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903 stories by "Laura Collins-Hughes"

George Takei Guides 'Allegiance,' a Musical, Not a Starship by Laura Collins-hughes

Mr. Takei's memories of his family's imprisonment in the United States during World War II inspired the Broadway musical "Allegiance."

SOURCE: The New York Times Subscription at 7:21am on October 27, 2015[SHARE]

For Big Outdoor Site Specific Stuff, Location, Location and Good Weather by Laura Collins-hughes

This theater festival produced by Anne Hamburger at Hudson River Park in Chelsea presents new works by younger artists.

SOURCE: The New York Times Subscription at 4:52pm on October 22, 2015[SHARE]

Exploring the Cold War History Behind 'Perfect Arrangement' by Laura Collins-hughes

Matthew Coffey, the daughter of the actress Julia Coffey, was involved in similar government operations as the one outlined in the play.

SOURCE: The New York Times Subscription at 12:18pm on October 22, 2015[SHARE]

Review: 'Chase: What Matters Most?': Banking After the Apocalypse by Laura Collins-hughes

Five employees of Financial Bank report to work every day, even though their customers have vanished, in this production by Animals Performance Group.

SOURCE: The New York Times Subscription at 2:26pm on October 16, 2015[SHARE]

Review: 'Would You Still Love Me If …,' With Kathleen Turner, Touches on Gender Identity by Laura Collins-hughes

This play, which starts its director, Ms. Turner, centers on a lesbian couple and a possible gender change

SOURCE: The New York Times Subscription at 6:44pm on October 12, 2015[SHARE]

Review: 'Please Excuse My Dear Aunt Sally,' a Phone's Tale by Laura Collins-hughes

Kevin Armento's play follows an affair between a high school boy and his algebra teacher from the perspective of the boy's self-aware cellphone.

SOURCE: The New York Times Subscription at 6:50pm on October 6, 2015[SHARE]

Review: 'Pondling' Looks Deep Into the Heart of a Disturbed Child by Laura Collins-hughes

Genevieve Hulme-Beaman's solo play, in which she stars, is part of the Origin Theater Company's 1st Irish festival at 59E59 Theaters.

SOURCE: The New York Times Subscription at 7:07pm on September 22, 2015[SHARE]

Review: 'Sex of the Baby,' a Tale of Desire and Betrayal by Laura Collins-hughes

Matthew-Lee Erlbach's play centers on two gay men seeking to have a child, and a prospective birth mother who ends up having an affair with one of them.

SOURCE: The New York Times Subscription at 5:22pm on September 21, 2015[SHARE]

Review: In 'Little Thing, Big Thing,' a Nun, a Criminal and a Social Conscience by Laura Collins-hughes

Donal O'Kelly's "Little Thing, Big Thing" is not the moldy old caper you might expect.

SOURCE: The New York Times Subscription at 6:32pm on September 9, 2015[SHARE]

Women's Voices Theater Festival Celebrates Female Playwrights by Laura Collins-hughes

The Women's Voices Theater Festival, which runs through Nov. 22, will present 56 world-premiere productions at 51 participating theaters.

SOURCE: The New York Times Subscription at 6:16pm on September 8, 2015[SHARE]

Review: 'They Are Gone' Is Kathryn Hamilton's Play About Protest and Apathy by Laura Collins-hughes

This multimedia work blends fiction and reality as it speaks to the power of artists to incite action with images.

SOURCE: The New York Times Subscription at 6:03pm on September 7, 2015[SHARE]

Review: Two Bergman Films, Adapted on a Philadelphia Stage by Laura Collins-hughes

"Persona" and "After the Rehearsal," both directed by Ivo van Hove, have their American premieres at the FringeArts festival.

SOURCE: The New York Times Subscription at 7:24pm on September 4, 2015[SHARE]

Review: 'Magic Trick,' the Tale of a Breakup in the World of Burlesque by Laura Collins-hughes

This play finds a young woman who uses a wheelchair experiencing a breakup with her boyfriend.

