DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
916 stories by "Laura Collins-Hughes"

A Year of Mourning Steeped in African Tradition Leads to a Theater Piece by Laura Collins-hughes

Kaneza Schaal's mourning for her father's death led her to create "Go Forth," a performance and installation piece opening at Westbeth Artists Community.

SOURCE: The New York Times Subscription at 5:08pm on December 31, 2015

Marin Mazzie on Cancer and Songs in the Key of Life by Laura Collins-hughes

The Broadway star on the year she's had, how cancer has changed her outlook and why she's talking publicly about her illness.

SOURCE: The New York Times Subscription at 5:39pm on December 30, 2015

Review: Blue Man Group Shows a Sense of Fun at Astor Place Theater by Laura Collins-hughes

The group still performs its signature brand of entertainment at the theater, a space where the company has been performing since 1991.

SOURCE: The New York Times Subscription at 10:29am on December 29, 2015

Review: 'Land of Fire' Centers on a Victim Who Reaches Out to a Terrorist by Laura Collins-hughes

Mario Diament's play, at Theater for the New City, is partly based on the life of Yulie Cohen, an Israeli who sought to forgive a Palestinian involved in the attack that injured her.

SOURCE: The New York Times Subscription at 7:09pm on December 24, 2015

In 'A Wilder Christmas,' Darkness Laced With Sentiment by Laura Collins-hughes

This double bill of one-acts by Thornton Wilder traces 90 years in the life of a family over a dinner table, and invites audience participation during a fictional train trip.

SOURCE: The New York Times Subscription at 6:22pm on December 21, 2015

Review: 'The Unrepeatable Moment,' Six Plays by John Yearley by Laura Collins-hughes

This grab bag at the Barrow Group has a though-provoking start, an exhilarating finish and a few weak spots, Laura Collins-Hughes writes.

SOURCE: The New York Times Subscription at 7:14pm on November 30, 2015

Review: 'Nora,' Ingmar Bergman's Adaptation of Henrik Ibsen's 'A Doll's House' by Laura Collins-hughes

Austin Pendleton has directed this version, at the Cherry Lane Studio, in which Torvald Helmer is startlingly different from what is expected.

SOURCE: The New York Times Subscription at 4:55pm on November 27, 2015

Review: 'Shear Madness,' Where Getting a Haircut Is Murder by Laura Collins-hughes

This interactive comedy-mystery opens in New York, following its decades-long run in Boston.

SOURCE: The New York Times Subscription at 10:36pm on November 11, 2015

Avi Hoffman and Suzanne Toren on 'Death of a Salesman' and Yiddish by Laura Collins-hughes

The language has been an integral part of life for Mr. Hoffman and Ms. Toren, who star in a New Yiddish Rep production of the Arthur Miller play.

SOURCE: The New York Times Subscription at 7:27pm on November 10, 2015

Review: 'Mad Libs Live!,' a Musical With a Few Missing Pieces by Laura Collins-hughes

As in the word game, the audience is asked to help fill in the blanks " a license to go a little lowbrow " in this show at New World Stages.

SOURCE: The New York Times Subscription at 6:14pm on November 10, 2015

Review: 'Chang(e)' Explores a Woman's Self-Immolation by Laura Collins-hughes

Soomi Kim and Suzi Takahashi recount the life and death of Kathy Change, a political protester who died in 1996, in a work at Here Arts Center.

SOURCE: The New York Times Subscription at 5:40pm on November 8, 2015

Review: In Beckett's 'The End,' a Nameless Man Stares Down Death Onstage by Laura Collins-hughes

The company Gare St. Lazare Ireland has adapted this short story into a minimalist play consisting of a monologue.

SOURCE: The New York Times Subscription at 1:31pm on November 3, 2015

Review: 'Death of a Salesman' in Yiddish by Laura Collins-hughes

New Yiddish Rep is performing Arthur Miller's play at the Castillo Theater.

SOURCE: The New York Times Subscription at 6:01pm on November 2, 2015

George Takei Guides 'Allegiance,' a Musical, Not a Starship by Laura Collins-hughes

Mr. Takei's memories of his family's imprisonment in the United States during World War II inspired the Broadway musical "Allegiance."

SOURCE: The New York Times Subscription at 7:21am on October 27, 2015

For Big Outdoor Site Specific Stuff, Location, Location and Good Weather by Laura Collins-hughes

This theater festival produced by Anne Hamburger at Hudson River Park in Chelsea presents new works by younger artists.

SOURCE: The New York Times Subscription at 4:52pm on October 22, 2015

Exploring the Cold War History Behind 'Perfect Arrangement' by Laura Collins-hughes

Matthew Coffey, the daughter of the actress Julia Coffey, was involved in similar government operations as the one outlined in the play.

SOURCE: The New York Times Subscription at 12:18pm on October 22, 2015

Review: 'Chase: What Matters Most?': Banking After the Apocalypse by Laura Collins-hughes

Five employees of Financial Bank report to work every day, even though their customers have vanished, in this production by Animals Performance Group.

SOURCE: The New York Times Subscription at 2:26pm on October 16, 2015

Review: 'Would You Still Love Me If …,' With Kathleen Turner, Touches on Gender Identity by Laura Collins-hughes

This play, which starts its director, Ms. Turner, centers on a lesbian couple and a possible gender change

SOURCE: The New York Times Subscription at 6:44pm on October 12, 2015

Review: 'Please Excuse My Dear Aunt Sally,' a Phone's Tale by Laura Collins-hughes

Kevin Armento's play follows an affair between a high school boy and his algebra teacher from the perspective of the boy's self-aware cellphone.

SOURCE: The New York Times Subscription at 6:50pm on October 6, 2015

Review: 'Pondling' Looks Deep Into the Heart of a Disturbed Child by Laura Collins-hughes

Genevieve Hulme-Beaman's solo play, in which she stars, is part of the Origin Theater Company's 1st Irish festival at 59E59 Theaters.

SOURCE: The New York Times Subscription at 7:07pm on September 22, 2015

Review: 'Sex of the Baby,' a Tale of Desire and Betrayal by Laura Collins-hughes

Matthew-Lee Erlbach's play centers on two gay men seeking to have a child, and a prospective birth mother who ends up having an affair with one of them.

SOURCE: The New York Times Subscription at 5:22pm on September 21, 2015

Review: In 'Little Thing, Big Thing,' a Nun, a Criminal and a Social Conscience by Laura Collins-hughes

Donal O'Kelly's "Little Thing, Big Thing" is not the moldy old caper you might expect.

SOURCE: The New York Times Subscription at 6:32pm on September 9, 2015

Women's Voices Theater Festival Celebrates Female Playwrights by Laura Collins-hughes

The Women's Voices Theater Festival, which runs through Nov. 22, will present 56 world-premiere productions at 51 participating theaters.

SOURCE: The New York Times Subscription at 6:16pm on September 8, 2015

Review: 'They Are Gone' Is Kathryn Hamilton's Play About Protest and Apathy by Laura Collins-hughes

This multimedia work blends fiction and reality as it speaks to the power of artists to incite action with images.

SOURCE: The New York Times Subscription at 6:03pm on September 7, 2015

Review: Two Bergman Films, Adapted on a Philadelphia Stage by Laura Collins-hughes

"Persona" and "After the Rehearsal," both directed by Ivo van Hove, have their American premieres at the FringeArts festival.

SOURCE: The New York Times Subscription at 7:24pm on September 4, 2015
« Previous 25   Page 30 of 37   Next 25 »