's dance musical fantasy, which had its premiere in Japan in 2008, is delivered on garish sets at Stage 42.

SOURCE: The New York Times Subscription at 6:21pm on October 19, 2015

Review: 'Cut Throat,' Mocking, Yet Embracing, the Clichés by Neil Genzlinger

JB Reich's comedy centers on two Upper West Side parents trying desperately to get their 3-year-old into a prestigious preschool.

SOURCE: The New York Times Subscription at 5:24pm on October 13, 2015

Review: A Playful 'Robin Hood,' Complete With Sack Race, at the New Victory Theater by Neil Genzlinger

In this production from the Seattle Children's Theater, four actors play virtually all the parts as Robin is pursued by the bumbling sheriff of Nottingham.

SOURCE: The New York Times Subscription at 4:44pm on October 5, 2015

Review: 'The Awful Truth,' Modern Woman and No-So-Modern Men by Neil Genzlinger

This 1922 comedy by Arthur Richman, the basis of several movies, gets a revival by the Metropolitan Playhouse.

SOURCE: The New York Times Subscription at 12:51pm on September 27, 2015

Review: 'The Dreamer Examines His Pillow' Talks of Love, Lust and Lots More by Neil Genzlinger

This 90-minute intermissionless production of an early John Patrick Shanley work is really a play in three parts that centers on a young couple.

SOURCE: The New York Times Subscription at 6:18pm on August 3, 2015

Review: 'Mrs. Smith's Broadway Cat-Tacular!,' a Ziegfeld-Style Portrait by Neil Genzlinger

David Hanbury's drag show mines the repertories of favorites like Streisand and Minnelli, as well as the sad story of Mrs. Smith's missing cat.

SOURCE: The New York Times Subscription at 5:25pm on July 28, 2015

Review: In 'Butcher Holler Here We Come,' Tensions Down in the Hole by Neil Genzlinger

In Casey Wimpee's play, five West Virginia miners trapped during a cave-in share their histories and anxieties.

SOURCE: The New York Times Subscription at 5:37pm on July 26, 2015

Review: 'Lucky Stiff,' Still Farcical, Returns as a Movie by Neil Genzlinger

An update of the play that opened Off Broadway in 1988, this film is about a shoe salesman who learns that an uncle he never met has left him a large inheritance.

SOURCE: The New York Times Subscription at 7:05am on July 24, 2015

Review: Jinkx Monsoon Is Back, and Pregnant, in 'The Vaudevillians: Bringing Up Baby' by Neil Genzlinger

Kitty Witless and Dr. Dan return to the Laurie Beechman Theater for more drag debauchery that comes complete with an onstage birth.

SOURCE: The New York Times Subscription at 5:56pm on June 1, 2015

Has-Been Writer Hopes to Break Out of a Slump by Neil Genzlinger

In It Must Be Him, a comedy by Kenny Solms, Peter Scolari plays a television writer who's trying to revive his career.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

Theater Review | 'Roadkill Confidential': Some Unlucky Animals, Giving Their Lives for Art by Neil Genzlinger

“Roadkill Confidential,” a new work by Sheila Callaghan, is intriguing to watch, yet it leaves no impression.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

Theater Review | 'How I Fell in Love': Where Friendship and Love Find Their Common Ground by Neil Genzlinger

“How I Fell in Love,” by the television writer Joel Fields, studies the intersection of friendship and love.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015
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