903 stories by "Laura Collins-Hughes"
In Amir Reza Koohestani's "Timeloss," two actors, former lovers, rehash an argument that's both scripted and real.
The Talking Band, a SoHo based avant-garde theater company that produced its first show 40 years ago, remains active and vital.
Jeremy Chess, the producer of "Soul Doctor," hopes for success as the play moves to an Off Broadway stage.
"Burning Bluebeard," a play set around a 1903 theater fire, has become a tradition in Chicago.
"Cafe Society Swing," a revue wrapped around a bit of New York history, traces the demise of the Greenwich Village jazz club Cafe Society.
In the musical "Disenchanted!" the director Fiely A. Matias puts a twist on the fairy-tale princess.
"The Velvet Oratorio," written by Edward Einhorn and composed and directed by Henry Akona, commemorates the 25th anniversary of the Velvet Revolution in Czechoslovakia.
Todd Michael's "The Asphalt Christmas" is a satirical mash-up of old Hollywood movies, holiday-related and otherwise.
Shuler Hensley stars in "Dr. Seuss' How the Grinch Stole Christmas! The Musical," the holiday offering at the Theater at Madison Square Garden.
"Send for the Million Men," a multimedia drama at Here, enlists puppets, video, a robot and three human actors to revisit the 1920s trial and execution of Sacco and Vanzetti.
After 46 years, Michael P. Price is stepping down as executive director of Goodspeed Musicals in Connecticut.
"On a Stool at the End of the Bar," by Robert Callely, follows a couple as they adjust to some surprising truths.
As "Tamburlaine, Parts I and II" prepares to open, a look at productions which have needed that most theatrical of special effects.
"Odd Birdz," from the ensemble Tziporela, features sketches with a wide range of characters and situations.
"Spacebar: A Broadway Play by Kyle Sugarman" is a coming-of-age comedy about a Colorado drama geek yearning for his father, who's fled to New York.
Zvi Sahar's theater piece "Salt of the Earth" is set in a dystopian Israel under siege from within.
"Six Characters in Search of an Author" retains its haunting, experimental feel in Emmanuel Demarcy-Mota's production at the Brooklyn Academy of Music's Harvey Theater.
Now getting a rare revival from the New Group, David Rabe's "Sticks and Bones" brings America's living-room war into a sitcom-perfect American living room.
In "Not Afraid," a new play by Nora Sorena Casey, a young woman's violent fixations threaten to turn on her.
"Uncanny Valley," at 59E59 Theaters, is a sort of futuristic Pinocchio tale involving an android.
"Rococo Rouge" is Company XIV's flamboyant mix of fashion, opera, dance and more in the East Village.
A "Tempest" at La MaMa, starring Reg E. Cathey, is sonically lush, with music by Elizabeth Swados.
Jordan Harrison's new comedy "Marjorie Prime" premieres at the Mark Taper Forum with Lois Smith in the title role.
Mike Daisey performs "The Great Tragedies," four monologues that touch on his grave frailties in the context of Shakespeare's tragedies, at California Shakespeare Theater.
The outdoor presentation of "Everything by my side," by Fernando Rubio of Buenos Aires, is part of the Crossing the Line festival.