SOURCE: The New York Times Subscription at 6:28pm on August 30, 2015[SHARE]

Tennessee Williams Short Stories, Now as One-Acts by Laura Collins-hughes

Wednesday in 2d graf is Sept. 2 Playwrights including Beth Henley, David Grimm, Marcus Gardley and John Guare talk about adapting Williams's stories for the Acting Company.

SOURCE: The New York Times Subscription at 8:30am on August 28, 2015[SHARE]

Review: Taking In the New York International Fringe Festival, From Ferry to Theater by Laura Collins-hughes

With nearly 200 productions, navigating this festival can be difficult, but it can also be a surprisingly happy theatergoing experience.

SOURCE: The New York Times Subscription at 7:28pm on August 25, 2015[SHARE]

After Outcry Over Diversity, Manhattan Theater Club Is Making a Change by Laura Collins-hughes

Manhattan Theater Club's coming season of productions solely by white male playwrights led to a sometimes heated discussion on Twitter and other social media outlets.

SOURCE: The New York Times Subscription at 10:24pm on August 20, 2015[SHARE]

Review: 'Grey Gardens' Is Revived in Its Real Setting, the Hamptons by Laura Collins-hughes

This musical about two relatives of Jacqueline Kennedy Onassis is playing in Sag Harbor, N.Y.

SOURCE: The New York Times Subscription at 5:28pm on August 18, 2015[SHARE]

Review: In 'Steve: A Docu-Musical,' Colin Summers Honors an Online Mystery Lyricist by Laura Collins-hughes

Mr. Summers's one-man show details his online correspondence with the title's inspiration: a man, possibly Australian, who submitted lyrics to him over seven years.

SOURCE: The New York Times Subscription at 10:25pm on August 12, 2015[SHARE]

Review: In 'The Comedy of Errors,' Twins Lead to Confusion by Laura Collins-hughes

Kelley Curran steals the show in Taibi Magar's staging of this comedy, presented in Lenox, Mass., by Shakespeare & Company.

SOURCE: The New York Times Subscription at 7:10pm on August 4, 2015[SHARE]

Review: In 'Freight,' a Black Man Follows the Script for Five Incarnations by Laura Collins-hughes

In Howard L. Craft's century-spanning play at Here, J. Alphonse Nicholson plays a minstrel, a faith healer, an F.B.I. informant, an actor and a homeless man.

SOURCE: The New York Times Subscription at 6:12pm on August 3, 2015[SHARE]

Review: 'Paradise Blue' Rekindles Racial Drama in 1949 Detroit by Laura Collins-hughes

This jazz-infused play at the Williamstown Theater Festival stars Blair Underwood as a bullying nightclub owner and De'Adre Aziza as the alluring stranger who comes to town.

SOURCE: The New York Times Subscription at 5:02pm on July 29, 2015[SHARE]

Review: 'Antigona,' From Noche Flamenca, Pairs Rhythmic Dance With Greek Drama by Laura Collins-hughes

The odd-couple match of flamenco and ancient Greek tragedy in this production at West Park Presbyterian Church makes an "Aha!" kind of sense of the Sophocles work.

SOURCE: The New York Times Subscription at 5:38pm on July 22, 2015[SHARE]

Review: 'Awake and Sing!,' a Depression-Era Family Drama by Laura Collins-hughes

This play by Clifford Odets, directed by Stephen Brown-Fried at the Public Theater, is about a struggling Bronx family with aspirations.

SOURCE: The New York Times Subscription at 5:50pm on July 20, 2015[SHARE]

Critic's Notebook: Review: New York Musical Theater Festival Includes 'Deep Love' and 'Pope!' by Laura Collins-hughes

Among the offerings at this festival is a work in which the lead character wants to be the pope.

SOURCE: The New York Times Subscription at 5:50pm on July 20, 2015[SHARE]

Review: In 'The International,' Those Who Treat a Massacre as Entertainment by Laura Collins-hughes

Tim Ruddy's three-monologue drama takes place during an unnamed conflict that seems very much like Bosnian Serb forces' slaughter of thousands of Muslims in Srebrenica.

SOURCE: The New York Times Subscription at 6:48pm on July 17, 2015[SHARE]
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