1,125 stories by "Natasha Tripney"
James Graham's new play Ink, about the rise of The Sun newspaper, is a fascinating study of Fleet Street as it once
Audra McDonald is a performer of great vocal prowess and precision. A six-time Tony-winner, she has a rich, operatic voice, and in
Isaac comes home from the war to a home in disarray. His father has suffered a debilitating stroke and his sister is
His performance is one of complexity, clarity and control: In its move from the Almeida to the Harold Pinter Theatre in the
The cover of a recent reprint of Edna O'Brien's first novel, The Country Girls, makes it look like any number of chick
After 17 years in the role, David Lan is to step down as artistic director of the Young Vic. He began his
"Who is torturing whom?" Natasha Tripney crafts a cut-up poem from the fever dream that is the 2017 Edinburgh Fringe programme.
The post Fringe Programme Poetry appeared first on Exeunt Maga…
Alice Birch's new play is scored like a piece of music. Her latest collaboration with director Katie Mitchell, after Ophelias Zimmer, explores
The 2017 Edinburgh Festival Fringe programme has landed. We'll be diving in to its pages deeper at a later date, once we’re
Set in six different cities " Lagos, Kampala, Harare, Johannesburg, Accra and London " Inua Ellam' latest play for the National Theatre
DC Moore's huge, bamboozling play, Common, is strangely unengaging for something that features folk horror, lesbianism, human sacrifice and an animatronic crow.
Stephen Jackson's Verity Bargate award-winning debut play-with-songs, Roller Diner, resists easy categorisation. Set in an American-themed greasy spoon in Birmingham that has
"Appealing pyromaniac tendencies" - Natasha Tripney reviews GorÄin Stojanović's production of Don Juan.
The post Review: Don Juan at Jugoslovensko Dramsko Pozoriste, Belgrade appeare…
It's not always easy to see the stars in London, but Joe Wright's engaging new production of Brecht's Life of Galileo makes
There are two competing registers at work in Mark Wienman's promising debut play, Dyl. While certain scenes bring to mind a flat-share
This is both a homecoming and a reclamation. Twenty-five years ago Northern Broadsides made its debut in Hull with a production of
Before Rory Stewart became a Tory MP he was deputy governorate co-ordinator in Iraq in 2003, an experience he documented in his
Kate Tempest, poet, performer, musician and novelist, opens this year's Brighton Festival, of which she is guest director, with a 20-minute set
Brighton comes alive in May. The Festival stretches across the city, spilling on to the beach and stretching into its suburbs. There
Interviews are weird. They occupy a very strange social space. They require a degree of performance from interviewer and interviewee both, some
With a West End transfer already nailed down long before it even opened, this one was always going to be big. And
If you thought the Donmar Warehouse was one of the few theatres where you could absolutely guarantee that you wouldn't encounter audience
Barney Norris is a heartbreaker. He excels at writing minor-key stories full of regret and unvoiced longing. His new play, While We're
Death permeates Daniel Kramer's opener for Emma Rice's second " and last, before she steps down amid circumstances that might kindly be
When the slow ascension of a projector screen from the floor of the stage is the most exciting thing to happen in
